Wo gehest du hin? | |
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BWV 166 | |
Church cantata by J. S. Bach | |
Occasion | Cantate Sunday |
Bible text | John 16:5 |
Chorale | |
Performed | 7 May 1724 : Leipzig |
Movements | 6 |
Vocal | SATB soloists and choir |
Instrumental |
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Wo gehest du hin? ("Where are you heading?",[1] literally: "Where do you go?"), BWV 166, is a church cantata by Johann Sebastian Bach. He composed it in Leipzig for Cantate, the fourth Sunday after Easter, and first performed it on 7 May 1724.
History and words
Bach composed the cantata in his first year in Leipzig for the Fourth Sunday after Easter, called Cantate. The prescribed readings for the Sunday were from the Epistle of James, "Every good gift comes from the Father of lights" (James 1:17–21), and from the Gospel of John, Jesus announcing the Comforter in his Farewell Discourse (John 16:5–15).
We do not know the identity of the person who was writing Bach's librettos during his first year in Leipzig. The poet, whoever he or she was, begins by posing a question, a quotation from the gospel. The answer to the question is the theme of the cantata, which explores the direction in which life should go. The poet inserted as movement 3 the third stanza of Bartholomäus Ringwaldt's hymn "Herr Jesu Christ, ich weiß gar wohl" (1582)[2] and as the closing chorale the first stanza of Ämilie Juliane von Schwarzburg-Rudolstadt's "Wer weiß, wie nahe mir mein Ende" (1688).[3]
Scoring and structure
The cantata in six movements is scored for four vocal soloists (soprano, alto, tenor and bass), a four-part choir only for the closing chorale, oboe, two violins, viola and basso continuo. The cantus firmus of movement 3 is typically sung by the soprano of the choir.[4]
- Arioso (bass): Wo gehest du hin
- Aria (tenor): Ich will an den Himmel denken
- Chorale (soprano): Ich bitte dich, Herr Jesu Christ
- Recitative (bass): Gleichwie die Regenwasser bald verfließen
- Aria (alto): Man nehme sich in acht
- Chorale: Wer weiß, wie nahe mir mein Ende
Music
The question "Where do you go?", comes from a particular context (John 16:5: "but now I am going to him who sent me. None of you asks me, 'Where are you going?'"). Bach gives the question on its own to the bass as the vox Christi addressing the listener directly.[4] This simple question is one of the shortest lyrics for a movement in a Bach cantata.[5]
The tenor aria survives in an incomplete form. It was first published completely in the Neue Bach-Ausgabe.[4] The soprano sings the cantus firmus of movement 3 on the melody of "Herr Jesu Christ, du höchstes Gut"[6] completely unadorned and is accompanied by the violins and viola in unison, "of great vigour and determination, urged on by steady continuo quavers".[5][7] The last aria, in great contrast, illustrates mostly the word "lacht" (laughs), although the text warns that a fall may come "wenn das Glück lacht" (when fortune winks).[1] The laughter is pictured in "the various oscillating semi-quaver figures in the strings" and in melismas on the word "lacht".[5] The final chorale on the melody of "Wer nur den lieben Gott läßt walten" [8] is set for four parts.[4]
Recordings
- Die Bach Kantate Vol. 32, Helmuth Rilling, Gächinger Kantorei, Bach-Collegium Stuttgart, Helen Watts, Aldo Baldin, Wolfgang Schöne, Hänssler 1978
- J. S. Bach: Das Kantatenwerk – Sacred Cantatas Vol. 9, Gustav Leonhardt, Tölzer Knabenchor, Collegium Vocale Gent, Leonhardt-Consort, soloist of the Tölzer Knabenchor, Paul Esswood, Kurt Equiluz, Max van Egmond, Teldec 1987
- J. S. Bach: Complete Cantatas Vol. 9, Ton Koopman, Amsterdam Baroque Orchestra & Choir, Bernhard Landauer, Christoph Prégardien, Klaus Mertens, Antoine Marchand 1998
- Bach Cantatas Vol. 24: Altenburg/Warwick, John Eliot Gardiner, Monteverdi Choir, English Baroque Soloists, Robin Tyson, James Gilchrist, Stephen Varcoe, Soli Deo Gloria 2000
- J. S. Bach: Cantatas Vol. 19 (Cantatas from Leipzig 1724), Masaaki Suzuki, Bach Collegium Japan, Robin Blaze, Makoto Sakurada, Stephan MacLeod, BIS 2001
- J. S. Bach: Kantate BWV 166 "Wo gehest du hin?", Rudolf Lutz, Vokalensemble der Schola Seconda Pratica, Schola Seconda Pratica, Guro Hjemli, Terry Wey, Gerd Türk, Markus Volpert, Gallus Media 2008
Notes
References
- 1 2 Dellal, Pamela. "BWV 166 – Wo gehest du hin?". Emmanuel Music. Retrieved 7 September 2022.
- ↑ "Herr Jesu Christ, ich weiß gar wohl / Text and Translation of Chorale". Bach Cantatas website. 2010. Retrieved 27 April 2013.
- ↑ "Wer weiß, wie nahe mir mein Ende? / Text and Translation of Chorale". Bach Cantatas website. 2006. Retrieved 30 January 2012.
- 1 2 3 4 Dürr, Alfred (2006). "Wo gehest du hin? BWV 166". The Cantatas of J. S. Bach: With Their Librettos in German-English Parallel Text. Translated by Richard D. P. Jones. Oxford University Press. pp. 315–317. ISBN 978-0-19-929776-4.
- 1 2 3 Mincham, Julian (2010). "Chapter 53 BWV 166 Wo gehest du hin?". The Cantatas of Johann Sebastian Bach. Retrieved 7 September 2022.
- ↑ "Chorale Melodies used in Bach's Vocal Works / Herr Jesu Christ, du höchstes Gut". Bach Cantatas website. 2009. Retrieved 27 April 2013.
- ↑ Leonard, James. Cantata No. 166, Wo gehest du hin? BWV 166 at AllMusic
- ↑ "Chorale Melodies used in Bach's Vocal Works / Wer nur den lieben Gott läßt walten". Bach Cantatas website. 2009. Retrieved 30 January 2012.
External links
- Wo gehest du hin?, BWV 166: Scores at the International Music Score Library Project
- "Wo gehest du hin? BWV 166; BC A 71 / Sacred cantata (5th Sunday of Easter)", Bach Digital
- "Cantata BWV 166 Wo gehest du hin?", history, scoring, sources for text and music, translations to various languages, discography, discussion, Bach Cantatas website
- "BWV 166 Wo gehest du hin?", English translation, University of Vermont
- "BWV 166 Wo gehest du hin?", text, scoring, University of Alberta
- Gardiner, John Eliot (2005). Johann Sebastian Bach (1685–1750) / Cantatas Nos 12, 103, 108, 117, 146 & 166 (Media notes). Soli Deo Gloria (at Hyperion Records website). Retrieved 11 May 2019.
- Luke Dahn:BWV 166.6 bach-chorales.com