Aerith Gainsborough
Final Fantasy character
Drawing of a brown-haired girl with green eyes holding a large staff. She wears silver bracelets, brown boots and a shin-length pink dress that buttons up with the front with a red bolero jacket.
Aerith Gainsborough artwork by Tetsuya Nomura for Final Fantasy VII.
First appearanceFinal Fantasy VII (1997)
Created byYoshinori Kitase
Hironobu Sakaguchi
Designed byTetsuya Nomura
Voiced by
  • Mandy Moore (Kingdom Hearts)[1]
  • Mena Suvari (Kingdom Hearts II and Advent Children)[2][3]
  • Andrea Bowen (Crisis Core, Dissidia 012, Explorers, Mobius, Kingdom Hearts III Re Mind)[4]
  • Briana White (Final Fantasy VII Remake and Crisis Core Reunion)[5]
  • Capri Oliver (Final Fantasy VII Remake, young)
In-universe information
RaceCetra-Human Hybrid
WeaponStaff
HomeIcicle Inn

Aerith Gainsborough (Japanese: エアリス・ゲインズブール, Hepburn: Earisu Geinzubūru), transliterated as Aeris Gainsborough in the English releases of Final Fantasy VII and Final Fantasy Tactics, is a character in Square's (now Square Enix) role-playing video game Final Fantasy VII. She was designed by Tetsuya Nomura with influence from Yoshinori Kitase, Hironobu Sakaguchi and Yoshitaka Amano.

She is one of the main characters of Final Fantasy VII, a young woman allied with the eco-terrorist organization AVALANCHE. Over the course of the story, AVALANCHE begin to pursue the game's antagonist Sephiroth, and the player learns that she is the last surviving Cetra, or "Ancient", one of the planet's oldest races. She is ultimately murdered by Sephiroth. She has also appeared in the Compilation of Final Fantasy VII and Kingdom Hearts series.

She is voiced in Japanese by Maaya Sakamoto. In English, she is voiced by Mandy Moore in Kingdom Hearts, Mena Suvari in Kingdom Hearts II and Final Fantasy VII Advent Children, Andrea Bowen in Crisis Core: Final Fantasy VII and the Re Mind DLC of Kingdom Hearts III, and Briana White in Final Fantasy VII Remake and Crisis Core: Final Fantasy VII Reunion. Aerith and the events surrounding her death in Final Fantasy VII have been met with overall positive reception from critics and fans.

Concept and creation

Aerith was designed by Tetsuya Nomura, with influence from director and scenario writer Yoshinori Kitase and Hironobu Sakaguchi, whilst Yoshitaka Amano created conceptual artwork which helped to influence her design. She has green eyes and long brown hair tied in a braid with a pink ribbon. She wears a long pink dress, a bolero jacket, and brown hiking boots. The long dress was designed to appear ladylike and contrast with Tifa Lockhart's miniskirt.[7][8] During development, Aerith was supposed to be Sephiroth's sister, as their designs resembled each other.[9] However, they were made former lovers, with Aerith remembering Sephiroth when meeting Cloud as both are ex-SOLDIERS. Late during development, Aerith's first love was changed to Zack Fair.[10]

Her green eyes were meant to symbolize nature and contrast with Tifa's brown eyes. Nomura did not change much of Aerith's design for Advent Children, but her design was updated in Kingdom Hearts with the removal of her bolero jacket, which made her attire resemble how Amano had originally drawn her. Other changes included the addition of bracelets and a belt. Nomura modified her dress in Before Crisis, adding white and green colors; this version was also used as the basis for her design in Kingdom Hearts II.[7]

Aerith's original Japanese name is Earisu (エアリス) pronounced [eaɾisɯ] ⓘ. This was transliterated to "Aeris" in Final Fantasy VII and Final Fantasy Tactics and "Aerith" in later products. Both transliterations have basis, as the Japanese "su" (ス) is used when transcribing "s" (/s/) and "th" (/θ/) to Japanese. However, official Japanese material uses the spelling "Aerith",[11][12][13] and developers stated that "Aerith" is a near-anagram of "Earth".[14]

In early planning stages of Final Fantasy VII, Aerith was to be one of only three protagonists alongside Cloud and Barret. During a phone call to Kitase, it was suggested that at some point in the game, one of the main characters should die, and after much discussion as to whether it should be Barret or Aerith, the producers chose Aerith. Nomura stated in a 2005 Electronic Gaming Monthly interview: "Cloud's the main character, so you can't really kill him. And Barrett... [sic] well, that's maybe too obvious".[15] While designing Final Fantasy VII, Nomura was frustrated with the "perennial cliché where the protagonist loves someone very much and so has to sacrifice himself and die in a dramatic fashion to express that love". He found this trope appeared in both films and video games from North America and Japan, and asked "Is it right to set such an example to people?"[16] Kitase concluded: "In the real world things are very different. You just need to look around you. Nobody wants to die that way. People die of disease and accident. Death comes suddenly and there is no notion of good or bad. It leaves, not a dramatic feeling but great emptiness. When you lose someone you loved very much you feel this big empty space and think, 'If I had known this was coming I would have done things differently'. These are the feelings I wanted to arouse in the players with Aerith's death relatively early in the game. Feelings of reality and not Hollywood".[16]

According to Nomura, "death should be something sudden and unexpected, and Aerith's death seemed more natural and realistic". He said: "When I reflect on Final Fantasy VII, the fact that fans were so offended by her sudden death probably means that we were successful with her character. If fans had simply accepted her death, that would have meant she wasn't an effective character".[15] From the original release of the game, rumors have circulated that Aerith can be resurrected in or that the original plan was to have her come back, but this was scrapped in development. Nomura has categorically stated that neither of these rumors were ever true, as he said that "the world was expecting us to bring her back to life, as this is the classic convention". A lengthy petition asking for Aerith's revival by Japanese players was sent to Kitase, but he dismissed it, pointing out that "there are many meanings in Aerith's death and [her revival] could never happen".[16] Mena Suvari explained that for Advent Children, Aerith was given a mothering feel with an ephemeral presence, and expressed joy for her role.[17]

In Remake, Square wanted to avoid showing too much favoritism to either Aerith or Tifa in their love triangle with Cloud.[18] Briana White studied Sakamoto's acting to appeal to fans.[19] The development team wanted to avoid favoring either Aerith or Tifa, so they deliberately tried to give them equal screen time, as they wanted both to be positioned as heroines.[20]

Musical theme

VGL performance in 2009

A leitmotif associated with Aerith is played several times throughout Final Fantasy VII, and was composed by Final Fantasy composer Nobuo Uematsu.[21] it is first heard during the flashback scenes with Aerith's mother at her house, and also plays as she is killed by Sephiroth. The piece "Flowers Blooming in the Church" is based on it.[22]

"Aerith's Theme" is very popular among Final Fantasy fans, and has inspired an orchestral version, a piano version, and a vocal version performed by the artist Rikki, who also performed "Suteki Da Ne" for Final Fantasy X. A piano arrangement of the theme appears twice in Advent Children, and the track "Water" shares similarities with it. The opening phrase of "Aerith's Theme" appears prior to the climax of the track "Divinity II", which also includes as its final line the Latin phrase "Sola Dea fatum novit" ("Only the goddess knows fate"), and is also featured during the end credits of the film.[23] It has been reinterpreted on the OverClocked ReMix Final Fantasy VII compilation Voices of the Lifestream.[24] In 2013, "Aerith's Theme" achieved the third place in the Classic FM Hall of Fame.[25]

Appearances

Final Fantasy VII

Aerith Gainsborough is first introduced as a flower seller, when she briefly converses with Cloud Strife, a mercenary working for the anti-government group AVALANCHE, who are fleeing from the bombing of a Mako reactor. The two later meet in Aerith's church in the Sector 5 slums, where she is faced with the possibility of capture by the Turks. Aerith asks Cloud to be her bodyguard for the cost of a date. She is eventually apprehended, but is ultimately rescued by Cloud and his allies. Aerith then joins them in the pursuit of Sephiroth, while also embarking on her own journey of self-discovery.

After a failed attempt to foil Sephiroth's theft of the Black Materia, Aerith ventures alone into the Forgotten City. Cloud and his companions pursue her and eventually find her praying at an altar. As Aerith looks up to smile at Cloud, Sephiroth appears and kills her by impaling her through the torso. Cloud carries Aerith's body out into a lake in the Forgotten City and releases her back to the Planet. Reeve Tuesti, the head of Shinra Urban and Development, brings the news of her death to Elmyra Gainsborough, Aerith's adoptive mother. The party later learns why Aerith was in the Forgotten City; through her White Materia, Aerith was able to summon Holy, the only force capable of repelling the ultimate destructive magic, Meteor, which Sephiroth has summoned.[26][27] Although Aerith successfully cast Holy before her death, it is being held back by the power of Sephiroth's will. When Sephiroth is finally defeated and Holy is released, it appears that it is too late to function effectively, as Meteor is approaching the Planet's surface. While Holy clashes with Meteor and attempts to prevent its impact, the gravity of both Meteor and the Planet pulling on Holy in opposite directions weakens it. Aerith is seen praying whilst urging the Lifestream to defend the planet.[28] The Planet's Lifestream then flows forth, intervening between Holy and Meteor and aiding in the destruction of Meteor.

Compilation of Final Fantasy VII

In Before Crisis, which is set several years prior to the events of Final Fantasy VII, Aerith becomes the target of the original incarnation of AVALANCHE, led by Elfé, who seek to prevent Shinra from acquiring the last surviving Cetra. Instead, AVALANCHE intend to use her to learn the whereabouts of the Promised Land for their own purposes, although a member of the Turks tries to protect her.

Aerith makes several appearances in the CGI film Advent Children as Cloud's spiritual guide, urging him to move on with his life and forgive himself for the tragedies that were beyond his control, telling him that she never blamed him for her death. During their spiritual reunion, Aerith speaks to Cloud in an open meadow laden with flowers, poking fun at how he needlessly burdens himself with the past. However, she acknowledges his suffering and offers kind words of support.[29] One of Aerith's interactions with Cloud comes when each member of the original game's party helps in Cloud's final attack against Bahamut SIN; she appears as the last party member to assist Cloud. She appears again in the final scene of the film, along with Zack Fair, where she gives Cloud more words of encouragement before she and Zack walk into the light.[30] Near the end of the film, it is discovered that water mixed with the Lifestream flows beneath the flowerbed in Aerith's church, which manifests itself as a cure for Geostigma.

The On the Way to a Smile novella "Case of the Lifestream – Black & White" focuses on Aerith and Sephiroth's respective journeys through the Lifestream after the end of the game but before the events of the film. The "Black" section deals with Sephiroth, and the "White" with Aerith.[31]

Aerith appears in the prequel game Crisis Core, where she is 16 years old. She meets Zack, whom she develops feelings for during his stay in Midgar.[32] Aerith and Zack develop a romantic relationship, but Zack is killed after escaping from being held in a Mako chamber for four years in the Shinra Mansion basement and defending Cloud from Shinra soldiers. During those years, Aerith helped her adopted mother earn a living by growing and selling flowers, a job that results in her meeting Cloud at the beginning of Final Fantasy VII.

Aerith is featured prominently in Final Fantasy VII Remake, which covers the Midgar portion of the original game. Unlike in the original localization, the remake gives her name as the more widely-accepted Aerith rather than Aeris.

Other appearances

Aerith's character has appeared in several games outside of the Final Fantasy VII continuity. In Final Fantasy Tactics, she appears as a flower girl;[33] when a group of criminals harasses her, Cloud appears and the player engages in battle with the group, letting her escape. Itadaki Street Special features a playable version of Aerith, as well as other Final Fantasy VII characters Tifa Lockhart, Cloud Strife, and Sephiroth. She also appears in Itadaki Street Portable with the same characters from Special, with the addition of Yuffie Kisaragi. Aerith appears in the fighting game Dissidia 012 Final Fantasy as an assistant character.[34] She is also featured in the rhythm game Theatrhythm Final Fantasy as a sub-character representing Final Fantasy VII.[35] In LittleBigPlanet 2, Aerith is featured as a downloadable character model.[36] Aerith also appears as a Mii costume and spirit in Super Smash Bros. Ultimate.[37] The game Apex Legends will have an Aerith skin introduced in January 2024.

Aerith appears in the Kingdom Hearts series as a member of a group dedicated to defeating the Heartless, which includes fellow Final Fantasy VII characters Yuffie and Cid, and Leon of Final Fantasy VIII. In the plot of Kingdom Hearts, Aerith suggests a method for defeating the Heartless to protagonists Donald Duck, Goofy and Sora, and gives advice to the player throughout the game.[38] She also appears in Kingdom Hearts: Chain of Memories as a perceptive figment of Sora's memories.[39] Aerith returns in Kingdom Hearts II, wearing a modified version of her dress from Before Crisis. She, Leon, Cid and Yuffie run a restoration committee for the town of Hollow Bastion.[38] Aerith and the restoration committee return in the Kingdom Hearts III Re Mind expansion, helping Riku search for the missing Sora.[40]

Hoshi o Meguru Otome, a novella written by Benny Matsuyama which appears in the Final Fantasy VII Ultimania Ω guide, follows Aerith's journey through the Lifestream following her death in Final Fantasy VII.[41] Aerith is mentioned on a graffiti in a subway station early in the animated film Wreck-It Ralph, which reads "Aerith Lives".[42]

Reception

Aerith has received an overall positive reception from critics. GamesTM referred to her as a "gaming legend".[7] RPGamer's Stuart Hoggan opined that although Aerith "represented the token damsel in distress", she "broke the mould in terms of personality", possessing "an admirable pluck that was not brassy nor off-putting".[43] In a This American Life episode, titled "Save the Girl", reporter Lina Misitzis described the character as one-dimensional and lacking in personality. She and Kotaku writer Mike Fahey conclude that had the character been anything other than a pretty girl she would have needed much more development in order to elicit an emotional response from the player.[44] Aerith's romantic relationship with Cloud was also praised though some sites noted there were arguments between fans about whether or not Tifa was more suitable to be Cloud's love interest.[45][46][47] In a retrospective, Polygon analyzed several arguments fans have made about Cloud's preferred partner and how each side misrepresents the other's chosen heroine. Polygon concludes that there is no winning couple as, after killing Sephiroth, Cloud has a vision of Aerith when Tifa tries to help him and the duo agrees to meet her again.[48] In contrast to this, Aerith's relationship with Zack Fair was noted to be a more impactful based on her role in Crisis Core.[49][50] Cloud is also seen as a Messiah with Tifa and Aerith being one of his main supporters to help progress and defeat Sephiroth, though the end of the narrative has Cloud appreciating the victory thanks to his "pillars".[51]

A brown-haired girl in a pink dress is stabbed in the back by a white-haired man wearing black clothing.
Aerith's death scene in Final Fantasy VII is considered iconic by players and critics.

Aerith's death in Final Fantasy VII has received a great deal of attention. According to GamesTM, her death helped establish the popularity of Final Fantasy VII.[7] Players commented on message boards and blogs about the emotional impact the scene held.[52] Fans submitted a petition to Yoshinori Kitase requesting her return.[7] Tom's Games called the scene "one of the most powerful and memorable scenes of the Final Fantasy series—or any other game, for that matter".[53] Edge called her death the "dramatic highpoint" of Final Fantasy VII, and suggested that reintroducing her through the Compilation of Final Fantasy VII titles "arguably undermines this great moment".[54] Said death has also been cited as the defining moment of a star-crossed love story, between her and main character Cloud Strife.[55][56] Brian Taylor, writing for Kill Screen, described a cottage industry of fan theories for how to return Aerith to life or prevent her death. He compared these efforts to the letter-writing campaign to convince Charles Dickens not to let Nell, the endearing protagonist of The Old Curiosity Shop, die at the end of the book. Taylor affirmed that the acts of discussing these fan theories and dissecting the game code to test them comprise a valid and important part of the experience of the game.[57] In A Feeling of Wrongness: Pessimistic Rhetoric on the Fringes of Popular Culture, Aerith is seen a highly developed character due to Cloud visiting her mother and how often the protagonist and the heroine often talk. As Aerith plays a more active role in combat, her death is also noted to affect the gamer as a result of how useful she is.[58] Benjamin Banasik from University from Heidelberg noted the impact of Aerith's death is mostly seen in Cloud's characterization in Advent Children as he seeks redemption for her, leading him to his transformation into a heroic leader in the process.[59] In The World of Final Fantasy VII: Essays on the Game and Its Legacy, Aerith's death is described as a disastrous traumatic reminder of the eventual war. Game journalist Mike Fahey expressed concern in regards to this event being repeated in the Remake chronology as he saw the original Aerith as the least developed heroine in the game.[60]

The character's traits in the remake were praised by Siliconera due to how caring she is and how developed she becomes across the narrative. Despite criticizing for not doing wrong things that balance her, Siliconera still enjoyed the scene where she volunteers for Don Corneo. Nevertheless, the site enjoyed how enigmatic she is for the way she interacts with the members from the cast.[61] The Escapist noted that while the player primarily controls Cloud, Aerith remains as the actual hero of the game. Despite being seen as a damsel in distress at first, Aerith proves herself to be capable of showing notable strength which made a massive impact in the gamer when Sephiroth kills her. As a result, when the Remake was released, gamers wondered if in this game it was possible to save her.[62] In the International Association for the Fantastic in the Arts, Aerith's role in Remake and comments in the ending are noted to build up the apparent message of the installment in regards to how the same narrative should not be repeated with Aerith's quote "boundless, terrifying freedom" which is made in response to Sephiroth's values.[63] Amsterdam University of Applied Sciences also wrote about Aerith's characterization in Remake and its comparisons with the original one; Aerith's specter that interacts with a confused Cloud about their potential relationship was noted to stand out in the game as the former tells the latter not to fall in love with him as if Square Enix is reacting to the player's constricted conditions, potential desires, and narrative expectations when compared with the original Final Fantasy VII where the player could have dates with most of the early characters.[64]

See also

References

  1. ↑ "Kingdom Hearts – Tech Info". GameSpot. Archived from the original on 29 September 2007. Retrieved 9 October 2007.
  2. ↑ Square Enix (17 August 2009). Kingdom Hearts II (PlayStation 2). Square Enix U.S.A., Buena Vista Games.
  3. ↑ Tetsuya Nomura (Director) (14 September 2005). Final Fantasy VII Advent Children (DVD). Square Enix.
  4. ↑ Square Enix (17 August 2009). Crisis Core: Final Fantasy VII (PlayStation Portable).
  5. ↑ Wade, Jessie (10 June 2019). "Final Fantasy VII Remake: Breaking Bad, Supergirl Stars in Voice Cast – E3 2019". IGN. Retrieved 11 June 2019.
  6. ↑ SoftBank, ed. (2006). Final Fantasy VII Advent Children: Reunion Files (in Japanese and English). Square-Enix. p. 58. ISBN 4-7973-3498-3.
  7. 1 2 3 4 5 gamesTM Staff (November 2007). "Hall of Fame... Aerith". GamesTM. No. 63. Imagine Publishing. pp. 150–151.
  8. ↑ Knight, Sheila (13 October 2003). "Tetsuya Nomura's 20s". Flare Gamer. Archived from the original on 20 April 2013. Retrieved 9 October 2007.
  9. ↑ Gantayat, Anoop (16 May 2012). "Nomura, Kitase and Nojima Discuss Final Fantasy VII's Development". Andriasang. Archived from the original on 13 March 2016. Retrieved 30 October 2021.
  10. ↑ Studio BentStuff, ed. (2005). Final Fantasy VII Ultimania Ω (in Japanese). Square-Enix. p. 525. ISBN 4-7575-1520-0.
  11. ↑ Final Fantasy VII instruction manual, Characters
  12. ↑ V Jump Final Fantasy VII the Perfect
  13. ↑ Final Fantasy VII 10th Anniversary Ultimania
  14. ↑ Famitsu, ed. (1997). Final Fantasy VII Kaitai Shinsho (in Japanese). Famitsu. p. 14. ISBN 4-7577-0098-9.
  15. 1 2 "Interview with Yoshinori Kitase and Tetsuya Nomura from Electronic Gaming Monthly, issue No. 196, October 2005". Electronic Gaming Monthly. Final Fantasy VII Citadel. October 2005. Archived from the original on 11 October 2007. Retrieved 9 October 2007.
  16. 1 2 3 of EDGE magazine, ed. (May 2003). "The Making Of: Final Fantasy VII". Edge. No. 123. Future plc. pp. 112–113. (abridged online edition)
  17. ↑ "Final Fantasy VII Advent Children US premiere". Siliconera. 4 April 2006. Retrieved 16 May 2020.
  18. ↑ Bailey, Kat (2 April 2020). "Final Fantasy 7 Remake's Developers Tried to Avoid Playing Favorites With Tifa and Aerith". US Gamer. Retrieved 2 May 2020.
  19. ↑ Adler, Matthew (4 March 2020). "Final Fantasy 7 Remake Voice Cast on Living Up To Fan Expectation". IGN. Retrieved 10 June 2020.
  20. ↑ Bailey, Kat (2 April 2020). "Final Fantasy 7 Remake's Developers Tried to Avoid Playing Favorites With Tifa and Aerith". US Gamer. Archived from the original on 8 April 2020. Retrieved 2 May 2020.
  21. ↑ "Final Fantasy Symphony – Vocalists". Final Fantasy Symphony. Archived from the original on 15 October 2007. Retrieved 17 October 2007.
  22. ↑ "Final Fantasy VII OST". RPG Fan. Archived from the original on 14 October 2007. Retrieved 30 October 2021.
  23. ↑ "Final Fantasy VII Advent Children Original Soundtrack :: Review". Square Enix Music Online. Archived from the original on 12 June 2008. Retrieved 6 June 2008.
  24. ↑ "Tracks – Final Fantasy VII: Voices of the Lifestream, an OverClocked ReMix Album". OverClocked ReMix. Archived from the original on 12 September 2008. Retrieved 26 September 2008.
  25. ↑ "Hall of Fame | Classic FM". Halloffame.classicfm.com. Archived from the original on 2 November 2013. Retrieved 31 October 2013.
  26. ↑ Bugenhagen: It says, when the time comes, we must search for "Holy". / Cloud: Holy? / Bugenhagen: Holy... the ultimate White Magic. Magic that might stand against Meteor. Perhaps our last hope to save the planet from Meteor. Square (7 September 1997). Final Fantasy VII (PlayStation). SCE America.
  27. ↑ Cloud: Aerith has already prayed for Holy. ... She said, she was the only one who could stop Sephiroth...... And to do that, there was a secret here... That was Holy...... That's why, she had the White Materia. Square (7 September 1997). Final Fantasy VII (PlayStation). SCE America.
  28. ↑ Studio BentStuff, ed. (2005). Final Fantasy VII Ultimania Ω (in Japanese). Square Enix. p. 591. ISBN 4-7575-1520-0.
  29. ↑ Aerith: So, why did you come? / Cloud: I think ... I want to be forgiven, more than anything. / ... / Cloud: But... I let you die... / Aerith: Dilly dally, shilly shally. Isn't it time you did the forgiving? / ... / Aerith: I never blamed you, not once. You came for me, that's all that matters. Tetsuya Nomura (Director) (14 September 2005). Final Fantasy VII Advent Children (DVD). Square Enix.
  30. ↑ Aerith: You see? Everything's all right. Tetsuya Nomura (Director) (14 September 2005). Final Fantasy VII Advent Children (DVD). Square Enix.
  31. ↑ 野島一成 (April 2009). 小説 On the Way to a Smile ファイナルファンタジーVII (in Japanese). ISBN 978-4757524620.
  32. ↑ Aerith: What a shock..... I didn't know Zack was from this town. / Cloud: You know him? / Aerith: Didn't I tell you? He was my first love. Square (7 September 1997). Final Fantasy VII (PlayStation). SCE America.
  33. ↑ Town Knave: I've been looking for you, Aeris... Selling flowers for your mom? Good for you... Square Co., Ltd (20 June 1997). Final Fantasy Tactics (PlayStation). Square Co., Ltd.
  34. ↑ Kietzmann, Ludwig (11 January 2011). "Dissidia Duodecim demo unlocks Aerith assistant in full game". Joystiq. Archived from the original on 21 January 2011. Retrieved 11 January 2011.
  35. ↑ "Aerith, Snow, Vivi, And Faris Are in Theatrhythm: Final Fantasy Too". Siliconera. 12 November 2011. Archived from the original on 10 October 2013. Retrieved 30 October 2021.
  36. ↑ Gantayat, Anoop (13 July 2011). "Final Fantasy VII LittleBigPlanet 2 Costume Pack Hits Tomorrow". Andriasang. Archived from the original on 30 September 2012. Retrieved 13 July 2011.
  37. ↑ Walker, Ian (17 December 2020). "Super Smash Bros. Ultimate Is Getting Barret, Tifa, Aerith, And Geno Mii Fighter Costumes". Kotaku. Retrieved 18 December 2020.
  38. 1 2 Hollinger, Elizabeth (2006). Kingdom Hearts II Official Strategy Guide. BradyGames Publishing. ISBN 0-7440-0526-4.
  39. ↑ Aerith: We don't know you, Sora, but your heart is full of memories of us together. Those memories must resonate in our hearts, too. Maybe they tell us things we couldn't otherwise know. / Leon: So you're saying that Sora's memories are affecting ours? / Aerith: His memories do seem to have a certain power. / Sora: Maybe it's like that guy said, then. This town is just an illusion. Something my memories created. Jupiter (7 December 2004). Kingdom Hearts: Chain of Memories (Game Boy Advance). Square Enix U.S.A., Disney Interactive.
  40. ↑ "'Kingdom Hearts 3: ReMind' release date, content, gameplay: DLC brings back favorite 'Final Fantasy' characters to the game". EconoTimes. 14 January 2020.
  41. ↑ Studio BentStuff (2005). Final Fantasy VII Ultimania Ω. Square Enix. ISBN 978-4757515208.
  42. ↑ McKinney, Luke (12 November 2012). "Leeroy Jenkins Lives! The 6 Best Video Game References In 'Wreck-It Ralph'". Movieline. Archived from the original on 29 July 2013. Retrieved 16 June 2013.
  43. ↑ Hoggan, Stuart. "Damsels and Distress?". RPGamer.com Editorials. RPGamer. Archived from the original on 12 May 2008. Retrieved 8 December 2007.
  44. ↑ Glass, Ira; Misitzis, Lina (12 July 2019). "This American Life: Save the Girl". PRI.
  45. ↑ "Final Fantasy 7 Remake Romance Guide: Can You Romance Characters?". US Gamer. 10 April 2020. Archived from the original on 8 October 2022. Retrieved 8 October 2022.
  46. ↑ "Cloud, Tifa y Aeris: el amor y la pérdida". Meristation. 26 February 2020. Retrieved 8 October 2022.
  47. ↑ "The Best Final Fantasy Romances". Paste. 20 April 2021. Retrieved 8 October 2022.
  48. ↑ "Final Fantasy 7's Tifa-vs.-Aerith war is unwinnable". Polygon. 23 March 2022. Retrieved 8 October 2022.
  49. ↑ "Crisis Core Final Fantasy VII Reunion". Atomix (in Spanish). 6 December 2022. Retrieved 21 January 2023.
  50. ↑ "The Best Final Fantasy Romances". Paste Magazine. Retrieved 21 January 2023.
  51. ↑ Jason C. Cash; Craig T. Olsen (2023). The World of Final Fantasy VII: Essays on the Game and Its Legacy. McFarland. ISBN 9781476681863.
  52. ↑ Lopez, Miguel; Phil Theobald (27 September 2004). "Case File 28: Is Square Enix milking the Final Fantasy VII franchise?". GameSpy. Archived from the original on 5 November 2007. Retrieved 16 October 2007.
  53. ↑ Wright, Rob (20 February 2007). "The 50 Greatest Female Characters in Video Game History". Tom's Games. Tom's Hardware. Archived from the original on 20 January 2008. Retrieved 26 February 2008.
  54. ↑ "Final Frontiers". Edge. No. 177. Future plc. July 2007. pp. 72–79.
  55. ↑ Danesi (2013) Danesi, M. (5 December 2013). The History of the Kiss: The Birth of Popular Culture, Semiotics and Popular Culture. Palgrave Macmillan pages 50-51. ISBN 978-1-137-37683-1.
  56. ↑ McGrath, Jack (29 April 2011). "The Ten Greatest Romances in Gaming History". technobuffalo.com. Retrieved 4 February 2016.
  57. ↑ Taylor, Brian (2011). "Save Aeris". Kill Screen. Archived from the original on 1 August 2014. Retrieved 21 June 2020.
  58. ↑ Joseph Packer, Ethan Stoneman (2019). A Feeling of Wrongness: Pessimistic Rhetoric on the Fringes of Popular Culture. Penn State University Press. ISBN 978-0271082363.
  59. ↑ Banasik, Benjamin Jozef (2018). "A Theological Exposition of the Differentiation of Final Fantasy VII and Final Fantasy VII: Advent Children". Online - Heidelberg Journal of Religions on the Internet. University from Heidelberg. 13: 1–16. doi:10.17885/heiup.rel.2018.0.23842. Retrieved 11 June 2023.
  60. ↑ Jason C. Cash; Craig T. Olsen (2023). The World of Final Fantasy VII: Essays on the Game and Its Legacy. McFarland. ISBN 9781476647258.{{cite book}}: CS1 maint: multiple names: authors list (link)
  61. ↑ Lada, Jenni (15 April 2020). "Final Fantasy VII Remake's Aerith Remains Kind and Appropriately Enigmatic". Siliconera. Retrieved 5 May 2020.
  62. ↑ Day, Graham (19 December 2020). "The Legacy of Aeris Gainsborough: How She Helped Us Grow". The Escapist. Retrieved 18 August 2021.
  63. ↑ Booth, Ruth; Jayema, Darshana (2020). "Boundless, terrifying freedom's ecocriticism and ludographic metafiction in Final Fantasy VII: Remake" (PDF). International Conference on the Fantastic in the Arts.{{cite web}}: CS1 maint: multiple names: authors list (link)
  64. ↑ Heijmen, Nicky; Vosmeer, Mirjam. "Final Fantasy VII Remake: In Search of Queer Celebration" (PDF). Digra. Amsterdam University of Applied Sciences. Retrieved 11 June 2023.{{cite web}}: CS1 maint: multiple names: authors list (link)

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