The Caiman
Directed byNanni Moretti
Written byNanni Moretti
Heindrun Schleef
Federica Pontremoli
Francesco Piccolo
Produced byAngelo Barbagallo
StarringSilvio Orlando
Margherita Buy
Jasmine Trinca
Michele Placido
Giuliano Montaldo
Nanni Moretti
CinematographyArnaldo Catinari
Music byFranco Piersanti
Distributed bySacher Film
Release date
  • March 24, 2006 (2006-03-24)
Running time
112 minutes
CountryItaly
LanguageItalian
Box office$10,369,396[1]

The Caiman (Italian: Il caimano, referring to the caiman) is a 2006 Italian comedy-drama film directed by Nanni Moretti and starring Silvio Orlando and Margherita Buy. Focusing on Silvio Berlusconi's vicissitudes, it was released just before the beginning of the 2006 elections, in which Berlusconi lost. It was one of the most successful films of 2006 in Italy. It was entered into the 2006 Cannes Film Festival.[2]

Plot

Opening with a wedding between two young Communists, officiated by a CP functionary, under the poster of Mao-Tse Tung, the bride suddenly spears the man and escapes, chased by the police. This is the end of 'Cataratte'/'Cataracts', a 10-year-old action B-movie projected in an open-air cinema in honor of Bruno Bonomo (Silvio Orlando), a cockeyed film producer, who did some trash movies starring his wife Paola (Margherita Buy) in the 1970s. He also has two young sons loved by him and his wife. During this homage, a young woman presents him the script of a movie she wants to direct with his help.

Slated to start on a project celebrating the return voyage of Columbus just after his discovery of America, Bruno is stunned when his director, Franco Caspio, quits because of the low budget. Suddenly Bruno has no projects, no financing and no leverage.

Added to his many troubles, Bruno's wife asks for a separation even though they have two sons. She wants to pursue her artistic options.

Bruno reads the offered script and realizes that it's a thinly disguised account of Silvio Berlusconi, the Italian media magnate who promoted his political career through his TV stations. Knowing this could draw political and legal heat, not to mention difficulty for finding funding; but the young woman convinces Bruno to start production on The Caiman. The film shows how secret money, slush funds and Swiss bank accounts start Il Caimano's career as a big building developer. She hopes that the film will influence voters in the elections slated for 2006.

Starting to fall in love with the writer, Bruno meets her lesbian partner and her son 'made' in a 'journey' to the Netherlands.

The production of the film is rife with problems, including the defection of the main actor Marco Pulici (Michele Placido), but the plot of The Caiman also deals with the domestic issues between Bonomo and Paola until their final separation, with the compromises made for their two sons.

Despite growing evidence that his film will never be completed, Bonomo decides to shoot the last scene, which shows the political nucleus behind the film: in it, Silvio Berlusconi (played by Nanni Moretti himself) enters the tribunal room to hear the ruling against him (see Legal investigations of Berlusconi), which sentences him to seven years of jail. Notwithstanding the sentence, Berlusconi/Moretti exits the tribunal while a crowd throws debris at the judges, including a Molotov cocktail.

The whole, crude scene is not only an allusion to Berlusconi's judiciary controversies, but also to his powerful ability to communicate, which (in Moretti's view) led Italian people to support him anyway despite his controversial past.

Cast

Numerous Italian film makers play minor parts in the film. These include Paolo Sorrentino, Giuliano Montaldo, Carlo Mazzacurati, Tatti Sanguinetti, Paolo Virzì and Antonello Grimaldi while actor and director Michele Placido is one of the main characters.

References

  1. ↑ "The Caiman (2006)". Box Office Mojo.
  2. ↑ "Festival de Cannes: Il caimano". festival-cannes.com. Retrieved 2009-12-13.

Sources

  • La condanna di Silvio Berlusconi. Morte politica e civile del Caimano. La sentenza Mediaset, Marianna Fo ed., 2013.
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