Khasakkinte Itihasam

Khasakkinte Itihasam (The Legends of Khasak), Vijayan's first novel, which took twelve years' writing and rewriting to reach its final form, was published in 1969.^[8] A year before, it was serialized in Mathrubhumi weekly for 28 weeks starting from January 28, 1968^[9] and set off a great literary revolution and cleaved the history of Malayalam fiction into pre-Khasak and post-Khasak eras.^[10] The former era was romantic and formal; the latter is modernist, post-modernist and post-post-modernist, with tremendous experimentation in style and content. The novel, which has drawn comparisons with One Hundred Years of Solitude of Gabriel Garcia Marquez,^[11][12] is about Ravi, a teacher in an informal education centre in Khasak, and his existential crises.^[13] The central character is shown as a visionary who completed his post graduate programme in Physics from a college at Tambaram. The novel ends when Ravi begins his journey to some other realms of existence.^[14] The existential puzzle of man as to why he should exist is explored in this novel. The novel introduced a new poetic style of prose, combining Tamil, the Palakkad dialect and a sanskritized Malayalam.^[9] It also introduced a narrative style that moved forth from reality to myths and back.^[15] The work was later adapted as a play by Deepan Sivaraman.^[16]

Dharmapuranam

Dharmapuranam (The Saga of Dharmapuri, 1985)^[17] is outwardly a great political satire where the author knows no restraint in lampooning political establishments.^[8] The works attempts to lampoon modes of governance through its characters and the setting. The central character is Sidhartha, modelled after Gautama Buddha, whose personality is shown to lead people to enlightenment. Though satirical in its tone, the novel has a spiritual level, too. Malayalanadu weekly announced that the novel would be serialised from July 1975, but the plan was dropped when the Emergency was proclaimed on June 25, 1975. The novel was finally serialised only in 1977, after the Emergency was lifted and it proved to be prophetic. There were hindrances for its publication as well due to its sexual-scatological language and imagery and as the atrocities perpetrated during Emergency were still haunting the public. Finally, it was published in 1985. Two years later, Penguin Books published the English translation and the book drew critical reviews. ...dangerous stuff and cut close to the bone were the words of David Selbourne, in The Times Literary Supplement and Khushwant Singh rated the novel as not the kind of novel you forget in a hurry. Vijayan himself described it as a cleansing act that he had no desire to repeat.^[18]

Later novels

The third novel, Gurusagaram (The Infinity of Grace, 1987) differs in language, vision and characterisation from the earlier works.^[8] It is on the immanence of Guru in the life of the seeker. Guru is everywhere and is manifested in everybody. The seeker partakes of the grace of the Guru as he happens for him unawares and unconditional. The central character is a journalist from Kerala, working in Delhi, going on an assignment to report the Indo-Pak war of 1971. He undergoes an excruciating experience both spiritually and physically to learn how to annihilate all forms of ego. Gurusagaram fetched him the Vayalar Award, the central Sahitya Akademi Award and the Kerala Sahithya Academy Award in 1991.

Madhuram Gayathi (1990) has been termed as "a fantastic allegory fusing mythology, spirituality and ecology". It is an allegorical fable of the post-Holocaust world with its lovelessness and disharmony. Pravachakante Vazhi (The Path of the Prophet; 1992) emphasises the vision that intuition is perennial and it is one and the same always. This oneness of the revelation makes the ways of all prophets the same. This great education in spirituality is got in those barbarous days of Delhi when the Sikhs were maniacally hunted after and mercilessly butchered following the murder of Indira Gandhi. Vijayan's last novel Thalamurakal (Generations; 1997) is autobiographical to a great extent. It is historical to a still greater extent. Beyond autobiography and history, the novel is a journey down the collective experiences of a family in search of an awareness about oneself and his clan. This search is of great importance when the collective experiences of the subculture are very bitter and the individual sense of the clan identity is much superior. The novel is a narration of four generations in Ponmudi family in Palakkad, Kerala.^[19]

Other literary works

He wrote his first short story, "Tell Father Gonsalves", in 1953. He wrote many volumes of short stories, the first volume of which was published in 1957 – Three Wars. The stories, which range from the comic to the philosophical, show an astonishing diversity of situations, tones and styles. O. V. Vijayan's best known collection in English is After the Hanging and Other Stories which contains several jewel-like masterpieces, in particular the title story about a poor, semi-literate peasant going to the jail to receive the body of his son who has been hanged; The Wart and The Foetus about the trauma of the fascist Emergency; the transcendental The Airport, The Little Ones, and several others. He also wrote many essays, and also published one book of cartoons- Ithiri Neramboke, Ithiri Darshanam (A Little Pastime, A little Vision) – 1990. Itihasathinte Itihasam, a historical treatise written by him is considered by many as masterpiece.^[20]

An incisive writer in English as well, Vijayan translated most of his own works from Malayalam to English. Selected works have been published by Penguin India. His own translations of his stories into English – After Hanging and Other Stories and Selected Stories and the novels, The Saga of Dharmapuri, The Legend of Khasak and The Infinity of Grace – have had a pan-Indian appeal, though many have been critical of the freedoms he took with his own works as well as his English style.^[21]