Ghost
Hamlet character
Illustration of the Ghost by Thomas Ridgeway Gould from an 1890 printing of Hamlet
In-universe information
AliasKing Hamlet (former)
FamilyKing Claudius (brother)
SpouseGertrude (wife)
ChildrenPrince Hamlet (son)

The ghost of Hamlet's father is a character from William Shakespeare's play Hamlet. In the stage directions, he is referred to as "Ghost". His name is also Hamlet, and he is referred to as King Hamlet to distinguish him from the Prince, his son and the protagonist of the story.

He is loosely based on a legendary Jutish chieftain named Horwendill, who appears in Chronicon Lethrense and in Saxo Grammaticus' Gesta Danorum. According to oral tradition, the Ghost was originally played on stage by Shakespeare himself.[1][2]

In Hamlet

The Ghost appears four times throughout the play: in Act I, Scene i; in the continuum of Act I, Scenes iv and v; and in Act III, Scene iv. The Ghost arrives shortly after midnight in at least two of the scenes, and in the other scenes, all that is known is that it is night.

The Ghost first appears to two soldiers—Bernardo and Marcellus—and Hamlet's friend, Horatio. The men draw their swords and stand in fear, requesting that Horatio, as a scholar, address the Ghost. Horatio asks the Ghost to speak, and reveal its secret. It is about to do so when the cock crows, signalling morning, and the Ghost instead disappears. In this scene, the Ghost is clearly recognised by all present as the King, dressed in his full armour. Marcellus notes that the Ghost had appeared to the castle guards twice before. Talk of spectral visitations has unsettled the night watch. Francisco, whom Bernardo relieves on guard duty says, "For this relief much thanks; 'tis bitter cold,/And I am sick at heart."[3]

Seeing the Ghost arrayed in a military aspect, and aware that the Norwegian crown prince Fortinbras is marshalling his forces on the frontier, Horatio recognises that the appearance of the Ghost must portend something regarding matters of state.[3]

Horatio then persuades Prince Hamlet into staying up with the guards to see if the Ghost returns. At midnight, the ghost appears, and beckons Hamlet to follow. Once alone, the Ghost describes his wanderings on the earth, and his harrowing life in Purgatory, since he died without receiving last rites.

"...but know, thou noble youth,
The serpent that did sting thy Fathers life,
Now wears his crown."

Ghost of Hamlet's Father[4]

He tells the young Hamlet that he was poisoned and murdered by his brother, Claudius, the new King of Denmark, and asks the prince to avenge his death. He also expresses disgust at his wife, Gertrude, for marrying Claudius, but warns Hamlet not to confront her, but to leave that to Heaven. Later, Prince Hamlet returns to his friends and has them swear on his sword to keep what they have seen a secret. When they resist, the Ghost utters the words "Swear" and "Swear on the sword", from below the stage, until his friends agree.

Prince Hamlet, fearing that the apparition may be a demon pretending to be King Hamlet, decides to put the Ghost to the test by staging a play that re-enacts the circumstances that the spirit claims led to his death. Claudius' reaction is one of guilt and horror, and Prince Hamlet is convinced that the Ghost is, in fact, his father.

In the third appearance, Hamlet is confronted by the Ghost in his mother's closet, and is rebuked for not carrying out his revenge and for disobeying his instruction by talking to Gertrude. Hamlet fearfully apologises. Gertrude, however, cannot see the Ghost, and thinks Hamlet is mad, asking why he stares and talks to nothing. In this scene, the Ghost is described as being in his nightgown. He is never mentioned again.

King Hamlet is described by the few characters who mention him—basically Hamlet, Horatio and the guards—as a warrior, as he led Denmark's forces to victory against Norway, and personally defeated its King Fortinbras in hand-to-hand combat. Hamlet respects him, saying Claudius pales in comparison to him, and frequently reflecting on him in an endearing manner.

Interpretations

The prompt book from an 1874 staging of Hamlet by English actor and manager Henry Irving (1838–1905), in which he experimented with using limelight (burning calcium oxide) to represent the ghost.

The Ghost in Hamlet is fundamental to the plot[5][6] and has been the subject of a variety of interpretations. Shakespeare scholar W. W. Greg was of the opinion that the Ghost was a figment of Hamlet's overwrought imagination.[7] Shakespeare scholar J. Dover Wilson and others have argued that in having the Ghost appear a number of times to others before appearing to Hamlet, Shakespeare makes clear that the apparition is not a mere illusion.[5]

Performances

About a hundred years after Shakespeare died, the poet Nicholas Rowe reported that he had heard an anecdote that Shakespeare himself had played the Ghost, starting a story that is still given credence today.[1][2] Modern actors who have portrayed the Ghost include Laurence Olivier,[8] Paul Scofield,[9] Patrick Stewart,[10] Brian Blessed[11][10] and Irrfan Khan.[12][13]

See also

References

  1. 1 2 Sylvan Barnet, "Shakespeare: An Overview," in Macbeth, ed. Sylvan Barnet, A Signet Classic, 1998, p. ix.
  2. 1 2 "The Project Gutenberg eBook of Some Account of the Life of Mr. William Shakespear, by Nicholas Rowe, Inc." gutenberg.org. Retrieved 9 January 2021.
  3. 1 2 Egan, Maurice Francis. The Ghost in Hamlet and Other Essays in Comparative Literature. Chicago: A. C. McClurg & Co, 1906. pp. 11–47
  4. ↑ "Hamlet (Folio 1, 1623)". uvic.ca.
  5. 1 2 Joseph, Miriam (12 September 1961). "Discerning the Ghost in Hamlet". PMLA. 76 (5): 493–502. doi:10.2307/460542. JSTOR 460542. S2CID 164022901.
  6. ↑ Wilson, J. Dover (2 January 1951). What Happens in Hamlet. Cambridge University Press. p. 52. ISBN 9780521091091. Retrieved 12 September 2018 – via Google Books.
  7. ↑ Greg, W.W., "Hamlet's Hallucinations", Modern Language Review, XII, 1917, 393–421
  8. ↑ Barker, Felix (1953) The Oliviers ("...the actor playing the ghost [was] Olivier himself..." p259)
  9. ↑ James, Caryn (19 December 1990). "Review/Film; From Mad Max to a Prince Possessed". The New York Times. Retrieved 31 August 2018.
  10. 1 2 Moore, Luisa (September 2021). "Shakespeare Survey 74: Shakespeare and Education". Cambridge University Press: 317. {{cite journal}}: Cite journal requires |journal= (help)
  11. ↑ Masters, Tim (29 June 2016). "Brian Blessed: My heart specialist says I'm Terminator 4". BBC News. Retrieved 31 August 2018.
  12. ↑ Hermansson, Casie; Zepernick, Janet (15 October 2018). Where is Adaptation?: Mapping cultures, texts, and contexts. John Benjamins Publishing Company. p. 154. ISBN 978-90-272-6349-0.
  13. ↑ Burnett, Mark Thornton (4 July 2019). 'Hamlet' and World Cinema. Cambridge University Press. p. 173. ISBN 978-1-107-13550-5.
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