Origin

From the seventh century onward, existing literature were compiled and catalogued from time to time which later extended, upgraded, classified, reorganized and put in different sets of different collections. A separate set of translation works was re-grouped into two major collections popularly known as bka’-’gyur and bstan-’gyur, translation of Buddha’s discourses and translation of commentarial works respectively. The very first Tibetan catalogue was introduced during the period of the 39th Tibetan King khri-lde srong-btsen, also known as sad-na legs-mjing-gyon (776-815), who issued decrees “requiring all translation works that were extant in Tibetan from their Indian original to be catalogued and subjected to be recurrently reviewed and to set guidelines of terminology in order to standardize all translation works”. A team of Indian and Tibetan scholars was assigned for the purpose.

As a major step in this remarkable attempt at literary standardization, the bi-lingual glossary known as the Mahavyutpatti (sgra-sbyor bam-po gnyis-pa) was successfully accomplished in the Tibetan horse year (814 CE). Another great achievement was the cataloguing of the collections then available in royal libraries of the three famous Tibetan palaces under the supervision of the famous translator Bande sKa-ba dpal-brtsegs with help from his colleagues, Bande chos-kyi snying-po, Lo-tsa-wa Bande debendhara, Bande lhun-po and Bande klu’-dbang-po etc. The earliest catalogue compilation was recorded from the manuscript of the royal collection housed in the palace- pho-brang ‘phang-thang ka-med kyi gtsug-lag-kang in the Tibetan dog year. (818 CE) This cataloguing work became famous by the name of the palace and known as dkar-chag phang-thang-ma. Soon afterwards two further catalogues of collections available in two other royal libraries- pho-brang bsam-yas mchims-phu-ma and pho-brang stong-thang ldan-dkar were compiled and came to be known as dkar-chag mchims-phu-ma and dkar-chag ldan-dkar-ma respectively. dkar-chag ldan-dkar-ma was compiled in the dragon year (824 CE).

Among these three catalogues, ldan-dkar-ma, included in the volume Jo of sna-tsogs in sde-ge bka’-bstan, is generally believed to be the only surviving so far. But recently a manuscript of dkar-chag phang-thang-ma is discovered and published from Tibet. It contains 961 titles listed under 34 subject headings with additional information of numbers of verses (soloka and bampo ) that contains in each text. The ldan-dkar-ma catalogue comprises 735 titles and listed under a category of 27 subject headings. An interesting unique feature of Tibetan catalogue is that, alongside information about the source material of translation and the bibliographical details, it gives in physical descriptions, such as the nos. of words, verses, canto (bampo) and folios-pages in each of textual contents. Thus today we have a record of 73 million words contained in the bka’-’gyur & bstan-’gyur collection. According to the latest edition of Dharma Publication, the bKa’-‘gyur contains 1,115 texts, spread over 65,420 Tibetan folios amounting to 450,000 lines or 25 million words. Likewise, the bsTan-'gyur contains 3,387 texts using 127,000 folios amounting to 850,000 lines and 48 million words. The sum total of both these collections is 4,502 texts in 73 million words. By fixing bampo to verses and to words of each of the textual contents, the individual works are interpolation and alteration. This further strengthened the authenticity of Tibetan Buddhist literature. These are the first Tibetan catalogues in three versions that were compiled and published in the beginning of the ninth century by the great sgra-sgyur gyi lo-tsa-wa Bande sKa-ba dpal-brtsegs and his team. Tibet, thus, becomes the earliest to accomplish catalogue as inventory in the history of evolution of catalogue. Bande sKa-ba dpal-brtsegs is thus, honored as the pioneer of the Tibetan system. All the later compilers of the Tibetan Canon based their works extensively on sKa-ba dpal-brtsegs creation.

After the period of suppression during the reign of King glang-dar-ma’s (803-842) which brought the first chapter of the history of Tibetan literature to an abrupt end, the second phase in its development is reactivated. Since the beginning of 11th century onward Tibetan translators together with Indian panditas once again resumed their literary activity to bring about a new chapter to be known as "the era of new translation" and also "revival or later promulgation of Buddhism in Tibet". In addition to the previous works Tibet has produced a huge literary wealth both in terms of volume and range of coverage by the 13th century and this growth imposed to carry a fresh comprehensive bibliographical record and control existing literature.

Later period

In the mid-13th century a student of bcom-ldan rigs-ral (1200?), ’Jam-gag pak-shi, also known as mchims ’jam-dpal dbyangs (?-1267), who was the state priest of the Mongol emperor Ching Tsung, had managed to collect some amount of writing material and sent to his master with request for organizing and preparing catalogue of literature that were scattered all over Tibet. bcom-ldan rigs-ral with the help of his pupils dbu-pa blo-gsal byang-chub ye-shes, lo tsa-wa bsod-nams ’od-zer and rgyang-ro byang-chub ’bum, surveyed various parts mostly covering central and western Tibet. Authenticating and rectifying, they carefully scrutinize all the manuscripts of old and new translations and arranged them in order, compiling a comprehensive catalogue of a proto-bka’-‘gyur & bstan-’gyur. The catalogue was prepared into two sets of collections, entitled the dkar-chag bstan-pa rgyas-pa and dka-’gyur gyi dkar-chag nyi-ma’i ’od-zer respectively. Classification of Tibetan Buddhist canon or translation works into two main classes as bka’-’gyur & bstan-’gyur is basically derived from this catalogue.

’Jam-gag pak-shi was once again able to gather some good amount of writing materials and sent to Tibet with the requesting to re-inscribe all manuscripts and set in separate volumes. dbu-pa blo-gsal byang-chub ye-shes, who was the disciple of both bcom-ldan rigs-ral and ’jam-gag pak-shi, was entrusted for this new task. He with colleagues, dutifully accomplished the work and published for the first time a complete and new set of volumes of - bka’-’gyur & bstan-’gyur and placed at atemple, ‘jam-lha-khang of the snar thang monastery which later became famous as snar thang edition. Unfortunately, both the catalogues and volumes of this hand-written oldest edition of the bka’-’gyur & bstan-’gyur are no longer available. ^[2]

Tantra categorization by the Ancient Translation School

The collection of the tantras of the Nyingma is known as the Nyingma Gyubum. The division used by the Nyingma or Ancient school:

• Three Outer Tantras:
  • Kriyayoga
  • Charyayoga
  • Yogatantra
• Three Inner Tantras, which correspond to the Anuttarayogatantra:
  • Mahayoga
  • Anuyoga
  • Atiyoga (Tib. Dzogchen), further divided into three classes:
    • Mental Semde
    • Spatial Longdé
    • Esoteric Instructional Mengagde

Tantra categorization by the New Translation School

The Sarma or New Translation schools of Tibetan Buddhism (Gelug, Sakya, and Kagyu) divide the Tantras into four hierarchical categories, namely,

• Kriyayoga
• Charyayoga
• Yogatantra
• Anuttarayogatantra
  • further divided into "mother", "father" and "non-dual" tantras.

Two Supremes

• Asanga, founder of the Yogacara philosophical school
• Nagarjuna, founder of the Madhyamaka philosophical school

Six Scholarly Ornaments

• Aryadeva, foremost disciple of Nagarjuna who continued his Madhyamaka philosophical school
• Dharmakirti, famed logician, author of the Seven Treatises; student of Dignāga's student Iśvarasena; said to have debated famed Hindu scholar Adi Shankara
• Dignāga, famed logician
• Vasubandhu, Asanga's brother^[18][19][20]
• Gunaprabha, foremost student of Vasubandhu, known for his work the Vinayasutra
• Sakyaprabha, prominent exponent of the Vinaya

Seventeen Great Panditas

References are sometimes made to the Seventeen Great Panditas. This formulation groups the eight listed above with the following nine scholars.

• Atiśa, holder of the lojong teachings
• Bhāviveka, early expositor of the Svātantrika interpretation of Madhyamaka
• Buddhapālita, early expositor of the Prasaṅgika interpretation of Madhyamaka
• Candrakīrti, considered the greatest exponent of the Prasaṅgika interpretation
• Haribhadra, commentator on Asanga's Ornament of Clear Realization
• Kamalaśīla, 8th-century author of important texts on meditation
• Śāntarakṣita, abbot of Nalanda, founder of the Yogācāra-Svatantrika-Mādhyamaka interpretation who reputedly helped Padmasambhava establish Buddhism in Tibet
• Shantideva, 8th-century Indian author of the Bodhisattvacaryāvatāra
• Vimuktisena, commentator on Asanga's Ornament of Clear Realization