Orchestral compositions

• Premier Concertino in C-major, for guitar and strings

1. Allegro moderato
2. Andante
3. Rondo. Allegretto

• Second Concertino in F-major, for guitar and strings

1. Allegro moderato
2. Andante sostenuto
3. Polacca

• Introduction und Variationen über ein Thema aus der Oper 'Die Kreuzritter' for guitar and orchestra consisted of a string quintet, two flutes, two oboes, two clarinets, two bassoons, French horn, trumpet and timpani

Compositions for two guitars

Among Padowetz's five guitar duets, four of them (op.3, op.10 and op.18) require one terz-guitar.

• Der Carneval von Venedig mit concertanten Variationen, Op.62
• Deux polonaises Op.3

1. Polonaise Op.3 No.1
2. Polonaise Op.3 No.2

• Premier grand rondeau Op.10
• Première grande polonaise Op.18

Compositions for solo guitar

Padowetz composed a large amount of guitar solos: numerous demanding works in forms of variations and fantasias mainly on operatic themes (most of them published in Vienna and some in Paris), but also a lot of short and easy pieces which mainly remained in manuscripts.

• Moderato
• Mazurka
• Rondoletto Op.53
• 6 Easy Pieces Op.6

1. Marsch
2. Monferino
3. Thema
4. Polonaise
5. Ungarischer
6. (untitled)

• Introduction et variations sur un air national hongrois Op.9
• Introduction et variations sur un thême favoris de l'opera (Donizetti's Lucrezia Borgia) Op.61
• Introduction und Variationen für die Guitare über die beliebte Cavatine (L'amo ah l'amo e m'e pio cara, from Bellini's opera Montechi u. Capuleti) Op.13
• Variations brillantes Op.2
• Variations pour la guitare sur l'air (Quant je quittai la Normandie = Eh ich die Normandie verlassen, from Giacomo Meyerbeer's opera Robert le diable) Op.25
• Variations sur la valse favorite de Franz Schubert Op.4
• Introduction & Variations (on a theme from Bellini's Sonnambula) Op.52
• Fantasy Op.23
• Variations Op.1
• Introduction & Variations Op.14
• Variations Op.16