Early life

Francis was born in Kingston, Jamaica in February 1957. His family immigrated to the U.S. in 1965. He took a keen interest in comics during his adolescent years while enjoying the works of Russ Manning, Gene Colan, Neal Adams, and Dick Giordano. Francis made several attempts to break into the comics field during his high school years at the High School of Music & Art.

Career

At the end of 1975, Francis discovered advertising illustration and photography during his time at Pace University and soon gained employment in the newsroom of a local Brooklyn newspaper. He soon became adept at publication design, photography, and advertising design.

A chance encounter with the daughter of Neal Adams at a comic convention changed his life. During an impromptu interview with the comic book creator, he was given an opportunity to meet with Dick Giordano of DC Comics, who had been Adams's business partner for some years at Continuity Studios.

In 1981, after a brief period of working with Mr. Giordano, an opportunity arose to work in the advertising art studio with Mr. Adams and the choice had to be made then and there. Francis began working as a commercial illustrator with Continuity Studios, creating storyboards for award-winning commercials. Throughout that period he also had opportunities to work on merchandising comics for the company, as well as animatics and concept art.

In 1984, another fateful encounter during a speech given at a Graphic Artists Guild seminar led to an offer to work with the Late Night with David Letterman show on NBC. The job entailed the creation of comic book characters Frank and Fred along with cartoon and comic illustrations for the props. The project led to a two-year association with the show.

During the NBC years, Francis also worked with DC Comics as an illustrator of their merchandising. He was soon tapped to work with Joe Giella and Bob Lappan on a series of activity books in the under-served children's market as well as the Superman Sunday comic strips. Francis was included in a project to design and implement a comic book for Nancy Reagan’s “Just Say No” campaign.

1986 was another influential year when a chance meeting with Steve Shanes, the publisher of Blackthorne comics led to an offer he couldn't refuse. Francis was given the task of visualizing hundreds of characters for the Blackthorne universe. During the height of the black-and-white comic book explosion, Francis collaborated with writer Mark Wayne Harris on the critically acclaimed limited series Street Wolf.

Francis designed and penciled the graphic novel X-L, along with the three-issue miniseries Locke. When asked what projects he wanted to personally produce and create for the new Blackthorne lineup, two projects that have been in the works for many years finally became real. Jax and the Hellhound, a proposed graphic novel, became a three-issue miniseries. The other project, Major Lancer and the Starlight Squadron, was a holdover from a proposed comic strip he created during high school.

Shanes then commissioned a series of children's activity projects starting with the “How To Draw” Series. The 3-D comics craze took hold of the consumers’ attention in early 1988 and Blackthorne publishing jumped into the fray. Francis designed and illustrated several projects including the Transformers 3-D three-issue series.

From the end of 1988 to the middle of 1989 a series of unfortunate events brought his association to a close with Blackthorne Publishing as the comic book market finally burst its ever-growing bubble. The Blackthorne color line retreated back into the imagination of its creators but comic book legend Neal Adams once again made him an offer he couldn't refuse.

The New York office of Continuity Studios has created a West Coast branch and needed a manager; Francis saw this as an opportunity to work in Los Angeles close to the entertainment studios. His experience in advertising design and television entertainment was now going to be put to the test in Hollywood.

1994 saw the birth of T&D publishing; a publications consulting company that helps small business owners figure out how to use that newfangled invention that everybody was looking at called desktop publishing. With the proliferation of computers and digital printing, small business operations could have greater control of print communications.

By the year 2000, publication design became mostly digital design of the Web began to take more precedence in business communication. T&D Publishing became DiD Publishing as Francis began to work with online content and web design.

In 2008 he attended a comic convention in San Diego and was once again inspired to dust the cobwebs from his decade-old properties. He had registered the domain name graphic-novels.com years before but now gave serious thought to going back to his first love, comics.

April 2009 began work on several comic book properties for his new venture: Graphic-novels.com. Jax and the Hellhound, The Hit List, Dangerlove and the Starlight Squadron are currently in production for online release. New artwork and stories are currently appearing on the website in the first quarter of 2010 for Jax and the Hellhound.

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