Father of the Bride | ||||
---|---|---|---|---|
Studio album by | ||||
Released | May 3, 2019 | |||
Recorded | January 2016 – August 2018[lower-alpha 1] | |||
Studio |
| |||
Genre | ||||
Length | 57:50 | |||
Label |
| |||
Producer | ||||
Vampire Weekend chronology | ||||
| ||||
Singles from Father of the Bride | ||||
|
Father of the Bride is the fourth studio album by American indie rock band Vampire Weekend. It was released on May 3, 2019 by Columbia Records, as their first album on a major label.
The release marked the band's first project in nearly six years, following Modern Vampires of the City (2013), and the group's first project since multi-instrumentalist and producer Rostam Batmanglij's departure from the group. It was primarily produced by Modern Vampires of the City collaborator Ariel Rechtshaid and lead singer Ezra Koenig, and features numerous external collaborators, including Danielle Haim, Steve Lacy, Dave Macklovitch of Chromeo, DJ Dahi, Sam Gendel, BloodPop, and Batmanglij. The pop and indie rock album is musically diverse and heavily referential, contrasting heavy and direct lyrics against a bright spring-time musical mood, with its wide range of influences including country music and jam bands.
The album was preceded by three double singles: "Harmony Hall" / "2021", "Sunflower" / "Big Blue" and "This Life" / "Unbearably White". Upon release, it received widespread acclaim from music critics, earning the band their second Grammy Award for Best Alternative Music Album as well as their first nomination for the Grammy Award for Album of the Year. It was also a commercial success, becoming the group's third consecutive album to debut at number one on the US Billboard 200. The band promoted the album with a global tour, featuring an expanded seven-person lineup.
Background and recording
In May 2013, the band released Modern Vampires of the City to critical and commercial success, winning the Grammy Award for Best Alternative Music Album. The album was promoted with a world tour, which concluded in September 2014. Tired from the tour, the band took a break from writing and recording. During this period, Koenig created the animated television series Neo Yokio and co-wrote and produced "Hold Up" from Beyoncé's Lemonade. He also gradually relocated from New York City to Los Angeles.[3]
On January 26, 2016, Rostam Batmanglij announced his departure from the band via Twitter, emphasizing that he and Koenig would continue to collaborate.[4] Later the same day, Koenig announced that Vampire Weekend had begun working on their fourth album, under the working title Mitsubishi Macchiato, with Batmanglij contributing to the record.[5] In November 2016 it was reported that the group had signed to Columbia Records, marking their departure from XL Recordings.[6] During 2016 Koenig spent time writing the album and researching in libraries with grad students. In March 2017, he said the album would feature a "spring-time" vibe and at the time consisted of songs entitled "Flower Moon" and "Conversation".[7]
The album was primarily recorded in producer Ariel Rechtshaid's home studio in Silver Lake, Los Angeles – dubbed Effie Street Studios – as well as Vox Studios in Hollywood and Sony Music Studios in Tokyo.[1] This led to numerous collaborations with Danielle Haim, who lives with Rechtshaid.[8] In September 2017 Koenig said the album was "about 80% done".[9] Batmanglij was involved in the album, and in a December interview Koenig noted that their method of partnership had not changed despite Batmanglij's departure from the band. He also stated that working with Kanye West had inspired him to include a wider variety of musicians on the album, and that his songwriting for the album had been influenced by country singer Kacey Musgraves. On the influence he said, "I'm the type of person who has spent hours poring over the avant-garde poetic lyrics of certain songwriters, and there was something that felt so good [about how] from the first verse, you knew who was singing, who they were singing to, what kind of situation they were in", noting that this hadn't applied to many Vampire Weekend songs.[10] On August 4, 2018, Koenig announced that the album had been completed.[11]
Music and lyrics
The pop[12][13][14] and indie rock[15][16] album is heavily referential both lyrically and musically, channeling a springtime mood despite its "encyclopedic" density.[17] It explores a broader musical palette than past releases by the band, and contrasts warm, pleasant music against heavy and dark lyrics. Key musical styles explored throughout the album include R&B, soul, country, folk, rock, art pop and baroque pop.[18][19][20] The double album's wide range of musical styles has been compared to the Beatles' White Album (1968),[13][21] although Koenig considers the album closer to more thematically cohesive double albums such as Bruce Springsteen's The River (1980) and Paolo Conte's Aguaplano (1987).[8][22] The loose style of the album has been compared to jam bands such as The Grateful Dead[21] and Phish.[23] It has also been described as more American than previous the group's earlier work, with Koenig's voice and guitar both adapting a roots twang,[24] and songs channeling the Great American Songbook.[13]
The album's lyrical style is more direct and straightforward than Koenig's previous writing, inspired by American country singer Kacey Musgraves.[18] Themes explored on the album include lost youth, romantic downfall, political strife, uncertainty, doom, complacency, environmentalism, and existentialism, with an eventual arc towards redemption and rebirth.[13][23][25][26][27] Weddings and churches act as recurring motifs exploring love, and the album frequently features biblical imagery.[14] Koenig considers the album to be more lyrically cohesive than previous work, stating: "the genres, maybe, and the references go all over the place but I actually think lyrically it’s one of the most unified [Vampire Weekend] albums".[8]
Songs
"Hold You Now" has been described by The Times as "a gorgeous, folky opener". It contains a sample from Hans Zimmer's choral score for The Thin Red Line.[28] It is the first of three duets with Danielle Haim on the album, and its simple lyrics feature Koenig and Haim trading verses about seizing the moment in a relationship.[18] Koenig described these duets as the album's "tentpoles", taking inspiration from country duets by Conway Twitty and Loretta Lynn.[8][29] He chose to open the album with sparse vocals and acoustic guitar because he thought it was a "weird way to open a Vampire Weekend record".[8] "Harmony Hall" features warm and joyful music, with a "springtime" mood, and has been compared musically to the Grateful Dead's "Touch of Grey" (1987). Influences from rave, baggy and Madchester music from 1990s England, such as "Unbelievable" by EMF, are also evident in its piano and beat, with Baroque elements in its bridge.[30][31][32] The "buoyant" music is juxtaposed against dark lyrics, with the track interpolating the line "I don't wanna live like this, but I don't wanna die" from "Finger Back" on the band's previous album Modern Vampires of the City (2013).[33][34] The brief and eclectic "Bambina", inspired by Couperin's Les Barricades Mystérieuses, features vocoder and "crunchy" guitars.[35][36] The musically bright and upbeat "This Life" contains handclaps and lively guitars, with Koenig's lyrics exploring "spiritual uncertainty" with levity, interpolating the line "You’ve been cheating on, cheating on me / I’ve been cheating on, cheating on you" from "Tonight" by American rapper iLoveMakonnen.[37] It has been musically compared to "Brown Eyed Girl" by Van Morrison (1967).[17][37] "Big Blue" ambiguously explores religious and cosmic uncertainty, with the concise track including ambient arpeggios, sporadic drum samples, "flowery" harmonies, a choir and detuned guitar riffs as it builds dynamically.[38][23] Its sparse electronic backdrop has been compared to the music on Kanye West's 808s & Heartbreak (2008), while its "weeping" guitar style has been compared to the works of George Harrison.[18]
The "lurching" art pop of "How Long?" contrasts jovial and funky keyboards, sound effects, harmonies and guitars against dark and bitter lyrics about the potential demise of Los Angeles.[12][18][39] Writing the song, Koenig was inspired by both hip hop and alternative rock from the 1990s.[8] "Unbearably White" is a "colorful" art pop song, which develops to incorporate isolated vocals, handbells, jazz fusion-inspired bass guitar, and orchestral surges, and lyrically discusses a failing relationship.[12][40][41] Despite the title's allusion to criticisms of the band, the track does not primarily explore race.[17][40] The cryptic "Rich Man" samples palm-wine guitarist S. E. Rogie,[26] and features lush strings, with Koenig "crooning" about romance, wealth and ratios.[42] Koenig began writing the song at the 56th Annual Grammy Awards where the group won Best Alternative Music Album for Modern Vampires of the City.[8] "Married in a Gold Rush" is a "lush" country song, and the second on the album to feature Danielle Haim.[28]
The regretful and moody "My Mistake" incorporates jazz, lounge and experimentalism, featuring "watery" sampled field sounds.[14][20][23] The freak folk[43] and flamenco song "Sympathy" contains influences from Schaffel techno,[24] rave,[36] and English rock band New Order.[12] It has been described as "one of the band's most bonkers tracks to date",[44] while Koenig has characterized it as "the most metal Vampire Weekend’s ever gotten".[8] The unorthodox and psychedelic "Sunflower" opens with guitar, bass and scatted vocal runs in unison, reminiscent of prog, with its chorus shifting to warm soul-pop. It features abstract lyrics and channels the musical palette of the 1970s,[45][46] with Koenig comparing the track to the music of Phish.[8] The track features the Internet singer and guitarist Steve Lacy, who also contributed to companion track "Flower Moon",[47] which has been described as an auto-tuned chorale, in the style of the Beach Boys and music from Soweto.[12] "2021" is a minimal and romantic ballad,[48] built around a sample of ambient track "Talking",[1] composed in the 1980s by Haruomi Hosono for Japanese retail company Muji. It features a soft pulsing synthesizer and fingerpicked guitars, along with a distorted vocal sample of the word "boy" sung by Jenny Lewis.[49][48][50]
The anthemic and extravagant "We Belong Together" is the third and final duet with Haim,[28] and has been compared to "Mull of Kintyre" (1977) by Wings and the production work of Kanye West.[12] The track incorporates an early demo recorded by Koenig and Rostam Batmanglij at Martha's Vineyard in April 2012, as well as a separate idea Koenig wrote at a piano;[51] Koenig has described it as potentially the band's most "wholesome" song.[8] "Stranger" explores domesticity,[35] musically incorporating saxophones into its relaxed groove.[19] The song's lyric "things have never been stranger; things are gonna stay strange" has been widely highlighted as a microcosm of the album's core message.[52][53][26] Koenig has said that the song explores "when you’re in a house and you hear other people having a good time and you don’t feel left out because you have a sense of belonging".[8] The in media res narrative of "Spring Snow" laments a farewell to a lover, depicting harsh rays of sunglight and heavy snow against a musical backdrop of chamber pop with a Latin groove.[54][55][56] The "sad" album closer "Jerusalem, New York, Berlin" references the Balfour Declaration,[28] and has musically been compared to the works of Scottish electronic musician Sophie.[39] Koenig chose the three titular cities for their significance to the Jewish people, in order to explore the "struggle of identity". He also found significance in what the three cities represented more broadly, with Jerusalem signifying religion, New York signifying money and Berlin signifying culture.[57]
The album's Japanese bonus tracks include "Houston Dubai", a cover of Mickey Newbury's "I Don't Think Much About Her No More" (1969) and "Lord Ullin's Daughter". The latter song features English actor Jude Law reciting Scottish poet Thomas Campbell's poem of the same name over a stripped back rendition of "Big Blue".[58]
Artwork
I didn't want it to be a cool photograph of the earth in space, I wanted it to have a little bit of that tension of being Mother Nature, the planet that we live on, but also something border-line uncomfortable with that raw digital whiteness just surrounding it.
Ezra Koenig[57]
The album's simple cover artwork depicts a globe in a cartoon style that has been compared to the aesthetics of 1960s grass-roots group Another Mother for Peace, 1990s environmentalism and the early internet. The artwork also places emphasis on the Sony Music logo, and has been described as "in keeping with Koenig’s idiosyncratic idea of kitsch".[59][60] Discussing the cover, Koenig commented that he "always knew [he] wanted the Earth to be on this raw digital white background", and expressed interest in the idea of "bright, raw whiteness", such as on a blank piece of paper or the peak of a mountain, as well as on digital screens, relating the idea to the track "Unbearably White".[61] He also stated that the artwork relates to the album's motif of ecology, and a nostalgia for the optimism of environmentalism in the 1990s.[57] He initially considered using the poster for anime film Mobile Suit Gundam 00 Special Edition III: Return the World (2010) as the album's artwork, but decided that due to the album's length "the album cover ha[d] to be incredibly simple. Not full of texture and detail".[22] Koenig has likened this simplicity to the covers of other double albums such as the Beatles' White Album (1968), Fleetwood Mac's Tusk (1979) and Bruce Springsteen's The River (1980).[57]
Release and promotion
In September 2017, Koenig began teasing the album's progression through updates on the percentage of its completion.[62] Music from the album was debuted in June 2018 as a part of the band's first live show since 2014, in Ojai, California. At the show Koenig performed a snippet of "Flower Moon", noting that the song featured Steve Lacy.[63][64] During the group's Lollapalooza after-show in August, the group debuted new music from Koenig's phone for the audience, including "Harmony Hall" and "Sunflower".[65][66]
On January 17, 2019, Koenig announced the album title's initialism, FOTB, as well as its length. He also revealed that the album would be promoted by three monthly double A-side singles.[67] The album's first singles, "Harmony Hall" and "2021", were released on January 24, 2019, with the album's full title announced.[68] A music video for "Harmony Hall" was released in February, directed by Emmett Malloy.[69] The second double single, consisting of "Sunflower" featuring Lacy, and "Big Blue" was released on March 6, alongside an announcement of the album's May 3 release date and artwork.[66] The Jonah Hill-directed music video for "Sunflower" was released the following week.[70] The final double single was released on April 4, including "This Life" and "Unbearably White".[71] A music video for "This Life" was released on May 20, also directed by Malloy.[72]
On February 28, 2020, a deluxe version of the album was released on digital platforms, containing of three tracks which had previously only been available on the album's Japanese release.[73]
Tour and live performances
The band incorporated an expanded touring line-up to promote the album, with Brian Robert Jones, Greta Morgan, Garrett Ray and Will Canzoneri joining the group.[74][75] In January 2019, the band announced a North American tour, beginning on May 17 at Gulf Shores, Alabama, for Hangout Music Festival. Supporting acts for the tour include Angélique Kidjo, Despot and Soccer Mommy.[76] In March further performances were announced across Europe.[77] The group also promoted the album in a series of shows dubbed the "Three Little London Shows" in March.[78] On May 5, two days after the album's release, the band performed three consecutive sets at Webster Hall in New York City, including a performance of the album in full and a majority of the group's back catalogue, as well as appearances by Haim and Dev Hynes. The show concluded a three-stop tour of New York State.[79][80] During a September performance at Madison Square Garden, the band announced new 2020 tour dates.[81]
On March 21, the group appeared on BBC Radio 1's Live Lounge, performing "Harmony Hall" and a cover of "Sunflower" by Post Malone and Swae Lee, in reference to the album's track of the same name.[82] In the week following the album's release, they appeared on The Tonight Show Starring Jimmy Fallon, performing "This Life" and "Jerusalem, New York, Berlin" alongside Haim,[83] and on Jimmy Kimmel Live!, performing "Sunflower".[84] On June 26, the band performed a piano-driven version of "This Life" and a cover of Bruce Springsteen's "I'm Goin' Down" (1985) at New York's Electric Lady Studios for the Spotify Singles series.[85] The group performed, promoting the album, at the Glastonbury Festival.
Reception
Critical response
Aggregate scores | |
---|---|
Source | Rating |
AnyDecentMusic? | 7.5/10[86] |
Metacritic | 82/100[87] |
Review scores | |
Source | Rating |
AllMusic | [88] |
Chicago Tribune | [54] |
The Daily Telegraph | [15] |
The Guardian | [13] |
The Independent | [25] |
NME | [36] |
The Observer | [14] |
Pitchfork | 8.0/10[23] |
Rolling Stone | [12] |
Vice (Expert Witness) | B+[27] |
Father of the Bride was met with widespread critical acclaim. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream publications, the album has received an average score of 82, based on 33 reviews.[87] The aggregator AnyDecentMusic? gave it 7.5 out of 10, based on its assessment of the critical consensus.[86]
David Fricke of Rolling Stone described the album as a "masterpiece", praising its meticulous attention to detail and musical breadth, and concluding that "Vampire Weekend now look like the smartest guys in the room, marshalling a sumptuous, emotionally complex music perfect in this pop moment".[12] The Guardian's Alexis Petridis wrote that the album showcased "a band pushing past their boundaries with striking results", and that the few ineffective ideas on the album are significantly outweighed by its highlights.[13] Kitty Empire of sister publication The Observer praised the album's breadth and maturity, writing that it "exudes warmth and no little sonic familiarity, while reflecting what is a radically altered set-up".[14] Chris DeVille of Stereogum wrote that the album could potentially be the group's magnum opus and that it "manages to be both a casual joyride and a multi-layered dissertation on the world’s ills".[52] Variety's Zack Ruskin asserted that the album consists of "inventive, often brilliant ideas delivered with little concern for how palatable listeners might find them", concluding that the album's pleasant music "could soundtrack an afternoon picnic" while its esoteric lyrics could "be used as fodder for a doctorate thesis on songwriting".[21] For The Wall Street Journal, Mark Richardson wrote that the album's quality justified the long wait for its release, writing that despite its length the album felt focused as opposed to sprawling.[89]
Jon Pareles of The New York Times praised the album's contrast between heavy lyrics and bright music,[26] while Neil McCormick of The Daily Telegraph complimented Koenig's "joyous" experimentation with music and incisive language, advising listeners not to take the record too seriously.[15] For The Independent, Jazz Monroe commended Koenig for maturing without becoming self-serious, writing that the album's low stakes and "unfashionable" nature were its strongest features.[25] In her review for AllMusic, Heather Phares wrote that the album "finds Vampire Weekend embracing change and delivering some of their most mature and satisfying music in the process".[88] Thomas Smith of NME praised the album's fun nature, writing that it "sounds like the work of some pals noodling away in the studio and shooting the shit" and "more often than not it’s a hit, not a miss".[36] In Robert Christgau's Expert Witness column for Vice, he applauded Koenig's complex exploration of class, describing it as a "sprightly, allusive, elusive, technically accomplished collection" that generally "bespeak[s] some fraught combination of lost youth, career anxiety, and, way down deep, political dismay." His one caveat was that the songs are "melodic yet seldom uplifting or effervescent".[27]
In a more critical review, Greg Kot of the Chicago Tribune described the album as "mild", noting that Koenig's lyrical expressions of discomfort were not conveyed through the pleasant music.[54] For Pitchfork, Mike Powell opined that the album was somewhat overlong and dispensable compared to past releases, and that its discussion of contentment and belonging felt unsuited to the group, but praised the album's braveness and new musical direction.[23] Steven Edelstone of Paste criticized the album's lyrics, and Koenig's adoption of a "derivative" musical style that did not fit the band, concluding that "it’s simply impossible not to wonder what happened and where they lost their way, culminating in a major disappointment for perhaps the most anticipated indie rock album in recent memory".[16] Spin's Jordan Sargent argued that the album was likely the band's worst, yet still rewarding. He praised the band's development, writing: "On the one hand, everything sounds spectacular; on the other, the album does contain some of the worst ideas the band has ever put to tape".[53]
Accolades and honors
At the 62nd Annual Grammy Awards, Father of the Bride was awarded Best Alternative Music Album.[90] The album was also the group's first to be nominated for Album of the Year, while "Harmony Hall" was nominated for Best Rock Song.[91]
The album appeared on multiple 2019 year-end lists. At Album of the Year, a website which creates an aggregate of music critic's year-end lists, Father of the Bride was listed at rank 11 for 2019.[92] Entertainment Weekly[43] and Thrillist[93] named it the best album of the year, while Vulture,[94] The Observer's Kitty Empire,[95] Us Weekly,[96] British GQ[97] and Stereogum[98] listed it in their top five. The Los Angeles Times,[99] Slant,[100] BrooklynVegan,[101] Rolling Stone,[102] Consequence of Sound[103] and Slate[104] included the album in their top ten, while it was listed among the top 25 by Billboard,[105] NME,[106] The Guardian,[107] Flood,[108] The Atlantic,[109] Paste,[110] GQ[111] and Pitchfork.[112] Other publications that included Father of the Bride in their year-end lists include Complex,[113] Uncut,[114] Uproxx,[115] Mojo,[116] and AllMusic.[117]
The album was also included in decade-end lists for the 2010s by BrooklynVegan (35),[118] Stereogum (84)[119] and Rolling Stone (92).[120]
Commercial performance
Father of the Bride debuted at number one on the US Billboard 200 with 138,000 album-equivalent units, including 119,000 pure album sales. It is Vampire Weekend's third consecutive US number-one album.[121][122] Additionally, 13 songs from the album, including all six of its singles, reached the top 50 of Billboard's US Hot Rock Songs chart.[123] The album also reached number two in the UK[124] and Scotland,[125] and the top ten in Portugal,[126] Ireland,[127] Canada,[128] Australia[129] and the Flemish Region of Belgium.[130]
Track listing
Credits adapted from liner notes.[1]
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
1. | "Hold You Now" (featuring Danielle Haim) |
| 2:33 | |
2. | "Harmony Hall" | Koenig |
| 5:08 |
3. | "Bambina" | Koenig |
| 1:42 |
4. | "This Life" |
| 4:28 | |
5. | "Big Blue" | Koenig |
| 1:48 |
6. | "How Long?" |
| 3:32 | |
7. | "Unbearably White" | Koenig | 4:40 | |
8. | "Rich Man" |
|
| 2:29 |
9. | "Married in a Gold Rush" (featuring Danielle Haim) | Koenig | Rechtshaid | 3:42 |
10. | "My Mistake" |
|
| 3:18 |
11. | "Sympathy" |
|
| 3:46 |
12. | "Sunflower" (featuring Steve Lacy) | Koenig |
| 2:17 |
13. | "Flower Moon" (featuring Steve Lacy) |
|
| 3:57 |
14. | "2021" |
|
| 1:38 |
15. | "We Belong Together" (featuring Danielle Haim) |
| Batmanglij | 3:10 |
16. | "Stranger" | Koenig |
| 4:08 |
17. | "Spring Snow" |
|
| 2:40 |
18. | "Jerusalem, New York, Berlin" | Koenig | 2:54 | |
Total length: | 57:50 |
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
19. | "Houston Dubai" | Koenig |
| 2:19 |
20. | "I Don't Think Much About Her No More" | Mickey Newbury |
| 2:49 |
21. | "Lord Ullin's Daughter" (featuring Jude Law) |
|
| 3:38 |
Total length: | 66:36 |
Notes
- ^[a] signifies an additional producer
Samples
- "Hold You Now" contains a sample of "God Yu Tekem Laef Blong Mi", composed by Hans Zimmer, from the film The Thin Red Line.
- "How Long?" contains elements of "And the Beat Goes On", written by William Shelby, Stephen Shockley and Leon F. Silvers III.
- "Rich Man" contains a sample of "Please Go Easy With Me", written and performed by S. E. Rogie.
- "2021" contains a sample of "Talking", written by Haruomi Hosono.
Personnel
Adapted from the album's liner notes and Tidal.[1][2]
Musicians
According to the album's liner notes.[lower-alpha 3]
- Ezra Koenig – lead vocals, guitars
- Rostam Batmanglij – 12-string acoustic guitar (15)
- Matt Chamberlain – drums (15)
- Sam Gendel – saxophone (10)
- Danielle Haim – lead vocals (1, 9, 15), backing vocals (2, 4, 11, 13, 16, 18, 20)
- Tommy King – piano (2, 9)
- Steve Lacy – lead vocals (12, 13), backing vocals (10), acoustic guitar (10)
- Jude Law – lead vocals (21)
- Greg Leisz – electric guitar (2, 16), pedal steel guitar (2, 16)
- Jenny Lewis – vocal sample (14)
- David Longstreth – backing vocals (2), guitar (2)
- Jake Longstreth – guitar (4)
- Serena McKinney – violins (7, 8)
- John Nixon – guitar (16)
- Ariel Rechtshaid – guitar (16)
- Buddy Ross – synthesizers (2, 7, 10, 17, 18), Wurlitzer (2, 7), piano (10, 17, 18), strings (10), backing vocals (10, 17)
Technical
- Ariel Rechtshaid – engineering (1–14, 16–21), mixing (1, 3, 5–14, 16–21)
- Chris Kasych – engineering (1–14, 16–19)
- John DeBold – engineering (1–14, 16–21)
- Hiroya Takayama – engineering (1–14, 16–19)
- Takemasa Kosaka – engineering (1–14, 16–19)
- Dave Schiffman – engineering (2, 8, 9, 12, 19)
- P-Thugg (Patrick Gemayel) – engineering (4)
- Michael Harris – engineering (9, 13, 15, 16)
- Buddy Ross – engineering (10), mixing (10)
- Shawn Everett – engineering (11), mixing (1, 16)
- Rostam Batmanglij – engineering (15), mixing (15)
- Dalton Ricks – engineering (15)
- Nick Rowe – engineering (15)
- Jude Law – engineering (21)
- Manny Marroquin – mixing (2, 4)
- Chris Galland – mix engineering (2, 4)
- Robin Florent – assistance (2, 4)
- Scott Desmarais – assistance (2, 4)
- Ezra Koenig – mixing (14, 19–21)
- Emily Lazar – mastering
- Chris Allgood – assistance
Artwork
- Nick Harwood – art direction
- Primo Kahn – cover design
- Public-Library – cover design
- Brendan Ratzlaff – illustration
Charts
Weekly charts
|
Year-end charts
|
Certifications
Region | Certification | Certified units/sales |
---|---|---|
United Kingdom (BPI)[150] | Silver | 60,000‡ |
‡ Sales+streaming figures based on certification alone. |
Release history
Region | Date | Label | Format | Catalog |
---|---|---|---|---|
Various | May 3, 2019 |
|
||
CD | 19075930132 (US) | |||
LP | 19075930141 (US) | |||
Cassette | 19075946164 (US) | |||
Japan[151] | May 15, 2019 | Sony Records International | CD | SICP-6117 |
Notes
- ↑ Except elements of "We Belong Together", recorded in April 2012.
- ↑ Except "We Belong Together", recorded at The Stanley's House in Martha's Vineyard, Echo Park Backhouse and Vox;[1] and "Lord Ullin's Daughter", recorded at Heavy Duty in Burbank, CA.[2]
- ↑ No official list of musicians has been released, and thus the following list is not comprehensive.[8][51][68][131][132]
References
- 1 2 3 4 5
- Liner notes: Father of the Bride (liner notes). Vampire Weekend. New York City: Columbia Records. 2019. 19075930141.
{{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link) - Tidal: "Father of the Bride / Vampire Weekend". Tidal. Archived from the original on May 10, 2019. Retrieved May 10, 2019.
- Liner notes: Father of the Bride (liner notes). Vampire Weekend. New York City: Columbia Records. 2019. 19075930141.
- 1 2 3 Father of the Bride (Japanese edition liner notes). Vampire Weekend. Tokyo: Sony Music Japan. 2019. SICP-6117.
{{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link) - ↑ Baron, Zach (January 24, 2019). "Rebirth Of A Vampire". GQ. Archived from the original on May 1, 2019. Retrieved May 16, 2019.
- ↑ Grebey, James (January 26, 2016). "Rostam Batmanglij Quits Vampire Weekend". Spin. Archived from the original on January 27, 2016. Retrieved January 26, 2016.
- ↑ Blistein, Jon (January 26, 2016). "Ezra Koenig Talks New Vampire Weekend LP, Rostam Batmanglij's Exit". Rolling Stone. Archived from the original on January 28, 2016. Retrieved January 27, 2016.
- ↑ Breihan, Tom (November 18, 2016). "Vampire Weekend Reportedly Sign To Columbia For LP4". Stereogum. Archived from the original on September 11, 2018. Retrieved May 16, 2019.
- ↑ Koenig, Ezra (March 25, 2017). "every day I get comments & questions about the next Vampire Weekend album". Archived from the original on January 28, 2020. Retrieved March 7, 2019 – via Instagram.
- 1 2 3 4 5 6 7 8 9 10 11 12 Koenig, Ezra; Longstreth, Jake; Rechtshaid, Ariel (May 5, 2019). "Father of the Bride". Time Crisis. Season 5. Episode 91. Beats 1.
- ↑ Helman, Peter (September 19, 2017). "Ezra Koenig Shares Update on New Vampire Weekend Album". Stereogum. Archived from the original on April 12, 2019. Retrieved May 13, 2019.
- ↑ Brown, Eric Renner (December 11, 2017). "Ezra Koenig previews Vampire Weekend's fourth LP: 'You want to age gracefully and not boringly'". Entertainment Weekly. Archived from the original on July 17, 2018. Retrieved July 30, 2018.
- ↑ Daly, Rhian (August 5, 2018). "Vampire Weekend's Ezra Koenig tells Lollapalooza fourth album is 'done'". NME. Archived from the original on January 20, 2019. Retrieved January 20, 2019.
- 1 2 3 4 5 6 7 8 Fricke, David (April 30, 2019). "Review: Vampire Weekend's Modern California Pop Masterpiece 'Father of the Bride'". Rolling Stone. Archived from the original on May 1, 2019. Retrieved May 1, 2019.
- 1 2 3 4 5 6 Petridis, Alexis (May 2, 2019). "Vampire Weekend: Father of the Bride review – a scrapbook of brilliant ideas". The Guardian. Archived from the original on May 2, 2019. Retrieved May 2, 2019.
- 1 2 3 4 5 Empire, Kitty (May 4, 2019). "Vampire Weekend: Father of the Bride review – a marriage of angst and optimism". The Observer. Archived from the original on May 5, 2019. Retrieved May 5, 2019.
- 1 2 3 McCormick, Neil (May 2, 2019). "Vampire Weekend, Father of the Bride, review: joyous indie rock with a touch of intellectual grit". The Daily Telegraph. Archived from the original on May 2, 2019. Retrieved May 3, 2019.
- 1 2 Edelstone, Steven (May 3, 2019). "Vampire Weekend: Father Of The Bride Review". Paste. Archived from the original on May 4, 2019. Retrieved May 4, 2019.
- 1 2 3 Nelson, Michael (April 4, 2019). "Vampire Weekend – "This Life" & "Unbearably White"". Stereogum. Archived from the original on April 6, 2019. Retrieved April 20, 2019.
- 1 2 3 4 5 O'Connell, Sharon (May 10, 2019). "Vampire Weekend – Father of the Bride". Uncut. Archived from the original on January 25, 2020. Retrieved November 20, 2019.
- 1 2 Goggins, Joe (May 1, 2019). "Vampire Weekend – Father of the Bride". The Skinny. Archived from the original on May 1, 2019. Retrieved May 1, 2019.
- 1 2 Swhear, Alex (May 2, 2019). "Vampire Weekend's New Album Is All Over the Place, In the Best Way". Noisey. Archived from the original on May 1, 2019. Retrieved May 2, 2019.
- 1 2 3 Ruskin, Zack (May 2, 2019). "Album Review: Vampire Weekend's 'Father of the Bride'". Variety. Archived from the original on May 3, 2019. Retrieved May 4, 2019.
- 1 2 Schnipper, Matthew (May 7, 2019). "Vampire Weekend's Ezra Koenig on 10 Things That Inspired Father of the Bride". Pitchfork. Archived from the original on May 8, 2019. Retrieved May 8, 2019.
- 1 2 3 4 5 6 Powell, Mike (May 3, 2019). "Vampire Weekend: Father of the Bride". Pitchfork. Archived from the original on May 3, 2019. Retrieved May 3, 2019.
- 1 2 Lynskey, Dorian (June 2019). "Marital Bliss". Q. London: Bauer Media Group. p. 106.
- 1 2 3 Monroe, Jazz (May 2, 2019). "Vampire Weekend, Father of the Bride review: Prep-pop supremos have traded their boat shoes for flip flops". The Independent. Archived from the original on May 2, 2019. Retrieved May 2, 2019.
- 1 2 3 4 Pareles, Jon (May 1, 2019). "Vampire Weekend Wraps Breakdowns in Musical Smiles on 'Father of the Bride'". The New York Times. Archived from the original on May 2, 2019. Retrieved May 2, 2019.
- 1 2 3 Christgau, Robert (June 8, 2019). "Robert Christgau on Vampire Weekend's Puzzlers and Big Thief's Minor Miracles". Vice. Archived from the original on June 8, 2019. Retrieved June 8, 2019.
- 1 2 3 4 Dean, Jonathan (March 31, 2019). "Vampire Weekend interview world exclusive: Ezra Koenig on the band's new album, Father of the Bride, and why he's supporting Bernie Sanders". The Times. Archived from the original on April 4, 2019. Retrieved April 4, 2019.
- ↑ "Vampire Weekend – Father Of The Bride". Double J. May 6, 2019. Retrieved May 16, 2019.
- ↑ "Vampire Weekend talk new music & perform Harmony Hall, This Life & A-Punk in Radio X Soundcheck Sessions". Radio X. May 11, 2019. Archived from the original on May 17, 2019. Retrieved May 17, 2019.
- ↑ Kornhaber, Spencer (January 19, 2019). "The Thrilling Uncoolness of Vampire Weekend's 'Harmony Hall'". The Atlantic. Archived from the original on May 17, 2019. Retrieved May 17, 2019.
- ↑ Wright, Danny (May 2, 2019). "Releases of the Month // May". Bristol in Stereo. Archived from the original on May 24, 2019. Retrieved May 17, 2019.
- ↑ Larson, Jeremy (January 24, 2019). ""Harmony Hall" by Vampire Weekend Review". Pitchfork. Archived from the original on April 20, 2019. Retrieved April 20, 2019.
- ↑ Tijerina, Daniela (January 27, 2019). "Song You Need to Know: Vampire Weekend, 'Harmony Hall'". Rolling Stone. Archived from the original on April 20, 2019. Retrieved April 20, 2019.
- 1 2 Biddles, Claire (April 30, 2019). "Ezra Koenig matures gracefully on new Vampire Weekend LP Father Of The Bride". The Line of Best Fit. Archived from the original on May 1, 2019. Retrieved May 1, 2019.
- 1 2 3 4 Smith, Thomas (April 26, 2019). "Vampire Weekend – 'Father Of The Bride' review". NME. Archived from the original on November 28, 2019. Retrieved November 28, 2019.
- 1 2 Strauss, Matthew (April 4, 2019). ""This Life" by Vampire Weekend Review". Pitchfork. Archived from the original on April 20, 2019. Retrieved April 20, 2019.
- ↑ Gottsegen, Will (March 6, 2019). "Vampire Weekend Dive Deeper on "Big Blue"". Spin. Archived from the original on April 4, 2019. Retrieved April 20, 2019.
- 1 2 Campbell, Graeme (April 8, 2019). "For Better or Worse: Vampire Weekend's Ezra Koenig on Life, Death & Ralph Lauren". Highsnobiety. Retrieved April 20, 2019.
- 1 2 Pearce, Sheldon (April 4, 2019). ""Unbearably White" by Vampire Weekend Review". Pitchfork. Archived from the original on April 20, 2019. Retrieved April 20, 2019.
- ↑ Cook-Wilson, Winston (April 4, 2019). "Vampire Weekend Release New Singles "This Life" and "Unbearably White"". Spin. Archived from the original on April 6, 2019. Retrieved April 20, 2019.
- ↑ Walker-Smart, Sam (May 1, 2019). "Vampire Weekend - Father of the Bride". Clash. Archived from the original on May 2, 2019. Retrieved May 2, 2019.
- 1 2 Suskind, Alex; Rodman, Sarah; Greenblatt, Leah (December 17, 2019). "The best albums of 2019". Entertainment Weekly. Archived from the original on December 21, 2019. Retrieved December 21, 2019.
- ↑ Bobkin, Matt (April 29, 2019). "Vampire Weekend – Father of the Bride". Exclaim!. Archived from the original on April 30, 2019. Retrieved April 30, 2019.
- ↑ Hermes, Will (March 17, 2019). "Song You Need To Know: Vampire Weekend, 'Sunflower'". Rolling Stone. Archived from the original on April 20, 2019. Retrieved April 20, 2019.
- ↑ Kim, Michelle (March 6, 2019). ""Sunflower" [ft. Steve Lacy] by Vampire Weekend Review". Pitchfork. Archived from the original on May 5, 2019. Retrieved April 20, 2019.
- ↑ Weddle, Adam (March 1, 2019). "Vampire Weekend Announce Next Two Singles from Father of the Bride". Paste. Archived from the original on April 20, 2019. Retrieved April 20, 2019.
- 1 2 Tencic, Nat (January 25, 2018). "First Spin: Vampire Weekend's '2021' and 'Harmony Hall' were worth the wait". Triple J. Retrieved February 1, 2018.
- ↑ "Vampire Weekend Return After Six Years With 'Harmony Hall,' '2021'". Rolling Stone. January 24, 2019. Archived from the original on January 25, 2019. Retrieved January 24, 2019.
- ↑ Strauss, Matthew; Bloom, Madison (January 24, 2018). "Vampire Weekend Reveal New Album Title Father of the Bride, Share New Songs: Listen". Pitchfork. Archived from the original on January 25, 2019. Retrieved February 1, 2018.
- 1 2 Hilleary, Mike (October 30, 2019). "Meet Rostam Batmanglij, Super-Producer". Vanity Fair. Retrieved November 21, 2019.
- 1 2 DeVille, Chris (May 1, 2019). "Premature Evaluation: Vampire Weekend Father of the Bride". Stereogum. Archived from the original on May 1, 2019. Retrieved May 1, 2019.
- 1 2 Sargent, Jordan (May 3, 2019). "Vampire Weekend's Father of the Bride Is Relaxed and Free, If Not Quite Great". Spin. Archived from the original on May 4, 2019. Retrieved May 4, 2019.
- 1 2 3 Kot, Greg (May 2, 2019). "Review: Vampire Weekend's mild return". Chicago Tribune. Archived from the original on May 3, 2019. Retrieved May 4, 2019.
- ↑ Vain, Madison (May 3, 2019). "We Were Ready to Forget About Vampire Weekend. Until Father of the Bride". Esquire. Archived from the original on May 5, 2019. Retrieved May 5, 2019.
- ↑ Sackllah, David (May 4, 2019). "Vampire Weekend Start a New Chapter on the Ambitious Father of the Bride". Consequence of Sound. Archived from the original on May 5, 2019. Retrieved May 5, 2019.
- 1 2 3 4 Graves, Shahlin (May 3, 2019). "Interview: Vampire Weekend's Ezra Koenig on new album 'Father of the Bride'". Coup de Main. Archived from the original on July 2, 2019. Retrieved June 13, 2019.
- ↑ Strauss, Matthew (May 15, 2019). "Jude Law Is on the Japanese Edition of Vampire Weekend's New Album Father of the Bride". Pitchfork. Archived from the original on May 15, 2019. Retrieved May 16, 2019.
- ↑ Wilson, Carl (May 6, 2019). "Vampire Weekend's New Album Is Their Least Cool and Maybe Their Best". Slate. Archived from the original on July 16, 2019. Retrieved July 16, 2019.
- ↑ Kornhaber, Spencer (May 3, 2019). "Vampire Weekend's Father of the Bride Is an Ambivalent Epic About World Peace". The Atlantic. Archived from the original on July 16, 2019. Retrieved July 16, 2019.
- ↑ Carty, Pat (May 8, 2019). "Interview With The Vampire Weekend". Hot Press. Archived from the original on July 16, 2019. Retrieved July 16, 2019.
- ↑ Schatz, Lake (June 1, 2018). "Vampire Weekend say they're "94.5%" done with new album". Consequence of Sound. Archived from the original on March 8, 2019. Retrieved May 22, 2019.
- ↑ Gray, Julia (June 17, 2018). "Vampire Weekend Tease New Song "Flower Moon" Featuring Steve Lacy at Second Ojai Show". Stereogum. Archived from the original on June 18, 2018. Retrieved January 26, 2018.
- ↑ Renshaw, David (June 18, 2018). "Watch Vampire Weekend debut a new song featuring Steve Lacy". The Fader. Archived from the original on June 22, 2018. Retrieved January 26, 2018.
- ↑ Sodomsky, Sam (August 6, 2018). "Ezra Koenig Debuts New Vampire Weekend Songs From His Phone at Lollapalooza Aftershow". Pitchfork. Archived from the original on March 7, 2019. Retrieved March 7, 2019.
- 1 2 Vampire Weekend (February 28, 2019). "SUNFLOWER / BIG BLUE OUT NEXT WEDNESDAY, MARCH 6". Archived from the original on January 27, 2020. Retrieved March 1, 2019 – via Instagram.
- ↑ Koenig, Ezra (January 17, 2019). "To the fans". Archived from the original on January 27, 2020. Retrieved January 18, 2019 – via Instagram.
- 1 2 Strauss, Matthew; Bloom, Madison (January 24, 2018). "Vampire Weekend Reveal New Album Title Father of the Bride, Share New Songs: Listen". Pitchfork. Archived from the original on January 25, 2019. Retrieved January 25, 2018.
- ↑ Blais-Billie, Braudie (February 20, 2019). "Watch Vampire Weekend's New "Harmony Hall" Video". Pitchfork. Archived from the original on February 21, 2019. Retrieved February 22, 2019.
- ↑ Blais-Billie, Braudie (March 13, 2019). "Jerry Seinfeld Stars in Vampire Weekend's New "Sunflower" Video: Watch". Pitchfork. Archived from the original on May 8, 2019. Retrieved May 8, 2019.
- ↑ Nelson, Michael (April 4, 2019). "Vampire Weekend – "This Life" & "Unbearably White"". Stereogum. Archived from the original on April 4, 2019. Retrieved April 4, 2019.
- ↑ Minsker, Evan (May 20, 2019). "Watch Vampire Weekend's New "This Life" Video". Pitchfork. Archived from the original on June 3, 2019. Retrieved May 20, 2019.
- ↑ Minsker, Evan (February 28, 2020). "Vampire Weekend Share Father of the Bride Bonus Tracks: Listen". Pitchfork. Archived from the original on March 30, 2020. Retrieved April 24, 2020.
- ↑ Gray, Julia (June 14, 2018). "Greta Morgan, Brian Robert Jones Join Vampire Weekend Touring Lineup". Stereogum. Archived from the original on June 16, 2018. Retrieved June 17, 2018.
- ↑ Baio, Chris [@OIAB] (June 18, 2018). "Thanks so much to everyone for making the Ojai shows so special this weekend. In addition to Brian Robert Jones ( @brianrobertjone ) and Greta Morgan ( @gretamorgan ), we're being joined by Garrett Ray (Drums, Percussion, Vocals) and Will "Bucket Hat" Canzoneri (Keys, Vocals)" (Tweet). Retrieved May 22, 2019 – via Twitter.
- ↑ Yoo, Noah; Strauss, Matthew (January 30, 2019). "Vampire Weekend Announce Tour". Pitchfork. Archived from the original on May 8, 2019. Retrieved May 8, 2019.
- ↑ Monroe, Jazz (March 14, 2019). "Vampire Weekend Announce European Tour". Pitchfork. Archived from the original on March 21, 2019. Retrieved May 8, 2019.
- ↑ Jenner, Alice (March 23, 2019). "Vampire Weekend tease a huge new sound at three exclusive shows, Live in London". The Line of Best Fit. Archived from the original on May 8, 2019. Retrieved May 8, 2019.
- ↑ Payne, Chris (May 6, 2019). "Vampire Weekend Celebrates New LP With Six-Hour, 56-Song NYC Hometown Show: Live Recap". Billboard. Archived from the original on May 6, 2019. Retrieved May 8, 2019.
- ↑ Rettig, James (April 10, 2019). "Vampire Weekend Announce All-Day NYC Album Release Show". Stereogum. Archived from the original on May 8, 2019. Retrieved May 8, 2019.
- ↑ DeVille, Chris (September 7, 2019). "Vampire Weekend Bring Special Guests To MSG Debut, Announce 2020 Tour". Stereogum. Archived from the original on September 11, 2019. Retrieved September 12, 2019.
- ↑ Blais-Billie, Braudie; Monroe, Jazz (March 21, 2019). "Watch Vampire Weekend Cover Post Malone and Swae Lee's 'Sunflower'". Pitchfork. Archived from the original on April 3, 2019. Retrieved May 8, 2019.
- ↑ Blais-Billie, Braudie (May 7, 2019). "Vampire Weekend Perform With Haim on "Fallon": Watch". Pitchfork. Archived from the original on May 8, 2019. Retrieved May 8, 2019.
- ↑ Blistein, Jon (May 10, 2019). "Watch Vampire Weekend Jam Out 'Sunflower' on 'Kimmel'". Rolling Stone. Archived from the original on June 3, 2019. Retrieved June 3, 2019.
- ↑ Payne, Chris (June 26, 2019). "Vampire Weekend Records Elegant Version Of 'This Life,' Covers Bruce Springsteen For Spotify Singles: Listen". Billboard. Archived from the original on June 26, 2019. Retrieved June 27, 2019.
- 1 2 "Father Of The Bride by Vampire Weekend reviews". AnyDecentMusic?. Archived from the original on July 14, 2019. Retrieved July 25, 2019.
- 1 2 "Father of the Bride by Vampire Weekend Reviews and Tracks". Metacritic. Archived from the original on May 6, 2019. Retrieved January 14, 2019.
- 1 2 Phares, Heather. "Father of the Bride – Vampire Weekend". AllMusic. Archived from the original on May 2, 2019. Retrieved May 3, 2019.
- ↑ Richardson, Mark (April 29, 2019). "'Father of the Bride' by Vampire Weekend Review: Much to Be Proud Of". The Wall Street Journal. Archived from the original on April 30, 2019. Retrieved April 30, 2019.
- ↑ Bloom, Madison (January 26, 2020). "Grammys 2020: Vampire Weekend Win Best Alternative Music Album". Pitchfork. Archived from the original on January 27, 2020. Retrieved January 27, 2020.
- ↑ "62nd Annual GRAMMY Awards | 2019 GRAMMYs". The Recording Academy. Archived from the original on November 23, 2019. Retrieved November 21, 2019.
- ↑ "2019 Music Year End List Aggregate". Album of the Year. Archived from the original on December 10, 2019. Retrieved December 23, 2019.
- ↑ Jackson, Dan (December 20, 2019). "The Best Albums of 2019". Thrillist. Archived from the original on May 4, 2019. Retrieved January 14, 2020.
- ↑ "The Best Albums of 2019". Vulture. December 4, 2019. Archived from the original on December 7, 2019. Retrieved December 10, 2019.
- ↑ Empire, Kitty (December 30, 2019). "Kitty Empire's best pop and rock of 2019". The Observer. Archived from the original on January 13, 2020. Retrieved January 14, 2020.
- ↑ Hautman, Nicholas (December 12, 2019). "10 Best Albums of 2019". Us Weekly. Archived from the original on December 25, 2019. Retrieved December 21, 2019.
- ↑ "The albums that made 2019 great again". GQ. December 27, 2019. Archived from the original on January 15, 2020. Retrieved January 14, 2020.
- ↑ "The 50 Best Albums Of 2019". Stereogum. December 3, 2019. Archived from the original on January 1, 2020. Retrieved December 4, 2019.
- ↑ Wood, Mikael (December 11, 2019). "Best albums and songs of 2019: Solange, Lana Del Rey and the miracle that is 'Old Town Road'". Los Angeles Times. Archived from the original on February 12, 2020. Retrieved December 12, 2019.
- ↑ "The 25 Best Albums of 2019". Slant. December 12, 2019. Archived from the original on January 1, 2020. Retrieved December 21, 2019.
- ↑ "141 Best Albums of the 2010s". BrooklynVegan. December 31, 2019. Archived from the original on January 3, 2020. Retrieved January 14, 2020.
- ↑ "The 50 Best Albums of 2019". Rolling Stone. December 5, 2019. Archived from the original on December 6, 2019. Retrieved December 10, 2019.
- ↑ "Top 50 Albums of 2019". Consequence of Sound. December 3, 2019. Archived from the original on December 24, 2019. Retrieved December 4, 2019.
- ↑ "The Best Albums of 2019". Slate. December 10, 2019. Archived from the original on February 20, 2020. Retrieved December 11, 2019.
- ↑ "The 50 Best Albums of 2019: Staff Picks". Billboard. December 10, 2019. Archived from the original on December 10, 2019. Retrieved December 11, 2019.
- ↑ "The 50 best albums of 2019: the full list". The Guardian. December 20, 2019. Archived from the original on December 21, 2019. Retrieved December 21, 2019.
- ↑ "The 50 best albums of 2019". NME. December 16, 2019. Archived from the original on December 20, 2019. Retrieved December 21, 2019.
- ↑ "The Best Albums of 2019". Flood Magazine. December 6, 2019. Archived from the original on December 20, 2019. Retrieved December 10, 2019.
- ↑ "The 18 Best Albums of 2019". The Atlantic. December 10, 2019. Archived from the original on December 28, 2019. Retrieved December 11, 2019.
- ↑ "The 50 Best Albums of 2019". Paste. December 2, 2019. Archived from the original on December 4, 2019. Retrieved December 4, 2019.
- ↑ "21 of Our Favorite Albums That Made 2019". GQ. December 3, 2019. Archived from the original on February 13, 2020. Retrieved December 4, 2019.
- ↑ "The 50 Best Albums of 2019". Pitchfork. December 10, 2019. Archived from the original on February 15, 2020. Retrieved December 11, 2019.
- ↑ "The Best Albums of 2019". Complex. December 4, 2019. Archived from the original on January 23, 2020. Retrieved December 4, 2019.
- ↑ "The Review of 2019". Uncut. No. 272. London. January 2020. p. 67.
- ↑ "The Best Albums of 2019". Uproxx. December 2, 2019. Archived from the original on January 1, 2020. Retrieved December 4, 2019.
- ↑ "The 75 Best Albums of 2019". Mojo. No. 314. London. January 2020. p. 6.
- ↑ "AllMusic 2019 Year in Review". AllMusic. Archived from the original on December 6, 2019. Retrieved December 10, 2019.
- ↑ "BrooklynVegan's Top 50 Albums of 2019". BrooklynVegan. December 23, 2019. Archived from the original on December 24, 2019. Retrieved January 14, 2020.
- ↑ "The 100 Best Albums Of The 2010s". Stereogum. November 4, 2019. Archived from the original on December 29, 2019. Retrieved November 21, 2019.
- ↑ "The 100 Best Albums of the 2010s". Rolling Stone. December 3, 2019. Archived from the original on December 3, 2019. Retrieved December 4, 2019.
- 1 2 "Vampire Weekend Chart History (Billboard 200)". Billboard. Retrieved May 24, 2019.
- ↑ Caulfield, Keith (May 12, 2019). "Vampire Weekend's 'Father of the Bride' Album Bows at No. 1 on Billboard 200 Chart". Billboard. Archived from the original on June 9, 2019. Retrieved May 24, 2019.
- ↑ "Vampire Weekend Chart History (Hot Rock Songs)". Billboard. Archived from the original on May 21, 2019. Retrieved May 24, 2019.
- 1 2 "Official Albums Chart Top 100". Official Charts Company. Retrieved May 11, 2019.
- 1 2 "Official Scottish Albums Chart Top 100". Official Charts Company. Retrieved May 11, 2019.
- 1 2 "Portuguesecharts.com – Vampire Weekend – Father of the Bride". Hung Medien. Retrieved May 28, 2019.
- 1 2 "Official Irish Albums Chart Top 50". Official Charts Company. Retrieved May 24, 2019.
- 1 2 "Vampire Weekend Chart History (Canadian Albums)". Billboard. Retrieved May 14, 2019.
- 1 2 "Australiancharts.com – Vampire Weekend – Father of the Bride". Hung Medien. Retrieved May 11, 2019.
- 1 2 "Ultratop.be – Vampire Weekend – Father of the Bride" (in Dutch). Hung Medien. Retrieved May 10, 2019.
- ↑ "Credits". Matt Chamberlain. Retrieved May 8, 2019.
- ↑ "Works". Buddy Ross. Archived from the original on June 27, 2019. Retrieved May 10, 2019.
- ↑ "Austriancharts.at – Vampire Weekend – Father of the Bride" (in German). Hung Medien. Retrieved May 16, 2019.
- ↑ "Ultratop.be – Vampire Weekend – Father of the Bride" (in French). Hung Medien. Retrieved May 10, 2019.
- ↑ "Dutchcharts.nl – Vampire Weekend – Father of the Bride" (in Dutch). Hung Medien. Retrieved May 10, 2019.
- ↑ "Lescharts.com – Vampire Weekend – Father of the Bride". Hung Medien. Retrieved May 13, 2019.
- ↑ "Offiziellecharts.de – Vampire Weekend – Father of the Bride" (in German). GfK Entertainment Charts. Retrieved May 10, 2019.
- ↑ "Italiancharts.com – Vampire Weekend – Father of the Bride". Hung Medien. Retrieved May 11, 2019.
- ↑ "Japan Hot Albums". Billboard (in Japanese). May 27, 2019. Retrieved September 9, 2020.
- ↑ "Oricon Top 50 Albums: 2019-05-27" (in Japanese). Oricon. Retrieved May 22, 2019.
- ↑ "Charts.nz – Vampire Weekend – Father of the Bride". Hung Medien. Retrieved May 10, 2019.
- ↑ "Norwegiancharts.com – Vampire Weekend – Father of the Bride". Hung Medien. Retrieved May 11, 2019.
- ↑ "Spanishcharts.com – Vampire Weekend – Father of the Bride". Hung Medien. Retrieved May 22, 2019.
- ↑ "Swedishcharts.com – Vampire Weekend – Father of the Bride". Hung Medien. Retrieved May 10, 2019.
- ↑ "Swisscharts.com – Vampire Weekend – Father of the Bride". Hung Medien. Retrieved May 15, 2019.
- ↑ "Vampire Weekend Chart History (Top Rock Albums)". Billboard. Retrieved May 15, 2019.
- ↑ "Top Billboard 200 Albums – Year-End 2019". Billboard. Archived from the original on February 23, 2020. Retrieved December 12, 2019.
- ↑ "Top Alternative Albums – Year-End 2019". Billboard. Archived from the original on December 12, 2019. Retrieved December 12, 2019.
- ↑ "Top Rock Albums – Year-End 2019". Billboard. Archived from the original on December 6, 2019. Retrieved December 12, 2019.
- ↑ "British album certifications – Vampire Weekend – Father of the Bride". British Phonographic Industry. Retrieved January 8, 2021.
- ↑ "ディスコグラフィ | ヴァンパイア・ウィークエンド" [Discography | Vampire Weekend] (in Japanese). Sony Music Entertainment Japan. May 15, 2019. Archived from the original on January 14, 2020. Retrieved November 20, 2019.
External links
- Father of the Bride at AllMusic
- Father of the Bride at Discogs (list of releases)