Cooper
Born
Brian Cooper

1976
Miami, Florida
NationalityAmerican
Known forInstallation art, performance, photography, sculpture, film, video, sound

Cooper (stylized as COOPER; born Brian Cooper, 1976) is an American artist known for sculptures and assemblages He lives and works in Alaska.

Early life

Cooper was born and raised in Miami, Florida. He changed his name to a mononymous title in all capital letters in 1993.

Career

Cooper's work has been published in Miami Contemporary Artists by Paul Clemence, Julie Davidow, Elisa Turner, (Schiffer Publishing 2007; ISBN 0-7643-2647-3) and Bonnie Clearwater's book Making Art in Miami, Travels in Hyper-reality (2001 Museum of Contemporary Art; ISBN 1-888708-11-5), as well as periodicals including Art in America, Sculpture Magazine, Art Papers, ArtNews, The New York Times, The Village Voice, Santa Fe Reporter and The Miami Herald.

In March 2005, the Fredric Snitzer Gallery in Miami exhibited Cooper's solo show titled "Whiskey for a Red Dawn" at which the Museum of Contemporary Art North Miami, acquired a large scale drawing titled "The finest palaces always make the most impressive ruins. So spend your money as fast as possible, and always use some sort of gold appliqué."[1] Art writer Jocelyn Adele Gonzalez comments, "The work is simultaneously humorous and distressing, and at some point lies on the edge of being socio-political. There is indubitably an integration and simultaneity of subjects that intertwine to present the viewer the episteme of the post modern condition where appropriations, simulacrum and parodies go beyond mere pastiche."[2]

In May 2007, Dwight Hackett Projects exhibited a solo show of Cooper's sculpture called "I see a Red Door and want to Paint it Black". This exhibition included the piece titled "Dead Ringer, Low E is the Sound of Black" consisting of a baby grand piano buried underneath the gallery in a makeshift concrete tomb, a live video image of the piano was viewable on a flat screen television above the buried chamber, and a single piano key could be reached by the audience via a ground penetrating sword-like protrusion.[3]

Education

Public collections

  • Rubell Family Collection, Miami, FL
  • Museum of Contemporary Art, North Miami, FL
  • Miami Art Museum, Miami, FL

Awards and honors

  • 2012: South Florida Cultural Consortium Fellowship for Visual and Media Artists
  • 2002: Miami-Dade County Site-Specific Arts Commission
  • 1997: Charles Pratt Scholarship, Pratt Institute, New York City, New York

Additional texts

Books

  • 2007 Miami Contemporary Artists by Paul Clemence, Julie Davidow, Elisa Turner, Schiffer Publishing ISBN 0-7643-2647-3
  • 2005 MOCA and Miami by Bonnie Clearwater, Museum of Contemporary Art ISBN 1-888708-22-0
  • 2001 Making Art in Miami, Travels in Hyperreality by Bonnie Clearwater, Museum of Contemporary Art ISBN 1-888708-11-5
  • 2000 Sarasota Biennial-2000 by Ringling Museum of Art ISBN 0-916758-38-9

Periodicals

  • 2007 Zane Fisher, "Loud and Dirty", The Santa Fe Reporter, May 16
  • 2007 Michael Abatemarco, "Cooper: I see a red door and want to paint it black", THE Magazine, July
  • 2006 Enrique Fernandez, "Miami makes the scene", Miami Herald
  • 2005 Elisa Turner, "Rubell Collection Exhibits Miami Artists", Miami Herald
  • 2005 Alfredo Triff, "Current Shows - Black Lungs", The New Times
  • 2004 Anat Ebgi, "Artist Conversations", NY Arts magazine
  • 2004 "Clearing house", Street Magazine June 11
  • 2003 "Miami: A Dramatic Reinvention", ArtNews February
  • 2003 "Cooper: El Artista como AntiHéro", El Nuevo Herald March 9
  • 2003 "Raw Cooper", Street Magazine April 4
  • 2003 "Cooper: Sculpture Exhibit at Dorsch", The Miami Herald August 17
  • 2002 "Ear Candy in Humid", Street Magazine January 11
  • 2001 Amei Wallach, "In Miami, A Hot Spot of Art, the Temperature is Rising", The New York Times September 16
  • 2001 "Things to See, ART", The Village Voice September 6
  • 2001 Elisa Turner, "Ticket to Ride", The Miami Herald December 20
  • 2001 Damarys Ocana, "An Artistic Ode to Miami", Street Magazine December 22–28
  • 2001 Alfredo Triff, "The Hyperreality of It All", The New Times January 4–10
  • 2001 Carlos Reyes, "Robots Take Over Frederic Snitzer Gallery", MiamiArtExchange.com April
  • 2001 Armando Alvarez Bravo, "Hacer Arte en Miami", El Neuvo Herald January 14
  • 2001 Miguel Sirgado, "Cooper, Aproppiaciones y Licencias", El Nuevo Herald April 15
  • 2000 Paula Harper, "Banking on Art", Art In America May

References

  1. ↑ The Museum of Contemporary Art North Miami's quarterly report dated January 2008
  2. ↑ "COOPER at Fredric Snitzer Gallery" by Jocelyn Adele Gonzalez, Independent Review May 2001.
  3. ↑ "Loud and Dirty" by Zane Fisher, The Santa Fe Reporter, May 2007.
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