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      This page displays all the images which appear in the "selected image" section of the Jazz portal. Instructions on how to add new articles to this list are here.
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image credit: Stoned59 
 
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image credit: Username
 
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Reinaldo Melián, trumpeter of Chucho Valdés & The Afro-Cuban Messengers, at a concert in Teatro Circo Price, Madrid, Spain.
 image credit: Username
 
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image credit: William P. Gottlieb 
 
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image credit: Library of Congress 
 
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image credit: Tsui 
 
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image credit: Tsui 
 
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image credit: William P. Gottlieb 
 
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image credit: William P. Gottlieb 
 
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image credit: Allan warren 
 
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image credit: public domain 
 
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image credit: Tom Palumbo 
 
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image credit: Dutch National Archives, The Hague, Fotocollectie Algemeen Nederlands Persbureau (ANEFO), 1945-1989 
 
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1920s jazz ensemble
image credit: Robert Runyon 
 
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image credit: Eric Delmar 
 
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Handwritten sheet music for John Coltrane's religious suite A Love Supreme
 
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After You've Gone
 
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Hugues Panassié and Tiny Grimes, New York, N.Y., between 1946 and 1948
 
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52nd Street, New York City, 1948
 
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Buddy Childers and Stan Kenton, ca 1947-1948
 
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Charlie Parker, Tommy Potter, Miles Davis, Duke Jordan and Max Roach
 
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Front door of house of Nick LaRocca, Uptown New Orleans, with notes that start his number "Tiger Rag" in the door screens
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Dixieland band, Alaska Yukon Pacific Exposition, 1909.
 
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Machito and his sister Graciella Grillo
 
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Drawing in Two Colors, aka Interpretation of Harlem Jazz I, Winold Reiss
 
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Oakland, California. Hot Jazz Recreation. Swing enthusiasts crowd against the band stand at an appearance of the Benny Goodman Band in a local dance hall. One of the boys in the foreground has a copy of "Hot Jazz" by Hughes Panassic (sic). (1942)
 






Benny Goodman band rehearsal session
 


Bud Spangler at KJAZ studio
 

Dave Brubeck (1954)
 


Chick Corea (1976)
 

_Hines%252C_a_great_swing_musician%252C_is_shown_with_Pvt._Charles_Carpenter%252C_former_manager_of_the_Hines_-_NARA_-_535834.jpg.webp)
"Earl `Father' (Fatha) Hines, a great swing musician, is shown with Pvt. Charles Carpenter
image credit: National Archives and Records Administration 
 



Jaco Pastorius (1980)
 

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Dave Lambert (1947)
 
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Louis Jordan (1946)
 

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Billy Eckstine (1956)
 


Ella Fitzgerald (1947)
 

Ruby Keeler and Al Jolson (1934)
 


Jo Stafford with husband Paul Weston (1952)
 
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Mel Tormé (1946-1948)
 

Sophie Tucker sheet music
 

Sophie Tucker sheet music
 

McCoy Tyner (1973)
 


Al Hirt and The Peanuts
 

Jelly Roll Morton (third from left), Ada "Bricktop" Smith (next), Los Angeles, California, at the Cadillac Club, c. 1917 or 1918
 


Carla Bley (1972)
 


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Thelonious Monk (1947)
image credit: William P. Gottlieb 
 


Jazz Band Marinho, Brazil, 1951
 

Jazz and early world music flutist Herbie Mann
 

Pussy Cat Rag, Okeh Records
 


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Photograph credit: William P. Gottlieb; restored by Adam Cuerden
Billy Strayhorn (November 29, 1915 – May 31, 1967) was an American jazz composer, pianist, lyricist, and arranger, best remembered for his long-time collaboration with bandleader and composer Duke Ellington that lasted nearly three decades. Though classical music was Strayhorn's first love, his ambition to become a classical composer went unrealized because of the harsh reality of a black man trying to make his way in the world of classical music, which at that time was almost completely white. He was introduced to the music of pianists like Art Tatum and Teddy Wilson at age 19, and the artistic influence of these musicians guided him into the realm of jazz, where he remained for the rest of his life. This photograph of Strayhorn was taken by William P. Gottlieb in the 1940s.

Cab Calloway (1907–94) was an American jazz singer and bandleader. He was strongly associated with the Cotton Club in Harlem, New York City, the nation's premier jazz venue at the time, where he was a regular performer. He was a master of energetic scat singing, which he learned from Louis Armstrong, and led one of most popular African American big bands from the start of the 1930s through the late 1940s. His most famous song was "Minnie the Moocher", which was used in a Betty Boop cartoon of the same name. In addition to music, Calloway was an actor, appearing both in films and in musical theatre.
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