Musical background and influences

Paul was born in Anacortes, Washington to parents Kevin and Patricia Aqiimuk Paul,^[1][4] and grew up in the Swinomish Indian Tribal Community on the Puget Sound in Washington. Her earliest musical experiences included listening to and singing indigenous music of the Coast Salish.^[5] She was a jingle dress dancer at regional pow wows with her family's drum group, the Skagit Valley Singers.^[3] At a young age, Paul began learning to play the piano and played the flute in her school band.^[6] Her interest in the guitar and drums began when she came into the possession of some bootleg VHS tapes of Hole and Nirvana, from which she taught herself to play those two instruments by pausing the tapes and studying the musicians’ fingerings and techniques.^[7]

During high school Paul became involved in the small DIY music scene in Anacortes, Washington near the Swinomish Indian Tribal Community, driving her parents' car to attend shows at the Department of Safety venue.^[3] The venue, located in an old firehouse, is where she met Canadian artist and musician Geneviève Castrée who became a mentor to Paul.^[7] An inspiration of Paul's, Castrée would attend her early performances, encouraging her and praising her for her playing.^[3]

In 2007, Paul moved from Washington to Portland, Oregon to attend college at Lewis & Clark College.^[7] While in Portland she became involved with the Rock and Roll Camp for Girls, and later contributed guitar, drums, and vocals for Portland-based bands Forest Park and Genders.^[2][8][9]

Mother of My Children (2017)

Paul's first release as Black Belt Eagle Scout was an eight-song self-titled EP in 2014. Her next release was 2017's Mother of My Children, Black Belt Eagle Scout's debut album.^[2] Paul played all the instruments on the album including bass, keyboard, percussion, organ, vibraphone, and piano, in addition to guitar, drums, and vocals.^[10] The album was recorded at the Unknown recording studio, a converted church in Anacortes. During the recording session, Paul stayed on the reservation with her parents.^[7] The first two tracks are accompanied by music videos by Diné filmmakers Demian DinéYazhi' ("Soft Stud") and Evan James Wood ("Indians Never Die").^[11] Songs on the album deal with topics such as loss, grief, heartbreak, and Paul's identity as an indigenous queer woman. In 2016, her mentor Geneviève Castrée died of pancreatic cancer. Paul says music is what helped her process her grief during this time. This Paul accredits to her Native upbringing and the healing, spiritual roles that singing and drumming played for her during her upbringing.^[7] The album's second track "Indians Never Die" is a response to both the Dakota Access Pipeline protests at Standing Rock and to gentrification occurring in Portland.^[3] Paul is open and vocal about her identity as a "radical indigenous queer feminist".^[12]