Origin

In 2005, Peter Maresca was working in the digital entertainment industry when he, as a hobbyist comic strip collector since his 20s, felt the call to do something important for the upcoming 100th anniversary of the Little Nemo in Slumberland comic strip. He turned to different comic publishers which had published Little Nemo strips before to find out if any of them had something special planned to commemorate this centennial, which he then found out none of them had. He then consulted his own collection of Little Nemo strips and realized that after almost a century after being printed, the collection was becoming very fragile and was beginning to fall apart. In order to save the material for the future he tried to take his material to different publishers to put it in print in order to conserve it and make it available to readers, but none of the ones he contacted wanted to print the material in its original full publication size due to current low demand for the material and also difficulties of finding a suiting printer for the physically large material, the latter a matter which Maresca considered to be an essential aspect if he would allow his material to be put in print.

After the initial trouble of finding a publisher wanting to print his Little Nemo material, he turned to Art Spiegelman to find out if they could accomplish something practical with Maresca's Nemo material. They tried to downsize it to get it to fit a smaller format than its original size, but in the end they both agreed that the material would have to be in such a large format as it had when first published, no smaller format would do it justice. Later the same year Maresca visited the Angoulême International Comics Festival, where he talked to Fershid Bharucha of the French publishing company fr:Éditions USA. Bharucha proposed him to take the material and convert it to digital image files and return with it to him and he would then help him to put together a book ready for printing. Once having found a suitable printer in Malaysia for the project, the project went ahead.

After the Little Nemo in Slumberland book was accomplished by Maresca, he had no further plans for Sunday Press as a publisher, his set goal had been met. He had succeeded producing a fully restored, full-size edition of the Winsor McCay classic - Litte Nemo, and was after this heading back to his regular job in digital entertainment.^[2][3] However, his Nemo book became a widespread success, including winning two Harvey Awards.^[4] Just a few months after its publication Maresca reconsidered his plans for Sunday Press and began thinking about what it should do next. At this time, Maresca was approached by Chris Ware, a well-known artist in the comics industry, wanting to work with Maresca on a volume of the same high standard and large format as the just-released Nemo book, but now this treatment would be applied to Gasoline Alley. Maresca accepted the offer and he and Ware put together the second Sunday Press title; Sundays with Walt and Skeezix. After this Maresca continued on his own with the publishing company's third volume, an edition of Little Sammy Sneeze, after these first three titles published he considered himself as an actual publisher and decided to keep the enterprise going.^[2][3]

In 2007 Sunday Press Books became a family business, when Maresca's wife Linnea Wickstrom joined the company to edit articles for the books and also managing the company. At the same time their son got also employed to take care of scanning, shipping and convention work.^[5]

Later developments

Eight years after the company's launch, Maresca did in an interview in October 2013 express that even though he is very passionate about Sunday Press' work, he stated "I hope to work with other publishers on strip-related material and partner with artists and writers to bring their favorite 'commercially unviable' projects to print", since the selling and marketing tasks are a demanding task just by itself for a micropublisher like Sunday Press Books.^[6]

Format

All book titles by Sunday Press are hardcover, have handsewn binding and are printed in large formats spanning from 10 × 10 inches (254 × 254 mm) to 16 × 21 inches (406 × 533 mm). The largest format resembles and recreates the feel of an original broadsheet page size, on which comic strips where to be found in newspapers during the early 1900s.

Restoration

Maresca is diligent of reproducing the old comic strips in such a way in the Sunday Press books to allow the reader to as such a close experience to the original as possible. Therefore, Maresca goes great lengths to recreate the original look and feel of the strips, printing the books with a matte paper quality, similar to newsprint look and size-wise. Maresca usually works up to an hour, at times more, to fully restore a full page of comics. All color of the source material is corrected for accuracy prior to being reproduced, a process necessary due to the old newspaper medium which the strips originally were printed on, do fade and deteriorate with time.^[15] Maresca himself describes his reproduced look as "a hybrid between a brand new newsprint and a comic strip that looks kind of faded.".^[3] Some of the source material for the publisher's reprint books comes from Maresca's own collections, others are often sourced from other comic strip collectors.^[6]

Eisner Awards

Harvey Awards

Books

Calendars

Sunday Press Books has except from their main line of reprint books also produced some comic related calendars with comic art of the same kind as featured in their books.^[39][5]