The Right Honourable
The Baroness Kidron
OBE
Member of the House of Lords
Lord Temporal
Assumed office
26 June 2012
Life Peerage
Personal details
Born
Beeban Tania Kidron

(1961-05-02) 2 May 1961
North London, England
Spouse
​
(m. 2003)​
Children2
Parent(s)Michael Kidron; Nina Kidron
Alma materNational Film School
OccupationFilm director, producer, campaigner

Beeban Tania Kidron, Baroness Kidron, OBE (born 2 May 1961) is an advocate for children's rights in the digital world.[1] She has played a determinative role in establishing standards for online safety and privacy across the world.[2]

Baroness Kidron sits as a crossbench peer in the UK's House of Lords.[3] She is an advisor to the Institute for Ethics in AI at Oxford University,[4] a commissioner on the UN Broadband Commission for Sustainable Development[5] and founder and chair of 5Rights Foundation.[6]

Before being appointed to the Lords she was an award-winning film director[7] and founder of the charity Filmclub (now Into Film).

Early life and education

Kidron was born in north London, to Nina and Michael Kidron. Her parents were the founders and proprietors of the independent publishing house Pluto Press, which started life from the laundry room of their family home. Michael's family were South African Jews who immigrated to Israel. Michael left Israel to attend Oxford University.[8] He went on to teach economics, and the family spent several years living in Yorkshire while he taught at the University of Hull. Beeban attended Camden School for Girls in Sandall Road, Camden. She first took up photography when she was given a camera by landscape photographer Fay Godwin during a period when she was unable to speak following a throat operation. Her photographs were spotted by photographer Eve Arnold, whom she worked for at the age of 16 for two years. Aged 20, Kidron enrolled at the National Film School as a camerawoman.[9] At the end of her three years of film school, Kidron switched to directing and stayed on for another year.

Film career

Kidron began making documentaries in the 80s.[10] In 1983, she made her first documentary, Carry Greenham Home, with co-director Amanda Richardson. It was filmed during the year that they spent at the Greenham Common Women's Peace Camp during the anti nuclear protests. The film was shown at the Berlin Film Festival and, to celebrate Greenham's 25th anniversary, it was revived through The Guardian-backed website, www.yourgreenham.com.

In 1988, she made her first feature film, Vroom, which starred Clive Owen in his debut film. The following year she came to greater prominence with her adaptation of Jeanette Winterson's autobiographical novel Oranges Are Not the Only Fruit. This won three Baftas including best drama series/serial. In 2010 The Guardian named Oranges the eighth best TV series of all time.

Following the success of Oranges, Kidron continued to work for the BBC, making the TV feature film Antonia and Jane, distributed by Miramax in the US, as well as Itch starring and co-written by Alexei Sayle for Channel 4's 4 Play anthology series. In 1992 Kidron moved to Hollywood to make Used People with Shirley MacLaine and Marcello Mastroianni. The following year, she directed Hookers, Hustlers, Pimps and Their Johns, a documentary about the New York City sex industry. She then returned to the UK to pair up with Winterson for the BBC film Great Moments in Aviation starring Vanessa Redgrave and Jonathan Pryce, which was subsequently renamed Shades of Fear by Miramax CEO Harvey Weinstein.[11]

The 1990s and early 2000s saw Kidron move between Hollywood, New York and London, making features, TV programmes and documentaries. In 1995, she made To Wong Foo, Thanks for Everything! Julie Newmar, a drag queen road movie starring Wesley Snipes and Patrick Swayze. 1997 brought Swept from the Sea, a romantic adaptation of the Joseph Conrad story "Amy Foster", starring Rachel Weisz and Vincent Perez, which Variety called "masterfully crafted and heartfelt".[12] Over the next few years Kidron made a number of TV films both at home and abroad, including Cinderella, Texarkana and Murder, for which she was nominated for a second Bafta. In 2004 she directed the second installment of the Bridget Jones series, Bridget Jones: The Edge of Reason, starring Renée Zellweger, Colin Firth, and Hugh Grant.

In 2007 she made a documentary about neighbour and friend, the sculptor Antony Gormley. Kidron and her husband, playwright and author of Billy Elliot, Lee Hall, began work on Hippie Hippie Shake, a film about the Oz magazine trials. The film was shot in 2009 with Sienna Miller and Cillian Murphy; however Kidron and Hall left during post-production, citing artistic differences with the producers.[13]

Kidron spent much of 2010 in Southern India researching and shooting a documentary on the Devadasi. Sex, Death and the Gods premiered on BBC 4 as part of the Storyville series.

In 2013 Kidron directed the documentary InRealLife, a co-production between Cross Street Films and Studio Lambert. The film explored teenagers and their relationship to the internet.[14] It was this film that acted as a catalyst for her campaign work around children's rights in the online world.[15]

Following a period away from feature films, Kidron produced the Stephen Frears-directed Victoria & Abdul, which was released in 2017. It was the first feature film produced by Cross Street Films, and starred Judi Dench as Queen Victoria and Ali Fazal as Abdul Karim.[16] To Wong Foo, Thanks for Everything! Julie Newmar was rereleased in 2019 and was named by the New York Times as among the top ten comedies on Netflix.[17]

Filmclub and Into Film

Kidron started Filmclub in September 2006 with Lindsey Makie. Filmclub is an educational charity which sets up after-school film clubs in schools in England and Wales. The scheme is free to all state primary and secondary schools. The organisation was founded in September 2006, and after a successful pilot in 2007 launched by then Chancellor Gordon Brown, Filmclub officially launched across the country in June 2009.

Filmclub gives children from participating schools access to thousands of films and organises school visits by professionals from within the film industry. Pupils are encouraged to watch a diverse range of films including blockbusters, classics, black and white movies and foreign language titles, and to review the films they watch on the organisation's website (www.filmclub.org). The clubs are generally run by teachers or a similar education professional, but may also be led by older pupils, often from a school's 6th Form.

In 2013, Filmclub merged with First Light to become the film-based charity, Into Film. As well as running film clubs in schools, Into Film runs a youth film festival and youth film awards.

Kidron talks of the journey of Filmclub in her TED talk, The Shared Wonder of Film.[18]

Peerage and honour

Kidron was appointed Officer of the Order of the British Empire (OBE) in the 2012 Birthday Honours for services to drama.[19][20]

On 25 June 2012, Kidron was created a life peer as Baroness Kidron, of Angel in the London Borough of Islington, and was introduced in the House of Lords the following day.[21] She was appointed on the recommendation of the House of Lords Appointments Commission and sits as a crossbencher.

From 2019 to present, Kidron sits on the House of Lords Democracy and Digital Technologies Committee,[22] having previously been on the Lords Communications Select Committee[23] and contributed to the 2017 House of Lords "Growing up with the Internet" report.[24] as well as reports; “BBC Charter Renewal: Reith Not Revolution” (2016),[25] “A Privatised Future for Channel 4?” (2016),[26] “Skills for Theatre: Developing the Pipeline of Talent” (2017),[27] “UK Advertising in a Digital Age” (2018),[28] “Regulating in a Digital World” (2019)[29] and “Public Service Broadcasting: As Vital as Ever” (2019).[30]

5Rights Foundation and youth advocacy

Kidron is the Founder and Chair of 5Rights Foundation, an organisation she established in 2013 to promote the rights of children online. At the launch she described it as a civil society initiative that aims to make the digital world a more transparent and empowering place for children and young people.[31] 5Rights signatories include Unicef, the NSPCC and Barclays bank.[32] Starting out as the iRights campaign, in 2018 it was formally registered as a charity formally constituted as The 5Rights Foundation.

5 Rights Foundation states that its mission is to build the digital world children and young people deserve.[33] It develops policy, regulation and innovative approaches to digital issues on behalf of children and young people, working with an interdisciplinary network of experts. 5Rights has pioneered a range of international policies and programmes, such as; developing Child Online Protection Policy for the Government of Rwanda;[34] contributing to the creation of a General Comment (codicil) on the digital world,[35] to the Convention on the Rights of the Child (UNCRC);[36] and working in partnership with IEEE Standards to create Universal Standards for Children and for Digital Services and Products.

Kidron is also a member of the UNESCO Broadband Commission for Sustainable Development, a UN commission to support the 2030 Sustainable Development Goals;[37][38], a member of the Global Council for Extended Intelligence;[39] a member of the UNICEF Artificial Intelligence and Child Rights policy guidance group;[40] and sat on the WeProtect Child Dignity Alliance Technical Working Group.[41]

Age Appropriate Design Code

Kidron, gaining cross-party support, introduced an amendment to The Data Protection Act 2018 that gave effect to the requirement to offer children specific data protection. That amendment became section 123 of the Act and required the Information Commissioner to introduce a code of data protection standards that would protect children by making online services ‘age appropriate’. When a draft Age Appropriate Design Code was put forward by the Information Commissioner in January 2020, Baroness Kidron stated “Children and their parents have long been left with all of the responsibility but no control. Meanwhile, the tech sector has, against all rationale, been left with all the control but no responsibility. The Code will change this. It is the first piece of regulation anywhere in the world to explicitly prevent children's data being exploited in ways that undermine their safety and wellbeing.”[42] The Code will apply to all online services ‘likely to be accessed’ by a child, including web services and video games, and requires such services to have regard to the different needs of children at different stages of their development and the UK's obligations under the United Nations Convention on the Rights of the Child (UNCRC). In June 2020, the UK Government laid the Code before parliament making it the first piece of legislation of its kind and in doing so establishing that data protection is a powerful tool for delivering a better experience for children online. The Code came into effect in September 2021.[43]

In September 2021, the ICO approved the first certification criteria for the Age Appropriate Design Code. As of November 2021, there are 3 approved certification criteria for UK GDPR, including those related to the Age Appropriate Design Code:[44]

  • ADISA ICT Asset Recovery Certification 8.0
  • Age Check Certification Scheme (ACCS)
  • Age Appropriate Design Certification Scheme (AADCS)

Several United States lawmakers supported the Age Appropriate Design Code, writing a joint letter to American video game developers and publishers urging them to follow the practices within the Code even though it does not apply to American companies.[45]

Other roles

Kidron was awarded an honorary doctorate from Kingston University in 2010 for her contribution to education. She became a board member of the UK Film Council in 2008 with a mandate to provide film education. Following the dissolution of the Film Council, she became a governor of the BFI. In March 2015, she was awarded the Grassroot Diplomat Initiative Award under the Social Driver category for her extensive work on Filmclub and the iRights Framework used to empower young people on the use of social media and the internet. This was the first award she had won for her campaigning work.

Kidron was a member of the Joint Arts Council England and Durham University Commission on Creativity and Education[46] from 2018, is a patron of Law Action Worldwide and was previously a member of the Royal Foundation's Taskforce for the Prevention of Cyberbullying, chaired by HRH Duke of Cambridge.[47][48] She is a frequent speaker and contributor on all aspects of children's digital interactions and the need for human-centred system design. From 2016 to 2019 Kidron was a visiting fellow at Lady Margaret Hall at Oxford University.[49] Kidron was a member of the Growing Up Digital Taskforce for the Children's Commissioner's Growing Up Digital report in 2017.[50]

Personal life

Kidron is married to playwright Lee Hall.[51][52] She has two children.[53][54]

Filmography

Title Year Director Editor Cinemat-ographer Producer Production CompanyNotes
Victoria & Abdul2017 Yes [55]
InRealLife2013 Yes Studio LambertDocumentary film
Sex, Death and the Gods2011 YesYesYes BBC, Cross Street Filmsseries documentary
Hippie Hippie Shake2010 Yes Universal, Working TitleUnreleased [56]
Anthony Gormley: Making Space2007 YesYes C4, Cross Street Films
Bridget Jones: The Edge of Reason2004 Yes Universal, Working Title [57][58]
Murder2002 Yes BBC TV miniseries
Cinderella2000 Yes C4TV movie [59]
Texarkana1998 Yes Sacret, NBCTV movie
Swept from the Sea1997 YesYes Sony, Tapson Steel[60][61]
Eve Arnold in Retrospect1996 YesYes BBC, Omnibus
To Wong Foo, Thanks for Everything! Julie Newmar1995 Yes Sony, Amblin[62]
Great Moments in Aviation1993 Yes BBC, Miramax[63]
Hookers Hustlers Pimps and Their Johns1993 Yes C4, WonderlandDocumentary film [64]
Used People1992 Yes 20th Century Fox, Largo[65][66][67]
4 Play1991 Yes C4, ChrysalisEpisode: Itch
Antonia and Jane1991 Yes BBC, Miramax[68][69][70]
Oranges Are Not the Only Fruit1989 Yes BBC, A&E[71][72]
Vroom1988 Yes Film 4
Global Gamble1985 Yes Diverse, C4
Alex1985 Yes NFTS
Carry Greenham Home1983 YesYesYes Contemporary Films, C4
ThanksDate
An Education2009

Awards and nominations

Film Result Award Category
AlexWonLillian Gish Award 1983Best Writer/Director
Carry Greenham HomeWonChicago International Film AwardsGolden Hugo
Oranges Are Not the Only FruitWonBritish Academy Television AwardsBest Drama Series
Oranges Are Not the Only FruitWonSan Francisco International Lesbian and Gay Film FestivalBest Feature
Oranges Are Not the Only FruitWonGLAADOutstanding TV movie
Oranges Are Not the Only FruitWonCannes Film FestivalFIPA D'argent
Oranges Are Not the Only FruitWonPrix ItaliaSpecial Prize for fiction
Too Wong Foo Thanks for Everything Julie NewmarNominatedGLAADOutstanding Film
Murder NominatedBritish Academy Television AwardsBest Drama
Used PeopleNominatedGolden GlobesMarcello Mastroianni and Shirley MacLaine Best Actor/Actress
MurderNominatedBritish Academy Television AwardsBest Drama Serial
MurderNominatedEmmyBest TV Movie
Bridget Jones, on the Edge of ReasonWonEvening Standard ReadersFilm of 2004
Bridget Jones, on the Edge of ReasonNominatedPeoples Choice AwardBest Comedy
Bridget Jones, on the Edge of ReasonNominatedPeoples Choice AwardBest Sequel
Bridget Jones, on the Edge of ReasonNominatedEmpire AwardBest British Film
Hookers Hustlers Pimps and their JohnsWonErotic AwardsMost Erotic British TV Show
HerselfWonWFTV UK AwardsCreative Originality Award 2010
HerselfWonGlamourWoman of the Year 2005
ThanksDate
An Education2009

See also

References

  1. ↑ Singer, Natasha (27 August 2019). "The Baroness Fighting to Protect Children Online". The New York Times. ISSN 0362-4331. Archived from the original on 26 June 2020. Retrieved 3 October 2021.
  2. ↑ Scott, Mark (15 June 2023). "How a British baroness is shaping America's tech laws for kids". Politico. Retrieved 7 November 2023.
  3. ↑ "UK Parliament Website". parliament.uk. 7 November 2023.
  4. ↑ "Advisory Council Committee Members". oxford-aiethics.ox.ac.uk. 7 November 2023.
  5. ↑ "Our Commissioners". broadbandcommission.org. 7 November 2023.
  6. ↑ "Our Team". 5rightsfoundation.com. 7 November 2023.
  7. ↑ "Beeban Kidron". imdb.com. Retrieved 7 November 2023.
  8. ↑ Obituary for Michael Kidron Archived 11 January 2017 at the Wayback Machine, The Guardian, 27 March 2003.
  9. ↑ Brooker, Nathan (23 August 2018). "Keeping kids safe online: at home with Beeban Kidron". Financial Times. Archived from the original on 3 October 2021. Retrieved 3 October 2021.
  10. ↑ "Beeban Kidron v Silicon Valley: one woman's fight to protect children online". The Guardian. 19 September 2021. Archived from the original on 3 October 2021. Retrieved 3 October 2021.
  11. ↑ Winterson, Jeanette (1994). "Introduction". Great Moments in Aviation and Oranges are Not the Only Fruit: Two Filmscripts. Random House. ISBN 0-09-928541-X.
  12. ↑ Klady, Leonard (21 September 1997). "Swept from the Sea". Archived from the original on 20 May 2021. Retrieved 20 May 2021.
  13. ↑ Butler, Tom (16 January 2017). "Sienna Miller says Hippie Hippie Shake will probably NEVER be released". Yahoo Movies UK. Archived from the original on 20 May 2021. Retrieved 20 May 2021.
  14. ↑ "InRealLife". IMDb.com. 20 September 2013. Archived from the original on 2 April 2017. Retrieved 4 December 2017.
  15. ↑ "Baroness Kidron interview: 'Children's online safety is too vital". The Independent. 27 October 2014. Archived from the original on 14 November 2017. Retrieved 4 December 2017.
  16. ↑ "Victoria & Abdul". IMDb.com. 6 October 2017. Archived from the original on 4 December 2017. Retrieved 4 December 2017.
  17. ↑ Bailey, Jason (8 April 2020). "The 10 Funniest Movies on Netflix". The New York Times. ISSN 0362-4331. Archived from the original on 16 June 2020. Retrieved 22 June 2020.
  18. ↑ Kidron, Beeban (13 June 2012), The shared wonder of film, archived from the original on 4 August 2020, retrieved 22 June 2020
  19. ↑ "No. 60173". The London Gazette (Supplement). 16 June 2012. p. 10.
  20. ↑ "Kenneth Branagh knighted in Queen's Birthday Honours". BBC News. 15 June 2012. Archived from the original on 21 April 2019. Retrieved 5 July 2012.
  21. ↑ House of Lords Minutes of Proceedings for Tuesday 26 June 2012 Archived 31 December 2017 at the Wayback Machine. Retrieved 5 July 2012.
  22. ↑ "Democracy and Digital Technologies Committee - Summary - Committees - UK Parliament". committees.parliament.uk. Archived from the original on 18 November 2020. Retrieved 22 June 2020.
  23. ↑ "Communications and Digital Committee - Summary - Committees - UK Parliament". committees.parliament.uk. Archived from the original on 22 May 2020. Retrieved 22 June 2020.
  24. ↑ "House of Lords - Growing up with the internet - Select Committee on Communications". publications.parliament.uk. Archived from the original on 2 April 2017. Retrieved 22 June 2020.
  25. ↑ "House of Lords - BBC C Review: Reith not revolution - Select Committee on Communications". publications.parliament.uk. Archived from the original on 2 May 2019. Retrieved 22 June 2020.
  26. ↑ "House of Lords - A privatised future for Channel 4? - Communications Committee". publications.parliament.uk. Archived from the original on 23 June 2020. Retrieved 22 June 2020.
  27. ↑ "House of Lords - Skills for theatre: Developing the pipeline of talent - Select Committee on Communications". publications.parliament.uk. Archived from the original on 25 June 2020. Retrieved 22 June 2020.
  28. ↑ "UK advertising in a digital age report debate - News from Parliament". UK Parliament. Archived from the original on 25 June 2020. Retrieved 22 June 2020.
  29. ↑ "House of Lords - Regulating in a digital world - Select Committee on Communications". publications.parliament.uk. Archived from the original on 24 March 2020. Retrieved 22 June 2020.
  30. ↑ "House of Lords - Public service broadcasting: as vital as ever - Select Committee on Communications and Digital". publications.parliament.uk. Archived from the original on 23 March 2020. Retrieved 22 June 2020.
  31. ↑ "5Rights launch". Childnet.com. 29 July 2015. Archived from the original on 6 December 2017. Retrieved 4 December 2017.
  32. ↑ "5Rights - Signatories". 5rightsframework.com. Archived from the original on 12 December 2017. Retrieved 4 December 2017.
  33. ↑ "5Rights". 5rightsfoundation.com. Archived from the original on 25 June 2020. Retrieved 22 June 2020.
  34. ↑ Child Online Protection in Rwanda (PDF) (Report). 5Rights Foundation. 2019. Archived (PDF) from the original on 25 June 2020. Retrieved 22 June 2020.
  35. ↑ "OHCHR | GC children's rights in relation to the digital environment". www.ohchr.org. Archived from the original on 17 June 2020. Retrieved 22 June 2020.
  36. ↑ "UN Convention on the Rights of the Child (UNCRC)". Unicef UK. Archived from the original on 16 June 2020. Retrieved 22 June 2020.
  37. ↑ "Broadband Commission for Sustainable Development". Broadbandcommission.org. Archived from the original on 30 November 2017. Retrieved 4 December 2017.
  38. ↑ "commissioners". Broadbandcommission.org. Archived from the original on 13 December 2017. Retrieved 4 December 2017.
  39. ↑ "CXI - Council on Extended Intelligence | IEEE SA & MIT Media Lab". IEEE CXI. Archived from the original on 18 June 2020. Retrieved 22 June 2020.
  40. ↑ "Memorandum on Artificial Intelligence and Child Rights". www.unicef.org. 21 May 2019. Archived from the original on 7 August 2020. Retrieved 22 June 2020.
  41. ↑ "WePROTECT Global Alliance". WeProtect. Archived from the original on 22 June 2020. Retrieved 22 June 2020.
  42. ↑ Kidron, Baroness (22 January 2020). "Social media giants will finally be held responsible for children like Molly Russell". The Telegraph. ISSN 0307-1235. Archived from the original on 23 June 2020. Retrieved 22 June 2020.
  43. ↑ Isgin, Kieran (3 September 2021). "Code to protect children's online data and privacy comes into full effect". Manchester Evening News. Archived from the original on 13 September 2021. Retrieved 13 September 2021.
  44. ↑ "A-H". ico.org.uk. 24 November 2021. Archived from the original on 10 January 2022. Retrieved 10 January 2022.
  45. ↑ Kelly, Makena (10 August 2021). "Gaming companies should avoid predatory designs, lawmakers say". The Verge. Archived from the original on 10 August 2021. Retrieved 10 August 2021.
  46. ↑ "Arts Council England and Durham University announce Commissioners to look at creativity and education - Durham University". www.dur.ac.uk. Archived from the original on 23 June 2020. Retrieved 22 June 2020.
  47. ↑ "Cyberbullying - Brent Hoberman". Royal Foundation. Archived from the original on 26 June 2020. Retrieved 22 June 2020.
  48. ↑ Adam.Vallance (14 June 2016). "Leading Technology companies join The Royal Foundation Taskforce on the Prevention of Cyberbullying". The Royal Family. Archived from the original on 24 September 2017. Retrieved 22 June 2020.
  49. ↑ "Visiting Fellows - Lady Margaret Hall". Lady Margaret Hall. Archived from the original on 13 July 2017. Retrieved 4 December 2017.
  50. ↑ "Growing Up Digital : Taskforce Report January 2017" (PDF). Childrenscommissioner.gov.uk. Archived (PDF) from the original on 10 October 2017. Retrieved 4 December 2017.
  51. ↑ Hawcock, Neville (14 January 2011). "Beeban Kidron talks about her career". Financial Times. Archived from the original on 27 January 2011. Retrieved 20 February 2011.
  52. ↑ Barr, Gordon (15 October 2003). "Bridget's boys". Chronicle Live. Archived from the original on 17 December 2014. Retrieved 6 October 2013.
  53. ↑ "Monitor". Entertainment Weekly. Archived from the original on 9 May 2021. Retrieved 20 April 2020.
  54. ↑ "Beeban Kidron". IMDB. Archived from the original on 26 February 2017. Retrieved 29 June 2018.
  55. ↑ Jaafar, Ali (17 June 2016). "Dame Judi Dench And Stephen Frears Team For Working Title-BBC's 'Victoria And Abdul'; Focus To Co-Fi And Distribute". Deadline. Archived from the original on 24 December 2022. Retrieved 24 December 2022.
  56. ↑ Dawtrey, Michael Fleming,Adam; Fleming, Michael; Dawtrey, Adam (3 May 2007). "'Hippie' grooves for Universal". Variety. Archived from the original on 24 December 2022. Retrieved 24 December 2022.{{cite web}}: CS1 maint: multiple names: authors list (link)
  57. ↑ Variety Staff (4 July 2008). "Beeban Kidron joins UKFC board". Variety. Archived from the original on 24 December 2022. Retrieved 24 December 2022.
  58. ↑ Chocano, Carina (12 November 2004). "'Bridget Jones' is the reigning queen in the court of chickdom". Los Angeles Times. Archived from the original on 24 December 2022. Retrieved 24 December 2022.
  59. ↑ Salamon, Julie (17 December 2001). "TELEVISION REVIEW; Cinderella's Convertible, The Prince On a Cycle". The New York Times. Archived from the original on 24 December 2022. Retrieved 24 December 2022.
  60. ↑ "Despite Flaws, 'Sea' Has Emotional Sweep". Los Angeles Times. 23 January 1998. Archived from the original on 24 December 2022. Retrieved 24 December 2022.
  61. ↑ "'Swept From the Sea': A Romance in the Rain". archive.nytimes.com. Archived from the original on 26 August 2022. Retrieved 24 December 2022.
  62. ↑ McCormick, Patricia S. (17 September 1995). "FILM: TAKING THE CHILDREN; He Who Saves The Day Gets The Princess". The New York Times. ISSN 0362-4331. Archived from the original on 24 December 2022. Retrieved 24 December 2022.
  63. ↑ Rooney, David (13 June 1994). "Great Moments in Aviation". Variety. Archived from the original on 24 December 2022. Retrieved 24 December 2022.
  64. ↑ Thomas, Kevin (29 September 1994). "Brit-TV Tribute Opens at Guild". Los Angeles Times. Archived from the original on 24 December 2022. Retrieved 24 December 2022.
  65. ↑ Gritten, David (19 December 1992). "A Director's Coming of Age : Beeban Kidron Moves Into Big Budgets and Top Stars With Bittersweet Dramatic : Comedy 'Used People'". Los Angeles Times. Archived from the original on 24 December 2022. Retrieved 24 December 2022.
  66. ↑ Wilmington, Michael (4 September 1994). "'Used People'". Los Angeles Times. Archived from the original on 24 December 2022. Retrieved 24 December 2022.
  67. ↑ Maslin, Janet (16 December 1992). "Review/Film; A Family That's Not So Nice to Come Home to". The New York Times. ISSN 0362-4331. Archived from the original on 24 December 2022. Retrieved 24 December 2022.
  68. ↑ Rainer, Peter (15 November 1991). "MOVIE REVIEW : Opposites Attract in 'Antonia and Jane'". Los Angeles Times. Archived from the original on 24 December 2022. Retrieved 24 December 2022.
  69. ↑ Rainer, Peter (14 August 1994). "'Antonia & Jane'". Los Angeles Times. Archived from the original on 24 December 2022. Retrieved 24 December 2022.
  70. ↑ Holden, Stephen (26 October 1991). "Review/Film; A Plain Jane, a Chic Friend and All Their Creepy Men". The New York Times. ISSN 0362-4331. Archived from the original on 24 December 2022. Retrieved 24 December 2022.
  71. ↑ LOYND, RAY (29 November 1990). "TV Review : Oranges Are Not the Only Fruit : An English Girl's Engrossing Odyssey". Los Angeles Times. Archived from the original on 24 December 2022. Retrieved 24 December 2022.
  72. ↑ O'Connor, John J. (29 November 1990). "Review/Television; A Lesbian Comes of Age, And Not in an Easy Way". The New York Times. ISSN 0362-4331. Archived from the original on 24 December 2022. Retrieved 24 December 2022.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.