Julian Stallabrass is a British art historian, photographer and curator. He was educated at Leighton Park School and New College, Oxford University where he studied PPE (Philosophy, Politics, and Economics). A Marxist,[1] he has written extensively on contemporary art (including internet art), photography and the history of twentieth-century British art.

Life and work

Stallabrass was previously a professor at the Courtauld Institute of Art, University of London. He left the Courtauld in 2022. [2]

He is on the editorial board of the New Left Review.

He curated the exhibition Art and Money Online at Tate Britain, London in 2001. In 2008 he selected the Brighton Photo Biennial and from the catalogue of which he edited the book Memory of Fire: Images of War and The War of Images (2013)[3]

Stallabrass was highly critical of the Young British Artists movement, and their works and influence was the subject of his 1999 study High Art Lite, a term he coined as a disparaging synonym to the pervasive YBA acronym:

"As the art market revived [in the early- to mid- 1990s] and success beckoned, the new art became more evidently two-faced, looking still to the mass media and a broad audience but also to the particular concerns of the narrow world of art-buyers and dealers. To please both was not an easy task. Could the artists face both ways at once, and take both sets of viewers seriously? That split in attention, I shall argue, led to a wide public being successfully courted but not seriously addressed. It has left a large audience for high art lite intrigued but unsatisfied, puzzled at the work's meaning and wanting explanations that are never vouchsafed: the aim of this book is to suggest the direction some of those answers might take and to do so in a style that is as accessible as the art it examines."[4]

Publications

Publications by Stallabrass

  • Gargantua: Manufactured Mass Culture. London: Verso, 1996. ISBN 978-1859840368.
  • High Art Lite. London: Verso, 1999. ISBN 9781859843185. London: Verso, 2001. ISBN 978-1859843185.
    • High Art Lite: The Rise and Fall of Young British Art (Revised and Expanded edition). London: Verso, 2006. ISBN 978-1844670857.
  • Paris Pictured. New York: Abrams, 2002. ISBN 978-0810966406.
  • Internet Art: The Online Clash of Culture and Commerce. London: Tate, 2003. ISBN 978-1854373458.
  • Art Incorporated (2004), republished as Contemporary Art: A Very Short Introduction. Oxford: Oxford University, 2006. ISBN 978-0192806468.
  • Memory of Fire: Images of War and The War of Images. Brighton: Photoworks, 2013. ISBN 978-1903796498.
  • Documentary. Documents of Contemporary Art series. London: Whitechapel Gallery; Cambridge, MA: MIT Press, 2013. ISBN 9780262518291. Edited by Stallabrass, with contributions by James Agee, Ariella Azoulay, Walter Benjamin, Adam Broomberg & Oliver Chanarin, Judith Butler, Georges Didi-Huberman, John Grierson, David Levi Strauss, Elizabeth McCausland, Carl Plantinga, Jacques Rancière, Martha Rosler, Jean-Paul Sartre, Allan Sekula, W. Eugene Smith, Susan Sontag, Hito Steyerl and Trinh T. Minh-ha.
  • Stallabrass, Julian (2020). Contemporary Art: A Very Short Introduction. Oxford University Press. ISBN 978-0-19-882662-0.
  • Stallabrass, Julian (2020). Killing for show: photography, war, and the media in Vietnam and Iraq. ISBN 978-1-5381-4180-9.

Publications with contributions by Stallabrass

  • Everything was Moving: Photography from the 60s and 70s. London: Barbican Art Gallery, 2012. ISBN 9780946372393. Edited by Kate Bush and Gerry Badger. Stallabrass contributes an essay ("Rather a hawk?: the photography of Larry Burrows").

References

  1. ↑ 3ammagazine Interview
  2. ↑ "Julian Stallabrass". Courtauld Institute of Art. Accessed 15 March 2017
  3. ↑ "Julian Stallabrass". 4 October 2013.
  4. ↑ See: "Introduction." In, Julian Stallabrass, High Art Lite (London: Verso, 1999), p. 11, emphasis added.
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