Bitter Tears: Ballads of the American Indian
Studio album by Johnny Cash
Released	October 26, 1964
Recorded	March 5 – June 30, 1964
Genre	Country folk
Length	31:13
Label	Columbia
Producer	Don Law Frank Jones
Johnny Cash chronology
I Walk the Line (1964) Bitter Tears: Ballads of the American Indian (1964) Original Sun Sound of Johnny Cash (1964)
Singles from Bitter Tears: Ballads of the American Indian
"The Ballad of Ira Hayes" Released: June 2, 1964

Professional ratings

Review scores
Source	Rating
AllMusic	link
Rolling Stone	favourable[1]

Bitter Tears: Ballads of the American Indian is a 1964 concept album, the twentieth album released by singer Johnny Cash on Columbia Records. It is one of several Americana records by Cash. This one focuses on the history of Native Americans in the United States and their problems. Cash believed that his ancestry included Cherokee, which partly inspired his work on this recording. The songs in this album address the harsh and unfair treatment of the indigenous peoples of North America by Europeans in the United States. Two deal with 20th-century issues affecting the Seneca and Pima peoples. It was considered controversial and was rejected by some radio stations and fans.

In 2014 a tribute album, Look Again to the Wind: Johnny Cash's Bitter Tears Revisited, was released with contributions by Gillian Welch, Dave Rawlings, Emmylou Harris, Bill Miller, and others. This was also the name of a documentary film about the suppression of Cash's Native American-themed album in the 1960s. This aired on PBS in February and November 2016.

Songwriting

Believing that he had some Cherokee ancestry, Cash was inspired by Native American activism and issues in the 1960s, a time of social upheaval in the United States. He was concerned about injustices against these peoples. He later learned that his ancestry was limited to the British Isles: English, Scots, Scots-Irish and Irish, but continued activism.

Peter La Farge wrote five of the songs, two were by Cash, and the final track was by Cash and Johnny Horton. The first song, "As Long as the Grass Shall Grow", by La Farge, concerns the contemporary loss of Seneca nation land in Pennsylvania and New York (the Cornplanter Tract) due to condemnation for federal construction of the Kinzua Dam in the early 1960s. "The Ballad of Ira Hayes", tells about Ira Hayes, a young Marine of Pima descent, who participated in the flag raising on Iwo Jima during World War II. After becoming an instant celebrity because of the iconic photo of this event, Hayes struggled with life in the postwar years. He returned to his native Gila River Reservation, where the government had built a dam that diverted critical water supply. Hayes died of alcoholism and in poverty.

In addition to those songs, La Farge's song "Custer" mocks the popular veneration of General George Custer. He was overwhelmingly defeated, in part due to his own errors, by Lakota warriors at Little Big Horn. (Buffy Sainte-Marie has sung a version of this song in concert as "Custer Song".)

Cash rerecorded "As Long as the Grass Shall Grow" decades after the release of the Bitter Tears album. He released it on Unearthed, with the lyrics altered to express his devotion to his wife June Carter Cash; the track was recorded as a duet between them, one of their final recorded duets. Cash also performed "As Long as the Grass Shall Grow" on the short-lived Pete Seeger television program Rainbow Quest, backed by Pete Seeger and June Carter. Cash and Seeger also discussed Peter La Farge and their mutual admiration for him as a songwriter, and his ability to grapple with social issues in his music.

Reception

Bitter Tears and one single were successful, the album rising to No. 2 and "The Ballad of Ira Hayes", reaching No. 3 on the Billboard Hot Country Singles chart. But this required effort. Though the song started out quickly on the Billboard chart, seven weeks later the song was floundering in the mid-teens. According to later accounts, by stressing the Native American theme, Cash had entered contemporary controversial social issues and upheaval of the period. He encountered resistance to this work.^[2]

"Facing censorship and an angry backlash from radio stations, DJs and fans for speaking out on behalf of Native people, Cash decided to fight back."^[2] He paid for a full-page ad that appeared in the August 22, 1964 issue of Billboard magazine, calling some DJs and programmers "gutless" for not playing the Ira Hayes song, and asking why they were afraid to do so. He left the question unanswered.^[3]

Cash began a campaign to support the Ira Hayes song, buying and sending out more than 1,000 copies to radio stations across America.^[4] By September 19, the song had reached number 3 in Billboard.^[5]

In 2010, the Western Writers of America chose "The Ballad of Ira Hayes" as one of the Top 100 Western songs of all time.^[6]

Track listing

Personnel

Charts

Album – Billboard (United States)

Singles - Billboard (United States)

Reissue and revival

The album was included on the Bear Family Records box set Come Along and Ride This Train in 1984.

In 2011, after Antonino D'Ambrosio published A Heartbeat and a Guitar: Johnny Cash and the Making of Bitter Tears, there was renewed interest in the album. D'Ambrosio acted as executive producer, and also made a documentary film about the re-recording of the songs by various artists, who were chosen for their personal interest in the album. Called Look Again To The Wind: Johnny Cash’s Bitter Tears Revisited, the album was released by Sony Masterworks in 2014.^[7]

The documentary is We're Still Here: Johnny Cash's Bitter Tears Revisited.^[8] It first aired on PBS on February 1, 2016, and was scheduled to re-air in November 2016.^[2]

References

External links

• Luma Electronic entry on Bitter Tears: Ballads of the American Indian