11:11
Studio album by
Come
Released1992
RecordedJuly 1992
Genre
Length52:30
LabelMatador Records
Placebo Records
Sub Pop
ProducerCome
Tim O'Heir
Carl Plaster
Come chronology
11:11
(1992)		 Don't Ask, Don't Tell
(1994)
Singles from 11:11
  1. "Fast Piss Blues"
    Released: 20 November 1992
Professional ratings
Review scores
SourceRating
Allmusic[1]
Consequence of SoundC+[2]
Earbuddy9.1/10[3]
The Encyclopedia of Popular Music[4]
Entertainment WeeklyA−[5]
MusicHound Rock[6]
Mojo[7]
Paste8.7/10[8]
Popmatters8/10[9]
The Village VoiceC+[10]

11:11 is the debut album by Boston indie rock band Come.

Background

After their 7" single "Car" was released as part of Sub Pop's Singles Club subscription series, "Come started getting raves in the press, [and] played to wildly enthusiastic crowds in London and Amsterdam"[11] before recording their debut album 11:11, which was recorded and mixed in just seven-and-a-half days.[11] Recorded in July 1992 at Fort Apache Studios in Cambridge, MA, 11:11 was produced by Come with Tim O'Heir and Carl Plaster. The album takes its title from the numerological phenomenon involving the recurrence and potential synchronicity of the time 11:11. The members of the band "decided on the title after glancing at a digital clock on several occasions and finding it was 11:11 each time."[12] As Brokaw puts it, "[i]t was a recurring phenomena [...] It became a sort of superstitious mantra."[12]

The band recorded a music video for the album's opening track, "Submerge", directed by Jesse Peretz, in addition to which their song "Dead Molly"[13] was included in Allison Anders and Kurt Voss's 1999 independent comedy Sugar Town.

The song "Fast Piss Blues" was released as a single, featuring a cover of Mick Jagger and Keith Richards's "I Got The Blues", from The Rolling Stones' 1971 album Sticky Fingers, as its B-side. Both songs were included in the CD version of 11:11, but did not feature in the LP version.

Critical reception

In a contemporary review for The Village Voice, music critic Robert Christgau said that the music comprises flat melodies with some slide guitar and lyrics that range from "unintelligible to incomprehensible".[10] Entertainment Weekly described 11:11 as "a captivating blast of ennui and feedback that may be Matador's finest moment yet", going on to characterize it as "enthralling, like watching someone howl into a rainstorm,"[14] whilst The Virgin Encyclopedia of Nineties Music states that it was "rightly lauded as one of 1992's finest releases."[15] Allmusic referred to 11:11 as "a uniquely sludgy, electric, and strong fusion of sounds and styles, combining extreme angst and commanding power."[16] Trouser Press stated that 11:11 is "very much a guitar tour de force, drenched as it is in the sweaty fluids that come forth when the six-strings of Zedek (a veteran of Boston's Dangerous Birds and New York's Live Skull) and Chris Brokaw (who served concurrently as Codeine's drummer until 1993) rub against each other."[17] Rolling Stone magazine called 11:11 "one of Matador's defining records,"[18] whilst the Rough Guide to Rock summarizes 11:11 as follows: "The music and moods teeter precariously, erupting into violent explosions with little warning."[19]

Re-issue

In January 2013, Matador Records announced that a special 20th anniversary 2 LP/CD re-issue of 11:11 would be released as in May 2013. The re-issue includes the original release, in addition to a live album consisting of the band's performance at the 1992 Vermonstress Festival.[20] Announcing the news, Pitchfork described 11:11 as "one of the more elusive gems of Matador's back catalog."[21]

The vinyl LP version of the record was pressed by United Record Pressing in Nashville, TN.

Cover versions

No Safety covered 11:11's opening track, "Submerge" in their 1994 album Live at the Knitting Factory, whilst Australian alternative rock band Screamfeeder covered "Off To One Side" in their 1999 album Home Age, a cover which was later included in their 2011 rarities compilation Cargo Embargo (B Sides & More). The Spanish band Mourn covered the song "William" on their 2019 release Mixtape.

Track listing

No.TitleWriter(s)Length
1."Submerge"Come4:24
2."Dead Molly"Come4:08
3."Brand New Vein"Come6:13
4."Off to One Side"Come5:47
5."Bell"Come3:25
6."William"Come4:34
7."Sad Eyes"Come4:03
8."Power Failure"Come5:44
9."Orbit"Come5.04
CD Bonus Tracks
No.TitleWriter(s)Length
10."Fast Piss Blues" (Bonus track on CD version)Come3:57
11."I Got the Blues" (Bonus track on CD version – The Rolling Stones cover)Jagger/Richards5:04
Anniversary Edition Reissue – Live at Vermonstress Festival, Burlington, VT
No.TitleWriter(s)Length
1."Dead Molly"Come 
2."William"Come 
3."Submerge"Come 
4."Last Mistake"Come 
5."Fast Piss Blues"Come 
6."Bell"Come 
7."Car"Come 
8."SVK"Come 

Personnel

with

  • Carl Plaster – piano on "Brand New Vein", organ on "Sad Eyes", floor tom on "Power Failure"
  • Bob Hamilton – art direction
  • Roderigo Avila – cover art

References

  1. ↑ Allmusic review
  2. ↑ Sam Willett (May 23, 2013). "Album Review: Come – 11:11 [Deluxe Edition]". Consequence of Sound. Retrieved 2013-06-07.
  3. ↑ "Come – Eleven:Eleven (Deluxe 20th Anniversary) | Review". July 16, 2013.
  4. ↑ Larkin, Colin (June 2, 2000). "The Encyclopedia of Popular Music: Brown, Marion – Dilated Peoples". MUZE – via Google Books.
  5. ↑ "Entertainment Weekly review".
  6. ↑ Graff, Gary (June 2, 1996). "MusicHound Rock: The Essential Album Guide". Visible Ink Press – via Google Books.
  7. ↑ Stevie Chick (May 2013). "Come – Eleven:Eleven". Mojo.
  8. ↑ "Come: 11:11 20th Anniversary Reissue". Paste Magazine.
  9. ↑ "Come: 11:11 (20th Anniversary Edition), PopMatters". August 26, 2013.
  10. 1 2 Christgau, Robert (November 23, 1993). "Turkey Shoot". The Village Voice. New York. Retrieved July 5, 2013.
  11. 1 2 Option magazine, 1993. 1993.
  12. 1 2 "George-Warren, Holly, "Come: The Next Chapter in Thalia Zedek's Indie Saga", Option magazine, No. 48". January–February 1993. Retrieved 2013-03-27.
  13. ↑ "IMDB, "Soundtracks for Sugar Town (1999)"". IMDb. Retrieved 2013-03-27.
  14. ↑ "Entertainment Weekly, Browne, David, "Review of Eleven: Eleven", February 19, 1993". 1993-02-19.
  15. ↑ The Virgin Encyclopedia of Nineties Music. 2000. p. 94.
  16. ↑ "Allmusic, "Review of Come's Eleven: Eleven"". AllMusic.
  17. ↑ "Trouser Press".
  18. ↑ Rob Sheffield. "Matador's 'Lost Weekend,' Day Two". Rolling Stone. Archived from the original on December 19, 2010.
  19. ↑ (Firm), Rough Guides (2003). The Rough Guide to Rock, Edited by Peter Buckley (Rough Guides, 2003), p. 221. ISBN 9781858284576.
  20. ↑ "Deluxe Reissue of 11:11 announcement". Archived from the original on 2013-03-07. Retrieved 2013-03-24.
  21. ↑ "Matador to Reissue Come's Eleven : Eleven". Pitchfork. Retrieved 2013-03-24.
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