Vanaspati
ArohanamS R₁ G₁ M₁ P D₂ N₂ Ṡ
AvarohanamṠ N₂ D₂ P M₁ G₁ R₁ S

Vanaspati (meaning the lord of the forest) is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 4th melakarta rāgam in the 72 melakarta rāgams of Carnatic music, following the Katapayadi sankhya system. In the Muthuswami Dikshitar school of music, this raga is called Bhānumati.[1][2][3]

Structure and Lakshana

Vanaspati scale with shadjam at C

Vanaspati is the 4th rāgam in the 1st chakra Indu of the melakarta system. Its mnemonic name is Indu-Bhu. Its mnemonic phrase is sa ra ga ma pa dhi ni.[2] Its ārohaṇa-avarohaṇa structure is as follows (see swaras in Carnatic music for details on this notation):

Shuddha rishabham, shuddha gandharam, shuddha madhyamam, chathusruthi dhaivatham and kaisiki nishadham are the swaras used in this scale. As it is a melakarta rāgam, by definition it is a sampoorna rāgam (has all seven notes in ascending and descending scale). It is the shuddha madhyamam equivalent of Navaneetam, which is the 40th melakarta rāgam.

Asampurna Melakarta

Bhānumati is the 4th Melakarta in the original list compiled by Venkatamakhin. The notes used in the scale are the same, but the ascending scale is different. It is a shadava-sampurna raga (6 notes in ascending scale, while full 7 are used in descending scale).[4]

Janya rāgams

Rasāli is one of the better known of few janya ragams (derived scales) associated with Vanaspati. See List of janya rāgams for full list of rāgams associated with Vanaspati.

Compositions

Film Songs

Language:Tamil

Song Movie Composer Singer
Radha Azhakiral Therkathi Kallan Ilaiyaraaja S Janaki
Naa Romba Busy Vasuvum Saravananum Onna Padichavanga D. Imman Neeti Mohan, Santhosh Hariharan, Sharanya Gopinath

This section covers the theoretical and scientific aspect of this rāgam.

Vanaspati's notes when shifted using Graha bhedam, yields a minor melakarta rāgam Mararanjani. Graha bhedam is the step taken in keeping the relative note frequencies same, while shifting the shadjam to the next note in the rāgam. For further details and an illustration refer Graha bhedam on Vanaspati.

Notes

  1. ↑ Alternate notations:
    • Hindustani: S Ṟ R M P D Ṉ Ṡ
    • Western: C D♭ Edouble flat F G A B♭ C
  2. ↑ Alternate notations:
    • Hindustani: Ṡ Ṉ D P M R Ṟ S
    • Western: C B♭ A G F Edouble flat D♭ C
  3. ↑ Alternate notations:
    • Hindustani: S Ṟ M P D Ṉ Ṡ
    • Western: C D♭ F G A B♭ C
  4. ↑ Alternate notations:
    • Hindustani: Ṡ Ṉ D P M R Ṟ S
    • Western: C B♭ A G F Edouble flat D♭ C

References

  1. ↑ Sri Muthuswami Dikshitar Keertanaigal by Vidwan A Sundaram Iyer, Pub. 1989, Music Book Publishers, Mylapore, Chennai
  2. 1 2 Ragas in Carnatic music by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications
  3. ↑ Raganidhi by P. Subba Rao, Pub. 1964, The Music Academy of Madras
  4. ↑ Shree Muthuswami Dikshitar Keerthanaigal, by A Sundaram Iyer, Music Book Publishers, Mylapore, Chennai
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.