Chester Brown adapted Gospel of Mark and part of the Gospel of Matthew to comics; installments appeared in his comic books Yummy Fur and Underwater. Brown ran the first installment of the Gospel of Mark in Yummy Fur #4 in 1987, and left Matthew unfinished after cancelling Underwater in 1997. Brown had planned to do all four of the canonical gospels,[1] but in 2011 stated that it is unlikely he will finish even Matthew.[2]
Background
Brown's beliefs
Brown was brought up in a strictly Christian Baptist[1] household.[3] Over his career, he has gone back and forth between belief and non-belief in Christianity.[4][5]
Brown took on his retelling of the Gospels to try to figure out what he really believed.[6]
Gospel of Mark
| Issue | Date | Passages[7] |
|---|---|---|
| Yummy Fur # 4 | April 1987 | Mark 1:01–39 |
| Yummy Fur # 5 | June 1987 | Mark 1:40–3:12 |
| Yummy Fur # 6 | August 1987 | Mark 3:13–4:14 |
| Yummy Fur # 7 | 1987[8] | Mark 5:1–6:6 |
| Yummy Fur # 8 | November 1987 | Mark 6:6–7:23 |
| Yummy Fur # 9 | March 1988 | Mark 7:24–8:21 |
| Yummy Fur #10 | May 1988 | Mark 8:22–9:13 |
| Yummy Fur #11 | July 1988 | Mark 9:14–10:34 |
| Yummy Fur #12 | September 1988 | Mark 10:35–12:27 |
| Yummy Fur #13 | November 1988 | Mark 12:28–14:52 |
| Yummy Fur #14 | January 1989 | Mark 14:53–16:20 |
Brown began his adaptation of the Gospel of Mark in issue #4 of Yummy Fur in 1987. It ran alongside his surreal, taboo-breaking Ed the Happy Clown serial, which led readers to expect a similar treat of the Gospel;[9] instead, he provided a straight adaptation,[9][10] running to issue #14 of Yummy Fur. Brown lays out the story at six equal panels per page, each panel illustrating one verse of the Gospel of Mark.[9] On the final page of the final installment, Brown stops illustrating the story after Mark 16:8, where the myrrhbearers flee Jesus's empty tomb. The final four panels are of an unnamed old man reciting the final verses against a black background.[11] These four panels are of what scholars believe is an extended ending to Mark's Gospel.[12]
The adaptation became more idiosyncratic as it developed: On pages 55 and 56 Brown wove into the story a passage from the Secret Gospel of Mark, a highly contentious and disputed document said to have been written by Clement of Alexandria that Professor Morton Smith claimed to have discovered in 1958.
Mark sources
Brown stated he had a large number of sources for his adaptation of Mark. The books he referred to most frequently were:[13]
- Green, Jay P., Sr. (editor), The Pocket Interlinear New Testament, Baker Book House (1979)
- The New International Version of the Bible
- The King James Version of the Bible
- Gaus, A. (translator), The Unvarnished Gospels, Threshold Books (1988), ISBN 978-0-939660-25-4
- Nineham, D.E., Saint Mark: The Pelican New Testament Commentaries The Gospel of St. Mark, Pelican (1972)
- Laymon, Charles M. (editor), The Interpreter's One-Volume Commentary on the Bible, Abingdon Press (1971)
- Smith, Morton, The Secret Gospel, Dawn Horse Press (1973), about the Secret Gospel of Mark
- Smith, Morton, Jesus the Magician: Charlatan or Son of God?, Harper & Row (1978)
Gospel of Matthew
The Gospel of Matthew started in issue #15 of Yummy Fur in 1989 and continued through to the premature end of Underwater in 1997. As of 2011, it has yet to be finished.
Brown's gospels gained a reputation for being "ingeniously blasphemous" mainly from his Matthew retellings. In contrast to Mark's Jesus, who is "serene and always in control," in Matthew he is a scowling, balding figure, and "there is a more radicalized disbelief and a greater focus on the fleshy and earthly aspects of the story."[14] Brown's depiction of the Matthew's version of the Saviour is "a Jesus that shouts. He's a Jesus that screams", his face "haggard and worn, his dark hair matted and stringy".[3]
The disciples are depicted as awkward, fearful and full of doubt, who are "barely able to reconcile the greatness of God with the miseries of their existence".[3]
As Brown has pointed out, starting with the full-issue installment of Matthew in Yummy Fur #32, he deliberately changed Jesus's third-person references to himself to first-person references in the dialogue.[15]
Matthew sources
Amongst the books Brown cited for his Matthew adaptation are:
- Shaberg, Jane. The Illegitimacy of Jesus: A Feminist Theological Interpretation of the Infancy Narratives. Harper & Row (1987)[13]
- Maccoby, Hyam. The Mythmaker: Paul and the Invention of Christianity. Harper & Row (1986)[15]
- Barnstone, Willis (editor). The Other Bible: Jewish Pseudepigrapha, Christian Apocrypha, Gnostic Scriptures, Kabbalah, Dead Sea Scrolls. Harper & Row (1984)[15]
- Schonfield, Hugh. The Original New Testament. Harper & Row (1985)[16]
Unfinished state
Matthew has been on hiatus since 1997, with the story left with Jesus about to enter Jerusalem. Brown had long said he planned on coming back to the story, but in an interview at The Comics Journal in 2011, he said he would not likely finish it, as his heart was no longer in it.[2] He stated they were "poorly done".[11]
Reception
The Gospel adaptations have generally been well-accepted by fans and critics. John Bell calls them Brown's most important uncollected work.[17]
To Francis Hwang of City Pages, "the paradox of faith is brilliantly, heartbreakingly depicted" in the Gospel of Matthew.[3]
Relation to Brown's other work
Religious and biblical elements have found their way into almost all of Brown's work:
- "The Twin", a story of young Jesus adapted from a story from the Gnostic text Pistis Sophia, which appears in The Little Man[18]
- Various religious imagery in Ed the Happy Clown, especially Jesus' quote, "If thy hand offend thee cut it off", and the character Chet's religious remorse over having sex with Josie the vampire that leads to him murdering her
- his thinking about buying an issue of Playboy while sitting in church that opens The Playboy
- his battles with his mother over wearing his Sunday clothes in I Never Liked You
- Louis Riel's talking with God in the graphic novel of the same name.
- Mary Wept Over the Feet of Jesus, which features adaptation of various biblical episodes
See also
References
- 1 2 Juno, pg 143
- 1 2 Rogers, part 3
- 1 2 3 4 Hwang, Francis (1998-12-23). "Graven Images". City Pages. Archived from the original on 2012-10-04. Retrieved 2011-04-26.
- ↑ Seth Interviews Chester Brown Archived 2011-07-19 at the Wayback Machine, hosted at sequential.spiltink.org. Retrieved 2011-05-15.
- ↑ Walker, Benjamin; Chester Brown (2011-05-17). "The Difference Between Giving and Taking (a conversation with Chester Brown)" (Interview: Audio). Retrieved 2011-05-23.
- ↑ Epp, Darell (2002-01-29). "Two-Handed Man interviews cartoonist Chester Brown". twohandedman.com. Archived from the original on May 9, 2008. Retrieved 2011-04-23.
- ↑ Underwater #7. pages 26–27
- ↑ The indicia for this issue doesn't state the month
- 1 2 3 Coody 2018, p. 107.
- ↑ Ng Sat Tong (31 March 2010). "Old Wine in New Wineskins: The Gospel According to Chester Brown". The Hooded Utilitarian. Retrieved 2011-04-07.
Brown's Mark does not read like the work of someone who is challenging received wisdom but an exercise in illustration.
- 1 2 Coody 2018, p. 108.
- ↑ Coody 2018, pp. 109–110.
- 1 2 Yummy Fur #15, page 24
- ↑ Ng Sat Tong (31 March 2010). "Old Wine in New Wineskins: The Gospel According to Chester Brown". The Hooded Utilitarian. Retrieved 2011-04-07.
NB: the online version is slightly different from the print version—most notably, the 2004 article includes an image from Robert Crumb's Book of Genesis, which wasn't published until 2009 - 1 2 3 Underwater #7. page 26
- ↑ Underwater #9. page 26
- ↑ Bell, page 160
- ↑ The Little Man, page 163
Works cited
- Brown, Chester. Yummy Fur #15. Vortex Comics, March 1989
- Brown, Chester. Underwater #7. Drawn & Quarterly, August 1996
- Brown, Chester. Underwater #9. Drawn & Quarterly, April 1997
- Coody, Elizabeth Rae (2018). "The Ending of Mark as a Page-Turn Reveal". In Gamzou, Assaf; Koltun-Fromm, Ken (eds.). Comics and Sacred Texts: Reimagining Religion and Graphic Narratives. University Press of Mississippi. pp. 98–112. ISBN 978-1-4968-1924-6 – via Project MUSE.
- Juno, Andrea. Dangerous Drawings. Interview with Chester Brown. Juno Books, LLC (1997). pp. 130–147. ISBN 0-9651042-8-1
- Brown, Chester. The Little Man: Short Stories 1980–1995. Drawn & Quarterly, 1998. ISBN 1-896597-13-0
- Bell, John. "Invaders from the North: how Canada conquered the comic book universe". Dundurn Press, Ltd., 2006. ISBN 978-1-55002-659-7
- Rogers, Sean. A John's Gospel: The Chester Brown Interview part 1 2 3 4 5 6 7 8. The Comics Journal. 2011-05-09. Retrieved 2011-05-17.