The Sound Factory was a nightclub first located 532 West 27th Street and then 618 West 46th Street in New York City's Manhattan. The Sound Factory was an integral venue during a peak period of house music in New York. Prominent DJs, artists, and parties appeared at the club. It was in operation from 1989 to 1995. There were other reincarnations of the club until 2004.

History

In 1989, Christine Visca, Phil Smith and Richard Grant opened the Sound Factory in a converted warehouse at 530 West 27th Street in Manhattan's Chelsea neighborhood.[1] DJ Junior Vasquez‘s association with vogue-ball houses the House of Xtravaganza and the House of Aviance helped bring the Harlem ballroom scene to the downtown club scene.[1]

Smith became increasingly involved in The Sound Factory Bar, a smaller offshoot gay club. The owners of the Sound Factory were at risk of losing their cabaret license and decided to close the club in 1995.[1]

In 1995, Smith converted the venue into the nightclub Twilo, which closed in 2001.[1][2]

Grant reopened a new club called SoundFactory in a warehouse at 618 West 46th Street,[3] but after facing legal issues in 2004, the club was closed.[4][1]

The Sound Factory Bar

The Sound Factory Bar was an offshoot at 12 West 21st Street that was in operation from 1992 to 1997.[5] The club was previously called Private Eyes which was a popular nightspot in the late 1980s and the early 1990s that for its time had an unusually advanced state-of-the-art video and sound system.[6] In the mid 1990s Private Eyes was then purchased by 2 of the 3 owners of The Sound Factory, and, since the space was smaller, it was renamed the Sound Factory Bar.[7]

When the Sound Factory closed in 1995, the Sound Factory Bar continued to operate. Wednesdays housed the recently resurrected Underground Network parties, hosted and promoted by recording artist Barbara Tucker and Don Welch, with Grammy Award winner Little Louie Vega as resident DJ.[8] On Thursday nights, "Factoria 21," a tribal house gay night with DJ Merritt and Lord G, and on Friday nights, "Godfather of House" Frankie Knuckles helmed the decks. On Sunday afternoons, it was the host for "Body Positive Tea Dances," a social for HIV positive men and their friends.[9] The DJs were Mark Cicero and Mark Thomas. Closing out the weekend on Sunday evenings, "Purgatory" a tribal and progressive house gay night with DJ Merritt and DJ Andrew Tonio. One of the most notorious events was a weekly party called MILK Mondays from DJ TPromix that after several years at this location went on to thrive for 9 years around the city. Also, (in the latter Cheetah years) Cafe con Leche, Cafe Futuro, and Asseteria were weekly Sunday parties.

In 1997, the Sound Factory Bar was reopened as Cheetah.[3] The club was closed in 1999.[10]

See also

References

  1. 1 2 3 4 5 Weinstein, Steve (January 22, 2015). "RIP Richard Grant—Founder of NYC After-Hours Institution Sound Factory". www.vice.com. Retrieved 2022-08-07.
  2. ↑ Voice, Village (2000-10-24). "Trying Times for Twilo". The Village Voice. Retrieved 2022-08-07.
  3. 1 2 "You Can Dance If You Want To". New York Magazine: 35. May 5, 1997.
  4. ↑ Preston, Julia (2005-06-10). "Owner of West Side Club Is Acquitted of Drug-Den Charges". The New York Times. ISSN 0362-4331. Retrieved 2022-08-07.
  5. ↑ Fikentscher, Kai (2000-08-18). "You Better Work!": Underground Dance Music in New York. Wesleyan University Press. p. 72. ISBN 978-0-8195-6404-7.
  6. ↑ "Screens". The New Yorker. August 20, 1984. pp. 26–28. Retrieved 2022-06-13.
  7. ↑ "New York City House". daily.redbullmusicacademy.com. Retrieved 2022-08-07.
  8. ↑ "Dancing In The Streets And Clubs Around The World". Billboard. November 18, 1995. p. 38.
  9. ↑ Out. Out Pub., Incorporated. 1995. p. 76.
  10. ↑ Wong, Edward (1999-11-14). "NEIGHBORHOOD REPORT: FLATIRON; Cheetah Club Draws Big Crowds, and Often a Siren's Song". The New York Times. ISSN 0362-4331. Retrieved 2022-08-07.

40°44′25.96″N 73°59′29.77″W / 40.7405444°N 73.9916028°W / 40.7405444; -73.9916028

This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.