G. N. Balasubramaniam
G. N. Balasubramaniam and M. S. Subbulakshmi in the 1940 Tamil film Shakuntalai
G. N. Balasubramaniam and M. S. Subbulakshmi in the 1940 Tamil film Shakuntalai
Background information
Born(1910-01-06)6 January 1910
OriginGudalur, Mayavaram, Tanjore District, Madras Presidency, British India
Died1 May 1965(1965-05-01) (aged 55)
Madras, Madras State, India
GenresCarnatic music - Indian Classical Music
Occupation(s)Singer
Years active1920–1965

Gudalur Narayanaswamy Balasubramaniam (6 January 1910 – 1 May 1965), popularly known as GNB, was an Indian Carnatic singer. He innovated the art through emphasis on laya control and reducing the gamakas which eventually made Carnatic music appeal to the lay and the learned alike.[1] He was also a Tamil film actor. Ariyakudi Iyengar inspired him.

He was born in Gudalur, a small Tamil Nadu village, which is close to Mayavaram. He was the son of G V Narayanaswamy Iyer, who was a music student. Throughout his younger years, he closely observed the techniques of the musicians of his day. Ariyakudi Ramanuja Iyengar became his manasika guru and inspiration. While his father hoped that GNB would become a successful lawyer, he was intent on pursuing his musical ambitions. He completed his BA (Hons) in English Literature at the Christian College, Chennai, and took up a short music course at Annamalai University. under the guidance of T S Sabesa Iyer, but discontinued due to ill health. However, he joined the diploma course in music under Madras University in the first batch and Tiger Varadhachariar was the principal. Within 2 years, he was ready for concert performances. He gave his first concert in 1928.

Career

He acted in films, including Bama Vijayam (1934), Sathi Anusuya (1937),Sakuntalai (1940), Udayanan Vasavadatta (1947) (with Vasundhara Devi, mother of Vijayanthimala) and Rukmangadhan (1947). In "Sakunthalai", he appeared as Dushyantha, alongside the vocalist M.S. Subbulakshmi. M.S. Subbulakshmi was fascinated by his music and embraced his style completely in her early years as mentioned in the book M S - A Life in Music by TJS George. After a short stint in the film industry, GNB returned to the Carnatic music fraternity, until his passing in 1965.

GNB was known for brigha-laden and brisk music, and emerged as one of the most prominent Carnatic musicians of the era, drawing hundreds of people to each concert. He was famous for his renderings of "Vathapi Ganapathim" by Mutthuswamy Dikshitar and "Vinayaka Ninnu vina" by E. V. Ramakrishna Bhagavathar, both in the ragam Hamsadhwani. It was after hearing his rapid rendition of Vathapi that his father placed him under formal music training. He also frequently sang songs in the ragam Panthuvarali, such as "Paripalaya Sarasiruha" and "Siva Siva Siva", composed by Maharaja Swathi Thirunal and Tyagaraja Swami respectively. After singing either a long main piece or a Ragam Tanam Pallavi, famous ones being "Unadarishanam Kidai Kimo" in Kalyani and "Tilai Eesanai Ka" in Kambhoji, he would finish the concert with his popular bhajans and thukuddas, most notably "Dikku Teriyadha Kaatil" by Subramanya Bharati, "Radha Mukha Kamala" in the ragam Hindustani Kapi by Sri Papanasam Sivan, and "Radha Sametha Krishna" in the raga Misra Yaman.

Sri GNB also released many records over his career, most notably the krithi "Vasudevayani" in the ragam Kalyani by Saint Tyagaraja, which reportedly earned him Rs 10,000, or around ₹818,153.88 in the present day. Other songs he was famous for include "Brochevarevarura" in Kamas by Mysore Vasudevachariar, "Marukelara O Raghava" in the ragam Jayanthasri by Saint Tyagaraja, "Maragathavallim Manasa" in Kamboji by Mutthuswamy Dikshitar, "Swaminatha Paripalaya" in Nattai by Mutthuswamy Dikshitar, "Ragasudha rasa" in Andholika by Saint Tyagaraja, and others.

G N Balasubramaniam

He composed over 250 krithis, most in Telugu with a few in Sanskrit and Tamil. GNB also invented new ragas. He taught a number of students during his active years. Most famous among them are M. L. Vasanthakumari, Radha-Jayalakshmi duo, Tanjore S. Kalyanaraman, Trichur V. Ramachandran, T. R. Balu, T. S. Balasubramanian, and Ragini.[1]

Administrative role

GNB worked as the Deputy Chief Producer of Carnatic Music, in A.I.R Chennai for a number of years alongside Semmangudi Srinivasa Iyer who was the Chief Producer for Carnatic Music and Dr. M. Balamuralikrishna who was the Producer for Light Music. GNB joined the Swathi Thirunal College of Music, Thiruvananthapuram, Kerala as Principal in March 1964.

Personal life

He described the world of music as a perilous jungle and discouraged his sons and daughters from learning it.[2] His health deteriorated and worsened after a major stroke in the late 1950s. He died on 1 May 1965, aged 55.

Compositions (partial list)

CompositionTypeRagaTalaLanguageOther Info
Amboruha PadameVarnamRanjaniAdiTeluguIn praise of Shakthi
Bharama BaluniKrithiHamsanadamAdiTeluguIn praise of Parashakthi
BhuvanatreyaKrithiMohanamAdiSanskritIn praise of Sasta
Enn ManathamaraiKrithiRitigoulamAdiTamilIn praise of Shakti
Entho MuralidaKrithiKanadaRupakamTeluguIn praise of Shakti
Gathi VeravaramaKrithiBhairaviMisrachapuTeluguIn praise of Kamakshi
Intha Paraaku NeeveKrithiBhairaviAdiTeluguIn praise of Bhairavi
Kamala CharaneKrithiAmruthabehagAdiSanskritIn praise of Shakti
Karimukha VaradaKrithiNaataiAdiSanskritIn praise of Ganesha
Karuna Jooda RadhaKrithiSahanaAdiTeluguIn praise of Parashakthi
Kavalai EllamKrithiSaraswatiAdiTamilIn praise of Shakthi
Madhurapuri KalyaniKrithiPurvi KalyaniMisrachapuSanskritIn praise of Shakthi
ManasaragaKrithiAbhogiAdiTeluguIn praise of Shakthi
Marivere GathiKrithiMalaviAdiTeluguIn praise of Prashakthi
Maravakune NinnuKrithiArabhiAdiTeluguIn praise of Shakthi
Nakabhaya VaraKrithiNaataikurinjiRupakamTeluguIn praise of Parashakthi
Nee CharanambhujamunuKrithiKeeravaniAdiTeluguIn praise of Shakthi
Nee Daya RaadaaVarnamAndolikaAdiTeluguIn praise of Shakthi
Nee Padame GatiKrithiNalinakanthiRupakamTeluguIn praise of Shakthi
Nee SamanamevaruKrithiShubhapanthuvaraliAdiTeluguIn praise of Shakthi
Nirvadhi SukhadayakiKrithiMalayamaruthamRupakamTeluguIn praise of Shakthi
Paritaapamu IekaKrithiShanmukhapriyaAdiTeluguIn praise of Shakthi
ParaanmukhamelaKrithiKaanadaAdiTeluguIn praise of Shakthi
ParamakrupasaagariKrithiYadukulakambhojiRupakamTeluguIn praise of Shakthi
Ranjani NiranjaniKrithiRanjaniAdiTeluguIn praise of Shakthi
Sada Palaya SarasakshiKrithiMohanamAdiSanskritIn praise of Shakthi
Santhathamu Ninne KorithiniKrithiValajAdiTeluguIn praise of Shakthi
Saraswati NamostuteKrithiSaraswatiRupakamSanskritIn praise of Saraswati
Shankara MahadevaKrithiDevamanohariAdiTeluguIn praise of Shakthi
Chakra Raja NilayeKrithiSiva SakthiAdiSanskritIn praise of Shakthi
Shivananda kamavardhaniKrithiKamavardaniAdiSanskritIn praise of Shakthi
Vara Vallabha RamanaKrithiHamsadhwaniAdiSanskritIn praise of Ganesha

See also

References

  1. 1 2 "GNB, the good friend". The Hindu. 23 May 2003. Archived from the original on 6 June 2011.{{cite news}}: CS1 maint: unfit URL (link)
  2. https://www.pressreader.com/india/the-hindu/20131215/281655367887833 via PressReader. {{cite web}}: Missing or empty |title= (help)
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