A Delay Is Better
Studio album by
Pamela Z
ReleasedOctober 26, 2004 (October 26, 2004)
Recorded1986-1997
GenreAvant-garde classical
Length1:01:36
LabelStarkland

A Delay Is Better is a solo album by Pamela Z[1] and was released on the Starkland label in 2004.[2] It has received rotation on WNYC,[3] been the subject of review by an academic journal,[1] speciality music magazines,[4] and included for coverage in a chapter devoted to Pamela Z in a textbook.[5] The album liner notes were written by Pauline Oliveros.[4]

Musical style and compositions

As Pamela Z's first album, A Delay Is Better summarizes her work and development of the preceding two decades. The album contains a variety of explorations of vocal performance utilizing delay effects, found objects, and extended vocal techniques. The music itself, being built around live performance with digital tools such as Max/MSP and the Bodysynth, lead an academic reviewer to suggest the work encompasses an "exocentric body/instrument relationship."[1]

The album features works for voice and delay, found text, and voice with additional processing. Additionally, Feral was written as part of a dance score for Hoist by choreographer Jo Kreiter.[5]

Track listing

All music written by Pamela Z

  1. "Bone Music" – 7:14
  2. "Badagada" – 3:41
  3. "Number 3" – 6:50
  4. "Pop Titles 'You'" – 3:10
  5. "In Tymes of Olde" – 5:48
  6. "The MUNI Section" – 3:52
  7. "NEMIZ" – 4:51
  8. "Geekspeak" – 7:31
  9. "Questions" – 5:30
  10. "50 (for Charles Amirkhanian)" – 2:03
  11. "Feral" – 5:24
  12. "Obsession, Addiction, and the Aristotelian Curve" – 5:08

References

  1. 1 2 3 Ellen, Waterman. "Recording Reviews: A Delay is Better". Journal of the Society for American Music. 2 (2): 281–283.
  2. ↑ "Ze Cat's Meow: Pamela Z: " New Strategies with DJ Spooky" at Symphony Space, the Cutting Room, and the Stone". Brooklyn Rail.
  3. ↑ "Pamela Z". WNYC.
  4. 1 2 Brian, Morton (May 2005). "Pamela Z: A Delay is Better". The Wire: 34.
  5. 1 2 Composition in the Digital World. Oxford University Press. 2015. pp. 306–316. ISBN 9780199357031.
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