Topics in Sangam literature
Sangam literature
AgattiyamTolkāppiyam
Eighteen Greater Texts
Eight Anthologies
AiṅkurunūṟuAkanāṉūṟu
PuṟanāṉūṟuKalittokai
KuṟuntokaiNatṟiṇai
ParipāṭalPatiṟṟuppattu
Ten Idylls
TirumurukāṟṟuppaṭaiKuṟiñcippāṭṭu
MalaipaṭukaṭāmMaturaikkāñci
MullaippāṭṭuNeṭunalvāṭai
PaṭṭiṉappālaiPerumpāṇāṟṟuppaṭai
PoruṇarāṟṟuppaṭaiCiṟupāṇāṟṟuppaṭai
Related topics
SangamSangam landscape
Tamil history from Sangam literatureAncient Tamil music
Eighteen Lesser Texts
NālaṭiyārNāṉmaṇikkaṭikai
Iṉṉā NāṟpatuIṉiyavai Nāṟpatu
Kār NāṟpatuKaḷavaḻi Nāṟpatu
Aintiṇai AimpatuTiṉaimoḻi Aimpatu
Aintinai EḻupatuTiṇaimālai Nūṟṟaimpatu
TirukkuṟaḷTirikaṭukam
ĀcārakkōvaiPaḻamoḻi Nāṉūṟu
CiṟupañcamūlamMutumoḻikkānci
ElātiKainnilai
Bhakti Literature
Naalayira Divya PrabandhamRamavataram
TevaramTirumuṟai

Uraiyūr Maruthuvan Thāmōtharanār (Tamil: உறையூர் மருத்துவன் தாமோதரனார்) was a poet of the Sangam period, to whom 6 verses of the Sangam literature have been attributed, including verse 11 of the Tiruvalluva Maalai.[1]

Biography

Dhamodharanar, known in full as Uraiyur Marutthuvan Dhamodharanar, lived in Uraiyur and was a physician by profession, hence came to be called thus. He was known as a worshiper of Lord Vishnu.[2] He has sung in praise of the Chola King Kurappalli Thunjiya Perunthirumavalavan and Pittan Kottran in verses 60, 170, and 321 of the Purananuru. He is believed to be the contemporary of Sangam poets Kovoor Kilar, Madalan Madurai Kumaranar, and Kaveri Poompattanatthu Kaari Kannanar, since these poets, too, have sung on the Chola ruler.[2]

Contribution to the Sangam literature

Marutthuvan Dhamodharanar has written 6 Sangam verses, including 3 in Purananuru (verses 60, 170, and 321), 2 in Agananuru (verses 133 and 257), and 1 in Tiruvalluva Maalai (verse 11).[2]

Views on Valluvar and the Kural

Marutthuvan Dhamodharanar opines about Valluvar and the Kural text thus:[3]

All are relieved of their headache by smelling the sindil-salt, and sliced dry ginger mixed with honey; but Sāttanār (a fellow-professor) was relieved of his head-ache (brought on by his habit of striking his head with his stylus when he found a fault in an author) by hearing the three parts of the Cural recited. [Emphasis in original]

See also

Notes

References

  • Edward Jewitt Robinson (2001). Tamil Wisdom: Traditions Concerning Hindu Sages and Selections from Their Writings. New Delhi: Asian Educational Services.
  • Vedanayagam, Rama (2017). திருவள்ளுவ மாலை மூலமும் எளிய உரை விளக்கமும் [Tiruvalluva Maalai: Moolamum Eliya Urai Vilakkamum] (in Tamil) (1 ed.). Chennai: Manimekalai Prasuram. pp. 23–24.
  • Kowmareeshwari, S., ed. (August 2012). அகநானூறு, புறநானூறு [Agananuru, Purananuru]. Sanga Ilakkiyam (in Tamil). Vol. 3 (1 ed.). Chennai: Saradha Pathippagam. p. 387.
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