Structure

"Black Magic Woman" has the same chord structure, guitar breaks, and even a similar melody to "I Loved Another Woman". Set in the key of D minor, the verse follows a twelve bar chord progression alternating between D minor⁷, A minor⁷, and G minor⁷, and the instrumentation consists of vocals, two guitars, bass guitar and drums. It is homophonic, the voice and lead guitar taking the lead roles. The song is set in common time (4/4), with the rhythm "pushing" on the upbeat, then breaking into a shuffle beat root -chord jam after the final verse.^[6]

D minor ⁷ | D minor ⁷ | A minor ⁷ | A minor ⁷ | D minor ⁷ | D minor ⁷ | G minor ⁷ | G minor ⁷ | Dm ⁷ - C ⁷ | Bb ⁷ - A ⁷ | D minor ⁷ | D minor ⁷

The original recording by Fleetwood Mac featured guitars that were slightly below standard pitch. Green started the song with a D minor triad down on the 17th fret played on one guitar with vibrato, creating a shimmering effect. A slide guitar playing the same chord is faded in over the top. A slightly distorted solo is played in the middle of the song.^[7]

Background

Santana's version, recorded in 1970, is a medley with Gábor Szabó's 1966 instrumental "Gypsy Queen", a mix of jazz, Hungarian folk and Latin rhythms. The song became one of Santana's staples and one of their biggest hits, with the single spending 13 weeks on the Billboard Hot 100 chart and peaking at number four in January 1971,^[15] their highest-peaking Hot 100 hit until 1999’s "Smooth". Santana's 1970 album, Abraxas, reached no. 1 on the charts and hit quadruple platinum in 1986, partially thanks to "Black Magic Woman".

"Gypsy Queen" was omitted from the single version contained on 1974's Santana's Greatest Hits album, even though radio stations usually play "Black Magic Woman" and "Gypsy Queen" as one song.

Structure

While the song follows the same general structure of Peter Green's version, also set in common time, in D minor and using the same melody and lyrics, it is considerably different, with a slightly altered chord pattern (Dm₇– Am₇–Dm₇–Gm₇–Dm₇–Am₇–Dm₇), occasionally mixing between the Dorian and Aeolian modes, especially in the song's intro. A curious blend of blues, rock, jazz, 3/2 afro-Cuban son clave, and "Latin" polyrhythms, Santana's arrangement added conga, timbales and other percussion, in addition to organ and piano, to make complex polyrhythms that give the song a "voodoo" feel distinct from the original.^[16]

The introduction of the song, which was adapted from Szabó's "Gypsy Queen", consists of simple hammer-ons, pull-offs and slides on the guitar and bass, before moving into the introductory guitar solo of "Black Magic Woman". After the introductory solo, which follows the same chord progression as the verse, the song moves into an eight-bar piano solo in D minor, and proceeds to two verses sung by keyboardist Gregg Rolie. Two verses of guitar solo follow the two sung verses, which are then succeeded by another verse, before moving into a modified version of the "Gypsy Queen" section from the beginning of the song to end the piece.

There is also a single edit, a slightly shorter version of the song that omits the opening piano solo and the "Gypsy Queen" portion, that runs for 3:15, while some radio versions play the full recording. Other longer versions have since been released, including one version which runs for 8:56.

Charts

Certifications