Malena Is a Name from a Tango | |
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Spanish | Malena es un nombre de tango |
Directed by | Gerardo Herrero |
Screenplay by | Senel Paz |
Based on | Malena es un nombre de tango by Almudena Grandes |
Produced by |
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Starring |
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Cinematography | Alfredo Mayo |
Edited by | Carmen Frías |
Music by | Antoine Duhamel |
Production companies |
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Distributed by | Alta Films |
Release date |
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Countries |
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Language | Spanish |
Box office | 188 million ₧ (Spain)[1] |
Malena Is a Name from a Tango (Spanish: Malena es un nombre de tango) is a 1996 drama film directed by Gerardo Herrero from a screenplay by Senel Paz based on the novel by Almudena Grandes. It stars Ariadna Gil.
Plot
The plot concerns about the romantic and sexual endeavours of Malena, a victimised and rebellious woman contrasting to her twin sister Reina (who always was the model girl in the family), and then about the mother-son relationship of Malena with her son. Malena was gifted however a talisman by her grandfather back when she was 10.[2][3]
Cast
- Ariadna Gil as Malena[4][5]
- Marta Belaustegui as Reina[4]
- Carlos López as Fernando[4]
- Luis Fernando Alvés as Santiago[6]
- Isabel Otero as Magda[4]
- Dafne Fernández as Malena niña[7]
- Rebeca Fernández[8]
- Alicia Hermida as Paulina[4]
- Alicia Agut[8]
- Marina Saura[8]
- Roman Luknár[8]
- Miguel Palenzuela as abuelo[4]
- Jesús Ruyman[8]
- Susi Sánchez[8]
- Juan Carlos Vellido[8]
- Consuelo Trujillo[8]
- Mariví Bilbao[8]
Production
An adaptation of the novel by Almudena Grandes, the screenplay was penned by Senel Paz. It is a Spanish-French-German co-production by Alta Films, Tornasol Films, Blue Dahlia Production, La Sept Cinema, and Road Movies Produktionen.[8][3] Shooting locations included the San Julián estate (La Hoya, Lorca), Mula, Águilas, and Madrid.[9]
Release
Distributed by Alta Films, the film was theatrically released in Spain on 12 April 1996.[8][5]
The film was the fifth highest grossing Spanish film of the year with a gross of 188 million Spanish Pesetas ($1.31 million).[1]
Reception
Jonathan Holland of Variety deemed the film to be a "well-intentioned, provocatively moralizing women's pic that ends up as second-rate melodrama".[3]
Luis Martínez of El País deemed that, efforts from a "magnetic" Ariadna Gil notwithstanding, the films "ends up as an uneven and quite chatty journey into the interiors of this disease called life".[10]
See also
References
- 1 2 Boletín informativo. Anexo cultura en cifras. Datos de 1996 (PDF). ICAA. 1997. p. 135. Retrieved 28 December 2023.
- ↑ Cine y literatura española. Guía de largometrajes (PDF). Comunidad de Madrid. Consejería de Cultura y Deportes. 2005. p. 136.
- 1 2 3 Holland, Jonathan (19 August 1996). "Malena Is a Name from a Tango". Variety.
- 1 2 3 4 5 6 Cerón Gómez & Martínez González 1999, p. 110.
- 1 2 García, Rocío (11 April 1996). "La perfecta y la imperfecta". El País.
- ↑ Cerón Gómez, Juan Francisco; Martínez González, Jesús (1999). Cien años de cine en Lorca. Secretariado de Publicaciones Universidad de Murcia; Primavera CInematográfica de Lorca. p. 110. ISBN 84-8371-069-2.
- ↑ "A Dafne le gustan altos, morenos y con barbita". Divinity. 28 September 2011.
- 1 2 3 4 5 6 7 8 9 10 11 "Malena no es un nombre de tango". Adaptaciones de la literatura española en el cine español. Referencias y bibliografía. Biblioteca Virtual Miguel de Cervantes. Retrieved 14 November 2022.
- ↑ Cerón Gómez & Martínez González 1999, p. 107.
- ↑ Martínez, Luis (15 June 1999). "Malena es un nombre de tango". El País.