Headquarters
Studio album by the Monkees
Released	May 22, 1967
Recorded	February 23 – April 18, 1967
Genre	Pop rock
Length	30:52
Label	Colgems (U.S.) RCA Victor (outside U.S.)
Producer	Chip Douglas
The Monkees chronology
More of the Monkees (1967) Headquarters (1967) Pisces, Aquarius, Capricorn & Jones Ltd. (1967)

Professional ratings

Review scores
Source	Rating
AllMusic	[1]
MusicHound Rock	[2]
Record Collector	[3]
The Rolling Stone Album Guide	[4]

Headquarters is the third studio album by the Monkees, released in May 1967 after the first season of their television series had concluded. It was the first album on which the group members made substantial songwriting and instrumental contributions, rather than relying on session musicians and professional songwriters. After a struggle for creative autonomy with their record label, the group had been allowed, to a degree, to record by themselves. Headquarters became the group's third consecutive No. 1 album on the Billboard 200 chart and was certified double platinum in the United States with sales of more than two million copies within the first two months of release. It also peaked at No. 2 on the UK charts. It is included in the 2006 book 1001 Albums You Must Hear Before You Die.

Early history and concept

While the original concept of their third album was to follow the same format and production of the first two albums, after the release of More of the Monkees, the group, particularly Michael Nesmith and Peter Tork, was becoming increasingly frustrated by the limited creative input they were allowed by Don Kirshner, and continued to fight for more creative control and independence from him. Kirshner had already begun supervising recording sessions with studio musicians for their third album, with Davy Jones recording vocal tracks for some of the songs, while the group took it upon themselves, independent of Kirshner, to record two songs featuring them both singing and playing ("All of Your Toys" and "The Girl I Knew Somewhere"), as a means of proving to him that they were capable of providing their own musical accompaniment on future albums. Kirshner was adamant that their music should continue to be recorded under the previous albums' recording style, and was desperate to have the group provide further vocal tracks to the pre-recorded songs before their upcoming pre-planned vacations in order to continue their previous chart-topping successes by having the new single displace the current number one song, "I'm a Believer", thereby having the group hold number one and number two positions. As upcoming talks with Kirshner about their concerns continued to be delayed, the group, citing exhaustion from their grueling TV, touring and recording schedule, were unwilling to postpone the vacations and took advantage of the situation by threatening to quit the show, and subsequently the band, unless their demands were met. Micky Dolenz made a last-minute compromise: the group would agree to sing on Kirshner's tracks in exchange for his allowing one of their previously recorded group performance tracks to serve as the B-side. While it seemed that Kirshner would agree, tensions soon came to a head when he released the third single (in Canada), with the Jones' tracks on both sides ("A Little Bit Me, A Little Bit You" and an early version of "She Hangs Out") without the approval of record executives, the show's producers or the group, completely ignoring their request. This was the last straw, and it led to Kirshner's dismissal from the Monkees project with the group finally being given full creative control of their next album. The single was withdrawn from Canada and pulled from scheduled release in the US. Since "A Little Bit Me, A Little Bit You" was already announced as the next single, it was retained as the A-side and "The Girl I Knew Somewhere" as the B-side (a publishing error prevented "All of Your Toys" from being used), replacing "She Hangs Out". The remaining Kirshner-supervised tracks that had already been finished were discarded, the group was finally given the creative freedom and input they yearned and soon began recording on their third album, free of the restrictions previously imposed by Kirshner.

Release

The album was released on May 22, 1967, and charted at No. 1 in the U.S., only to be replaced the following week by the Beatles' Sgt. Pepper's Lonely Hearts Club Band; it then began a run of 11 consecutive weeks at the No. 2 position as Sgt. Pepper's Lonely Hearts Club Band and Headquarters became the two top-selling records during the legendary "Summer of Love" period.

The album was issued on the compact disc format for the first time by Arista Records in 1989, remixed from the multi-tracks, then later from the original stereo master tape in 1995, with several bonus tracks on Rhino Entertainment. In 2000, Rhino, through its Rhino Handmade division, issued The Headquarters Sessions, a three-disc box set of outtakes from the session as well as the album's original monophonic mix presented in an alternate running order that had been rejected before the album's official release.

In 2007, Rhino issued a two-disc deluxe edition of the album. The CD set was housed in a digipak with a slipcase and featured original album artwork (including replicas of the original Colgems vinyl labels on each disc), as well as a booklet of essays and session information by Monkees historian Andrew Sandoval. The discs contained both the stereo and mono mixes of the album, remastered, as well as alternate mixes and outtakes.

In 2022 a four disc edition was released including the original album in remixed form with tracks from the aborted January 1967 Don Kirshner sessions; the three other discs in the collection include alternate mixes and outtakes previously unreleased.

Album cover

The original rear album cover features a collage of photos including one of producer Chip Douglas and engineer Dick Bogert. However, the photo was mislabeled: it identifies engineer Hank Cicalo as sitting next to Chip Douglas. This is known as the "producers cover". Colgems/RCA corrected the error by substituting a different photo rather than revising the caption. Peter, Micky and Mike were sporting light beards while Davy's shoulder-length hair had been cut off; this has come to be known as the "beard cover". This is the corrected version because it was standard practice for RCA to add an "RE" to the catalog number when any one side of a record sleeve had a revision. The "beard cover" has a catalog number of COS/COM-103 RE.^[5]

Track listing

Personnel

According to Andrew Sandoval.^[7]

The Monkees

• Micky Dolenz – vocals, drums, zither, electric rhythm guitar, shaker, timpani, woodblock
• Davy Jones – vocals, maracas, tambourine, percussion
• Michael Nesmith – vocals; electric and acoustic lead, rhythm, and 12-string guitars; steel guitar, organ on "For Pete's Sake"
• Peter Tork – vocals; acoustic 12-string and electric guitars; piano, organ, celeste, electric piano; banjo, bass on "You Just May Be The One"

Additional musicians and production staff

• Hank Cicalo – engineer
• Vincent DeRosa – French horn on "Shades of Gray"
• Chip Douglas – backing vocals, bass guitar, producer
• John London – bass on "Mr. Webster" and "Sunny Girlfriend"
• Frederick Seykora – cello on "Shades of Gray"
• Jerry Yester – bass on "Shades of Gray" and "I Can't Get Her Off My MInd"

Charts

Certifications

References

Bibliography

• The Monkees: The Day-By-Day Story of the 60s TV Pop Sensation by Andrew Sandoval
• 1001 Albums You Must Hear Before You Die by Robert Dimery, ed (2006).

External links

• Headquarters (Adobe Flash) at Radio3Net (streamed copy where licensed)