Aaron Flint Jamison (born 1979) is an American conceptual artist and associate professor in the University of Washington School of Art + Art History + Design.[1] He works with various media including sculpture, publication, video, and performance.[2]

Life and work

Jamison was born in Billings, Montana. He received a B.A. from Trinity Western University, Vancouver, British Columbia, in 2002 and an M.F.A. from San Francisco Art Institute in 2006.

He co-founded the artist-run center Department of Safety (2002–2010) in Anacortes, Washington, and he was a co-founder of the art center Yale Union (YU) in Portland, Oregon.[3] "Yale Union (YU) operated as a non-profit exhibition, production, and community space since 2010 through 2020, when it completed the transfer of ownership of the land and building to the Native Arts and Cultures Foundation (NACF)."[4] "The transfer of the Yale Union to NACF to support the cultural continuance of Indigenous communities is unprecedented, a first,” said Joy Harjo, Mvskoke poet and former poet laureate of the United States.[5]

Jamison is the founder and editor-in-chief of Veneer Magazine, a subscription-based art publication.[6] Veneer is an 18-issue publication, the issues of which are, "lavishly produced, combining different paper stocks, and analogue and digital print techniques."[7]

Jamison's work is held in the permanent collection of the Whitney Museum of American Art.[8]

Exhibitions

Solo exhibitions

  • Artists Space, New York (2013)[9] [10]
  • Miguel Abreu Gallery, New York (2015)[11] [12]
  • Air de Paris, Paris (2015)[13]
  • Miguel Abreu Gallery, New York (2017)[14]
  • Galerie Max Mayer, Düsseldorf (2017)[15]
  • Miguel Abreu Gallery, New York (2019)[16]
  • Opportunity Zones, Kunst Halle Sankt Gallen, (2019)[17]

Group exhibitions

  • Frozen Lakes, Artists Space (2013)[18]
  • Sequence 5, Miguel Abreu Gallery, New York (2014)[19]
  • Liverpool Biennial, Liverpool (2014)[20]
  • Collected by Thea Westreich Wagner and Ethan Wagner, Whitney Museum of American Art (2015–2016)[21]
  • Incorporated! Ateliers de Rennes - Biennale d'art Contemporain (2016)[22]
  • Whitney Biennial (2017)[23]
  • Mechanisms, CCA Wattis, San Francisco (2017)[24]
  • Signal or Noise | The Photographic II, S.M.A.K., Ghent (2018–2019)[25]

References

  1. ↑ "Pied-a-Terre". Pied-a-terre Gallery. Retrieved 19 February 2014.
  2. ↑ Watts, Jonathan. "In Focus: Aaron Flint Jamison". Frieze. Retrieved 19 February 2014.
  3. ↑ "ABOUT | YU". Retrieved 2020-03-28.
  4. ↑ Hasnay, Gloria. "FJ_GMM_2020_GH+FJ_7_MM_GH". Galerie Max Mayer. Retrieved 18 May 2021.
  5. ↑ Oaster, Brian. "With the transfer of Yale Union building to Native ownership, a hub for Indigenous artists is born". Street Roots. Street Roots. Retrieved 18 May 2021.
  6. ↑ O'Neill-Butler, Lauren. "Aaron Flint Jamison". Artforum. Retrieved 20 February 2014.
  7. ↑ Watts, Jonathan. "In Focus: Aaron Flint Jamison". Frieze. Retrieved 17 May 2021.
  8. ↑ "Aaron Flint Jamison/Whitney Museum of American Art". Whitney Museum of American Art. Whitney Museum of American Art. Retrieved 12 June 2017.
  9. ↑ Kado, Steve. "Aaron Flint Jamison". Artforum.com. Artforum. Retrieved 18 May 2021.
  10. ↑ Fiske, Courtney. "Aaron Flint Jamison". artnews.com. Retrieved 18 May 2021.
  11. ↑ Kitnick, Alex (October 2015). "Aaron Flint Jamison". Artforum. 54 (2): 322–323.
  12. ↑ "Aaron Flint Jamison". The New Yorker. Retrieved 18 May 2021.
  13. ↑ Taylor, Phil. "Aaron Flint Jamison". Artforum. Artforum. Retrieved 18 May 2021.
  14. ↑ "Aaron Flint Jamison at Miguel Abreu". Contemporary Art Daily. Contemporary Art Daily. Retrieved 18 April 2018.
  15. ↑ Larios, Pablo. "Aaron Flint Jamison". Frieze. Frieze. Retrieved 18 May 2021.
  16. ↑ Aima, Rahel (January 2019). "The Dubai Effect". Art in America: 64–69. Retrieved 18 May 2021.
  17. ↑ Tammens, Nicholas (Winter 2020). "Opportiunity Zones: Aaron Flint Jamison". Mousse (70): 76–87.
  18. ↑ "Frozen Lakes".
  19. ↑ "Frieze Magazine: Archive: In Focus: Aaron Flint Jamison". 17 October 2013. Archived from the original on 17 October 2013. Retrieved 2018-04-18.
  20. ↑ "Archive: Liverpool Biennial of Contemporary Art". www.biennial.com. Retrieved 2018-04-18.
  21. ↑ "Collected by Thea Westreich Wagner and Ethan Wagner". Whitney Museum of American Art. Retrieved 2018-04-18.
  22. ↑ "Incorporated! (2016)". Les ateliers de Rennes. Archived from the original on 2018-04-18. Retrieved 2018-04-18.
  23. ↑ "Whitney Biennial 2017". Whitney Museum of American Art. Retrieved 2018-04-18.
  24. ↑ Allen, Gwen. ""Mechanisms" at CCA Wattis, San Francisco". Mousse Magazine. Mousse Magazine. Retrieved 18 May 2021.
  25. ↑ "Signal or Noise | The Photographic II". e-flux. e-flux. Retrieved 18 May 2021.
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