A web series (also known as a web show) is a series of scripted or non-scripted online videos, generally in episodic form, released on the Internet, which first emerged in the late 1990s and became more prominent in the early 2000s. A single instance of a web series program can be called an episode or a "webisode"; however, the term is not always used. In general, web series can be watched on a range of platforms and devices, including desktop, laptop, tablets and smartphones. They are different from streaming television, which is purposed to be watched on various streaming platforms, though the term "web series" is sometimes used to refer to streaming television series.[1] Because of the nature of the Internet itself, a web series may be interactive. Web series are classified as new media.

As of 2016, there were a number of awards that have been established to celebrate excellence in web series, like the Streamys, Webbys, IAWTV, and Indie Series Awards, although the Streamys and IAWTV also cover programs on streaming platforms. There are also several web series festivals, most notably in Los Angeles and Vancouver. Most major award ceremonies have also created web series and digital media award categories, including the Emmy Awards and the Canadian Screen Awards.

History

1990s

In April 1995, "Global Village Idiots", an episode of the Bloomington, Indiana-based public access program Rox, was uploaded to the Internet, making Rox the first series distributed via the web.[2] The same year, Scott Zakarin created The Spot, an episodic online story which integrated photos, videos, and blogs into the storyline. Likened to Melrose Place-on-the-Web, The Spot featured a rotating cast of characters playing trendy twenty-somethings who rented rooms in a fabled Santa Monica, California beach house called "The Spot".[3][4] The Spot earned the title of Infoseek's "Cool Site of the Year," an award which later became the Webby.[5][6]

In January 1999, Showtime licensed the animated sci-fi web series WhirlGirl, making it the first independently produced web series licensed by a national television network. In February 1999, the series premiered simultaneously on Showtime and online. [7] The character occasionally appeared on Showtime, for example hosting a "Lethal Ladies" programming block, but spent most of her time online, appearing in 100 webisodes.[8]

2000s

As broadband bandwidth began to increase in speed and availability, delivering high-quality video over the Internet became a reality. In the early 2000s, the Japanese anime industry began broadcasting original net animation (ONA), a type of original video animation (OVA) series, on the Internet.[9] Early examples of ONA series include Infinite Ryvius: Illusion (2000),[10] Ajimu (2001),[11] and Mahou Yuugi (2001).[9] In 2003, The Spot executive producer and head writer Stewart St. John revived the brand for online audiences with a new cast, and created a separate mobile series to air on Sprint PCS Vision-enabled phones.[12] St. John and partner Todd Fisher produced over 2,500 daily videos of the first American mobile phone soap, driving story lines across platforms to the web counterpart, The Spot (2.0).

The same year, Microsoft launched MSN Video, which featured the original web series Weird TV 2000, a spin-off of the syndicated television series Weird TV. The web series featured dozens of shorts, comedy sketches, and mini-documentaries produced exclusively for MSN video. The video-sharing site YouTube was launched in early 2005, allowing users to share television programs.[13] YouTube co-founder Jawed Karim said the inspiration for YouTube first came from Janet Jackson's role in the 2004 Super Bowl incident, when her breast was exposed during her performance, and later from the 2004 Indian Ocean tsunami. Karim could not easily find video clips of either event online, which led to the idea of a video sharing site.[14]

From 2003 to 2006, many independent web series began to garner and achieve significant popularity, most notably the series known as Red vs. Blue by Rooster Teeth. The series was distributed independently using online portals YouTube and Revver, as well as the Rooster Teeth website, acquiring over 100 million social media views during its run. Rooster Teeth would eventually create RWBY in 2013. In 2004, Salad Fingers was created, which amassed a cult following. Sam Has 7 Friends, which ran in the summer and fall of 2006, was nominated for a Daytime Emmy Award, and was temporarily removed from the Internet when it was acquired by Michael Eisner.[15] In 2004–2005, Spanish producer Pedro Alonso Pablos recorded a series of video interviews featuring actors and directors like Guillermo del Toro, Santiago Segura, Álex de la Iglesia, and Keanu Reeves, which were distributed through his own website.[16][17][18] lonelygirl15, California Heaven, "The Burg", and SamHas7Friends also gained popularity during this time, acquiring audiences in the millions. Lonelygirl15 was so successful that it secured a sponsorship deal with Neutrogena.[19] In 2007, the creators of Lonelygirl15 followed up the series' success with KateModern, a series which debuted on social network Bebo, and took place in the same fictional universe as their previous show.[20] Big Fantastic created and produced Prom Queen, which was financed and distributed by Vuguru, and debuted on MySpace.[21] These web serials highlighted interactivity with the audience in addition to the narrative on relatively low budgets. In contrast, the web series Sanctuary, starring actor/producer Amanda Tapping, cost $4.3 Million to produce. Both Sanctuary and Prom Queen were nominated for a Daytime Emmy Award.[22] Award-winning producer/director Marshall Herskovitz created Quarterlife, which debuted on MySpace and was later distributed on NBC.[23] In 2009, the first web series festival was established, called the Los Angeles Web Series Festival.[24]

In 2008, major television studios began releasing web series, such as the ABC show "Squeegies", the NBC show Gemini Division,[25] and the Bravo show The Malan Show.[26][27][28] Warner Bros. relaunched The WB as an online network beginning with their first original web series, "Sorority Forever", created and produced by Big Fantastic and executive produced by McG.[29] Meanwhile, MTV announced a new original series created by Craig Brewer that brought together the indie music world and new media expansion. Joss Whedon created, produced and self-financed[30] Dr. Horrible's Sing-Along Blog starring Neil Patrick Harris and Felicia Day.[31] Big Fantastic wrote and produced Foreign Body, a mystery web series that served as a prequel to Robin Cook's novel of the same name.[32] Beckett and Goodfried founded a new Internet studio, EQAL, and produced a spin-off from "lonelygirl15" entitled "LG15: The Resistance".[33] Dedicated media coverage of the web series debuted with organizations such as GigaOm's NewTeeVee and Tubefilter News.[34] Mainstream press also began to provide coverage.[35] In the UK, KateModern ended its run on Bebo. That site also hosted a six-month-long reality/travel show, The Gap Year, produced by Endemol UK, who also made Kirill, a drama for MSN.

During MipCom, in October 2008, MySpace announced plans for a second series and indicated that it was in talks with cable network Foxtel to distribute their first series on network television. Additionally MySpace spoke of their plans to produce versions of the MySpace Road Tour in other countries.[36] The emerging potential for success in web video caught the attention of top entertainment executives in America, including former Disney executive and current head of the Tornante Company, Michael Eisner. Torante's Vuguru subdivision partnered with Canadian media conglomerate Rogers Media on October 26, securing plans to produce upwards of 30 new web shows a year. Rogers Media agreed to help fund and distribute Vuguru's upcoming productions, thereby solidifying a connection between old and new media.[37]

Production and distribution

The rise in the popularity of the Internet and improvements the accessibility and affordability of high speed broadband and streaming video technology meant that producing and distributing a web series became a feasible alternative to "traditional" series production, which was formerly mostly done for broadcast and cable TV. In comparison with traditional TV series production, web series are less expensive to produce. This has allowed a wider range of creators to develop web series. As well, since web series are made available online, instead of being aired at a single preset time to specific regions, they enable producers to reach a potentially global audience who can access the shows 24 hours a day and seven days a week, at the time of their choosing. Moreover, in the 2010s, the rising affordability of tablets and smartphones and the rising ownership rates of these devices in industrialized nations means that web series are available to a wider range of potential viewers, including commuters, travelers, and other people who are on the go.

The emerging potential for success in web video has caught the eye of some of the top entertainment executives in America, including former Disney executive and current head of the Tornante Company, Michael Eisner. Eisner's Vuguru subdivision of Tornante partnered with Canadian media conglomerate Rogers Media on October 26, 2009, securing plans to produce over 30 new web shows a year. Rogers Media will help fund and distribute Vuguru's upcoming productions, solidifying a connection between traditional media and new media such as web series.[37] Web series can be distributed directly from the producers' websites, through streaming services or via online video sharing websites .[38]

Web 2.0

A number of web series incorporate interactive Web 2.0 features on their producer's websites, the show website, or other online fora. These Web 2.0 features enable viewers and fans to post comments online about episodes and link or "tag" favorite shows, episodes or video clips. These activities help to build viewer and fan engagement. Some producers use social media and social networking websites for the promotion of their web series and seek new viewers. As well, some producers monitor social media and networking comments as a way to obtain fan feedback on their shows. A web series is simply a series of web videos, usually in serial form, posted on the Internet, that first appeared in the late 1990s and gained popularity in the early to mid-2000s. In this new digital millennium, a web series can reach a wide international audience just by making a quick and cleverly produced video. A web series can consist of an ensemble cast who create their own online characters to tell a story over the Internet. Some shows may use special computer-generated technology to create a virtual world filled with interactive interfaces and visual effects.

Awards

The Webby Awards, established in 1995, and the Indie Series Awards, established in 2009, recognize top web series in the comedy, drama, and reality TV categories. In 2009, the International Academy of Web Television was founded with the mission to organize and support the community of streaming television creators, actors, producers and executives.[39] It administered the selection of winners for the Streamy Awards, (which awards streaming television and web series content,) in 2009 and 2010. Due to poor reception and execution from the 2010 Streamy Awards, the IAWTV decided to halt its production of the award ceremony.[40] The IAWTV followed this decision by forming their own award presentation, the IAWTV Awards.

See also

References

  1. ↑ Ramachandran, Naman (June 5, 2023). "'Sacred Games', 'Mirzapur', 'Scam 1992' Top IMDb's 50 All-Time Most Popular Indian Streaming Series List (EXCLUSIVE)". Variety. Retrieved June 7, 2023.
  2. ↑ Quittner, Josh (May 1, 1995). "Radio Free Cyberspace". TIME. Archived from the original on January 18, 2016. Retrieved January 18, 2016.
  3. ↑ Marcus, Jon (October 2, 2012). "'Personalized TV': Why I Made a Gay Web Series". The Huffington Post. Retrieved March 23, 2016.
  4. ↑ "Web Series". Archived from the original on February 20, 2012. Retrieved July 29, 2015.
  5. ↑ Geirland, John; Kedar, Eva Sonesh (1999). Digital Babylon: How the Geeks, the Suits, and the Ponytails Fought to Bring Hollywood to the Internet. Arcade Publishing. ISBN 9781559704830.
  6. ↑ Gentile, Gary (March 28, 2007). "Ads Turning Up in 'LonelyGirl15'". The Washington Post. Retrieved August 8, 2014.
  7. ↑ Kipp Cheng (March 15, 2009). "It's Showtime – WhirlGirl". Brandweek.
  8. ↑ Richard Tedesco, "WhirlGirl seeks big TV break" Archived July 31, 2012, at the Wayback Machine, Broadcasting & Cable, March 22, 2001
  9. 1 2 "Original Net Anime (ONA)". Anime News Network. Retrieved December 19, 2019.
  10. ↑ "リヴァイアスイリュージョン その". Infinite Ryvius (Official Site) (in Japanese). TV Tokyo. Retrieved December 19, 2019.
  11. ↑ "Ajimu (Official Site)". Nifty Corporation (in Japanese). Archived from the original on August 15, 2001. Retrieved December 19, 2019.
  12. ↑ "Reality TV Meets the Mobile World: The Spot Available to Sprint PCS Vision(SM) Customers". Prnewswire.com. Archived from the original on July 2, 2013. Retrieved July 2, 2013.
  13. ↑ Waterman, D., Sherman, R., & Ji, S. W. (2013). The economics of online television: Industry development, aggregation, and “TV Everywhere”. Telecommunications Policy, 37(9), 725–736.
  14. ↑ Hopkins, Jim (October 11, 2006). "Surprise! There's a third YouTube co-founder". USA Today. Gannett Company. Retrieved March 26, 2017.
  15. ↑ Lieberman, David (March 11, 2007). "Eisner to take on the Internet". USA Today. Retrieved March 11, 2007.
  16. ↑ "Pedro Alonso Pablos' biography on Filmin.es". Archived from the original on October 22, 2014. Retrieved October 19, 2014.
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  20. ↑ "KateModern, a Web Video Success Story?". NewTeeVee. December 5, 2007. Retrieved December 5, 2007.
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  24. ↑ "Welcome To LAWEBFEST 2016". www.lawebfest.com. Archived from the original on February 7, 2015. Retrieved February 19, 2016.
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  26. ↑ The Malan Show Bravo TV Index Archived December 19, 2008, at the Wayback Machine
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  34. ↑ "Video's Rosy Future". ClickZ. October 31, 2008. Archived from the original on November 3, 2008. Retrieved November 5, 2008.
  35. ↑ "The Web TV Guide". Brand X. Los Angeles Times. September 2009. Archived from the original on October 2, 2009. Retrieved September 28, 2009.
  36. ↑ FOXTEL HITCHES RIDE ON MYSPACE ROAD TOUR CO-PRODUCTION Archived October 23, 2008, at the Wayback Machine, Digital Media Australia, Natalie Apostolou, Friday October 17, 2008.
  37. 1 2 Littleton, Cynthia (October 26, 2009). "Eisner cuts deal for Web shows". Variety.
  38. ↑ "WEBSERIES by Diego Lopez". ISSUU. April 18, 2010. Retrieved July 2, 2013.
  39. ↑ "About IAWTV". iawtv.org. Archived from the original on April 23, 2018. Retrieved April 23, 2018.
  40. ↑ Joe Wilson (December 17, 2012). "Televisual | On Giving the Streamys (and the IAWTV) a Chance". Tvisual.org. Archived from the original on October 4, 2013. Retrieved October 23, 2013.
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