Conductor and radio commentator Bill McGlaughlin began composing in 1997, whereupon he left his conducting position at the Kansas City Symphony and moved to New York City to concentrate on composing. The outcome of the move was a flurry of creativity, and he has been composing successfully, although more intermittently, since then. Well over half of his works have been commissioned. In 1998 McGlaughlin signed a contract with Subito Music, which now publishes all of his work.

Selected major works; musical style

McGlaughlin's first major work was Three Dreams and a Question: Choral Songs on e.e. cummings, prompted by the death of a friend — which he debuted with the Kansas City Symphony on April 28, 1998, to an enthusiastic audience and press.[1] It was quickly followed by five more premieres within a ten-month span.[2]

For a millennial celebration, McGlaughlin was chosen from a field of 350 composers to write a major new work for Continental Harmony, a nationwide cultural initiative commissioned by the National Endowment for the Arts and the American Composers Forum. The composition, Walt Whitman's Dream, premiered in July 2000, and celebrated the new millennium with a combined chorus of nearly 800 singers from around the world, accompanied by orchestra.[3][4][5]

On December 15, 2005, the national two-hour daily NPR classical music radio program Performance Today announced that out of all of the music aired that week, McGlaughlin's new commissioned composition Remembering Icarus garnered the most, and the most heartfelt, listener response.[6]

McGlaughlin describes his compositional style as more intuitive than intellectual,[7] and says that he does not shun tonality: "I think when composers turn completely away from tonality, they lose a big part of storytelling."[8] Some of his work incorporates or references elements of jazz — for instance Bela's Bounce, an homage to Béla Bartók and Charlie Parker.[8][9]

McGlaughlin characterizes his creative process as both studied and extemporaneous, experimenting with various methods to elicit the elusive "moment of inspiration." His compositional ideas often spring from external sources, either literary, personal, or musical, or from inspired tangents on commissioned requests. His muse-seeking practices have included walking in nature, running, meditating, and staying up all night at the keyboard. McGlaughlin's advice to young composers is never to shrug off an idea, even if at first it seems insignificant or similar to an existing work: "Write it down and throw it out later if you have to, but don't avoid the impulse."[9][10]

Compositions

1990s

  • Solstice: Fantasy on Old English Carols (premiere December 10, 1997 – Kansas City Symphony). Orchestra. Christmas piece.
  • Crooked Timber (premiere January 23, 1998 – Kansas City Symphony). Orchestra. A celebration of the irregular, based on Immanuel Kant's words, "Out of timber so crooked, as that from which man is made, nothing entirely straight can be built."[9]
  • Three Dreams and a Question: Choral Songs on e.e. cummings (premiere April 28, 1998 – Kansas City Symphony). Chorus and orchestra. Written in memory of composer and pianist Kevin Oldham.[11]
  • Aaron's Horizons (premiere June 18, 1998 – Saint Paul Chamber Orchestra). Chamber orchestra. A tribute to composer Aaron Copland, with whom McGlaughlin worked in the 1970s.[12] Heard nationwide in a broadcast performed by the Saint Paul Chamber Orchestra.[13]
  • Three Mile Table (premiere July 18, 1998 – Music at Gretna festival; commissioned). Sextet of flute, oboe, violin, cello, guitar, and piano. In honor of the recently completed, 11-mile-long Vasco da Gama Bridge, the longest bridge in Europe, in Lisbon, Portugal. The title refers to a table constructed and placed on the bridge to celebrate its opening. The piece utilizes Portuguese folk melodies in a whimsical and buoyant way.[9]
  • Bela's Bounce (premiere October 4, 1998 – Camerata Orchestra of Bloomington, Indiana; commissioned). Orchestra. An homage to Béla Bartók and Charlie Parker.[9]

2000–2003

2004–present

  • Remembering Icarus (premiere October 2005 – Las Cruces Symphony, Las Cruces, New Mexico; commissioned). Orchestra. Honors local radio pioneer Ralph Willis Goddard, who was electrocuted in 1929 while checking a radio transmitter during a thunderstorm. Las Cruces public radio station KRWG, which commissioned the piece, uses his initials as its call letters. Remembering Icarus was subsequently aired nationally on NPR's Performance Today on December 9, 2005, and has been re-broadcast on radio three times.[16][17][18]
  • Bagatelles: 1. Antique Dance with Ground Round 2. Fast and Loose (premiere February 22, 2008 – Washington Saxophone Quartet, at Wolf Trap; commissioned). Saxophone quartet. Co-commissioned by Wolf Trap and the Washington Saxophone Quartet.[19]
  • The Heart's Light: An Essay for Orchestra (premiere March 30, 2008 – Temple University Symphony Orchestra; commissioned).[20] Orchestra. Also performed at Carnegie Hall on April 2, 2008.[21]
  • Old American Songs for G.K. (premiere May 13, 2008 – Boston Pops with Garrison Keillor, Symphony Hall, Boston; commissioned). Orchestra.[17]
  • Brave New World (premiere September 29, 2012 – Las Cruces Symphony, commissioned). Orchestral instruments plus harp, piano, and marimba. In honor of the 100th anniversary of New Mexico’s becoming a state in 1912.[22][23]

Composer-in-residence engagements

McGlaughlin has had three composer-in-residence engagements. They are as follows:

See also

Footnotes

  1. ↑ McGlaughlin resumé 2003 Archived 2011-07-07 at the Wayback Machine
  2. ↑ People - Bill McGlaughlin. WQXR. Retrieved August 5, 2016.
  3. 1 2 3 "Bill McGlaughlin and the Saint Paul Chamber Orchestra". Retrieved 5 August 2016.
  4. 1 2 International Choral Festival: History of the Festival Archived 2004-08-03 at the Wayback Machine
  5. 1 2 3 Bio – American International Artists
  6. ↑ Mail: Performance Today, December 15, 2005
  7. ↑ December 9, 2005 interview on Performance Today
  8. 1 2 Phillips, Lisa. Public Radio: Behind the Voices. Vanguard Press, 2006. p. 319
  9. 1 2 3 4 5 6 "Bio – Subito Music". Archived from the original on 2008-05-27. Retrieved 2008-10-29.
  10. 1 2 Buckley, Daniel. "Return to Desert Inspires Former TSO Conductor". Tucson Citizen. November 20, 2003.
  11. ↑ Phillips, Lisa. Public Radio: Behind the Voices. Vanguard Press, 2006. p. 318
  12. ↑ "Bill McGlaughlin and Aaron's Horizons"
  13. 1 2 3 Official bio on Exploring Music site Archived 2008-03-07 at the Wayback Machine
  14. ↑ "Continental Harmony". PBS. Retrieved 5 August 2016.
  15. ↑ Buckley, Daniel. "He Hangs Up Baton, Rings Up Success". Tucson Citizen. October 23, 2003.
  16. ↑ Audio interview and performance of Remembering Icarus on Performance Today, December 2005
  17. 1 2 "William McGlaughlin Bio – American International Artists" (PDF). Archived from the original (PDF) on 2014-09-03. Retrieved 2012-02-19.
  18. ↑ "Entertainment: The Best of 2007." Archived 2008-12-02 at the Wayback Machine Las Cruces Sun-News. December 28, 2007
  19. ↑ Wolf Trap Press Release, February 11, 2008. p. 2
  20. ↑ Temple University Symphony performance March 30, 2008. Going Philadelphia archive.
  21. ↑ Temple University Symphony Orchestra: Stern Auditorium / Perelman Stage. Wednesday, April 2, 2008 at 8 PM. Carnegie Hall Box Office Events archives.
  22. ↑ Zeitlin, Leora. "Brave New World: Composer Bill McGlaughlin & Conductor Lonnie Klein Discuss World Premiere". KRWG.org. November 8, 2012
  23. ↑ "Las Cruces Symphony World Premiere 9/29/12". BillMcGlaughlin.com.
  24. ↑ Continental Harmony – Walt Whitman's Dream
  25. ↑ "Continental Harmony – Harmony for everybody". Retrieved 5 August 2016.
  26. ↑ "Continental Harmony – Harmony for everybody". Retrieved 5 August 2016.

References

Audio

Biographical

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