| First hearing of Independence Anthem | |
|---|---|
| Primeiros Sons do Hino da Independência | |
 | |
| Artist | Augusto Bracet  |
| Year | 1922 |
| Medium | oil paint, canvas |
| Dimensions | 250.00 cm (98.43 in) × 190.00 cm (74.80 in) |
| Location | National Historical Museum |
| Accession No. | 6196 |
Primeiros Sons do Hino da Independência (First Sounds of the Independence Anthem), also known as Hino da Independência (Independence Anthem),[1] is painting by Augusto Bracet. It was made in 1922.The artwork is of the genre historical painting, and is on the National Historical Museum of Brazil. It portrays, among others, Pedro I of Brazil and Evaristo da Veiga, in 1822.[2]
The artwork was made with oil on canvas. It's measures are 190 centimetres (75 in) of height and 250 centimetres (98 in) of width.[2]
Bracet portrayed an event in the process of Brazilian independence, the composition of the Independence Anthem, whose official authorship is by Dom Pedro and Evaristo da Veiga. Dom Pedro is drawn sitting on the piano chair, apparently surrounded by people from the Court, composing the anthem. The portrayal has no heroic elements.[3]
The portrayal of Bracet is based on the memory of Francisco Canto de Mello, furthermore an excerpt from his writings was shown at the catalogue of the first public exhibit of the painting, as contextualisation for the painting.[3]
The artwork of Bracet was shown publicly at the Exposition of Contemporary Art and Retrospective Art of the Independence Centenary, that begun on the 12 November 1922. The painting was selected in 1923, together with artworks by Georgina de Albuquerque, Helios Seelinger and Pedro Bruno,[4] to be bought by the state art collection, the main prize of this fine arts event whose goal was acquiring artworks that alluded to the national formation of Brazil. The selection was done by Flexa Ribeiro, Archimedes Memória and Rodolfo Chambelland, with their task being searching for new iconographic portrayals of historical interpretations of independence.[3]
Contrarily to triumphalist portrayals of Dom Pedro in the independence process, such as Independência ou Morte by Pedro Américo, the painting by Bracet explores the emperor's intimacy,[3] having him play a domestic and even feminine role.[5]
References
- ↑ "Primeiros Sons do Hino da Independência" (in Portuguese). Enciclopédia Itaú Cultural. Retrieved 9 May 2018.
- 1 2 "Museu Histórico Nacional". www.museuhistoriconacional.com.br (in Portuguese). Archived from the original on 2017-10-25. Retrieved 2018-05-09.
- 1 2 3 4 Vincentis, Paulo de (2014-11-06). Pintura histórica no Salão do Centenário da Independência do Brasil (Thesis) (in Portuguese). doi:10.11606/D.100.2014.tde-23012015-092503.
- ↑ "BELAS ARTES. O SALÃO DE 1922. O Jornal, Rio de Janeiro, 23 nov. 1922, p. 3. - Egba". www.dezenovevinte.net (in Portuguese). Retrieved 2018-05-09.
- ↑ Cavalcanti Simioni, Ana Paula (2014-02-04). "Les portraits de l'Impératrice. Genre et politique dans la peinture d'histoire du Brésil". Nuevo Mundo Mundos Nuevos (in French). doi:10.4000/nuevomundo.66390. ISSN 1626-0252.
- "Pintura histórica: Acervo MHN - Primeiros sons do Hino da Independência" (in Portuguese). National Historical Museum (Brazil). Retrieved 25 January 2020.