Alfred Turner
Born28 May 1874
London, England
Died18 March 1940 (1940-03-19) (aged 65)
London, England
NationalityEnglish
Education
Known forSculpture

Alfred Turner RA (28 May 1874 – 18 March 1940) was an English sculptor notable for several large public monuments.[1] These included statues of Queen Victoria, works in the Fishmonger's Hall in London and several war memorials, both in the Britiah Isles and abroad.

Among other institutions, Turner studied at the Royal Academy, where he exhibited and was a member. He was also a member and fellow of the Royal Society of British Sculptors. His daughter was also a distinguished sculptor.

Biography

Turner was born in London on 28 May 1874, the son of sculptor C.E. Halsey-Turner. In 1899 he married Charlotte Ann Gavin and they had two daughters. One daughter, Winifred, became a distinguished sculptor.[2]

He first studied at, what was then called, the South London Technical Art School in Lambeth at a time when William Silver Frith was the modelling master. He then studied at Royal Academy Schools, having enrolled in 1895. He was there for three years during which time he was awarded in 1897 both the gold medal and travelling scholarship, worth £200. He studied for a period on the Continent and worked as an assistant in the studio of Harry Bates.[2] Turner taught sculpture at the Central School of Arts and Crafts in Southampton Row, Holborn in 1907.[1]

Turner exhibited at the Royal Academy from 1898 to 1937, became an Associate in 1922 and a full member in 1931. He was one of the early members of the Royal Society of British Sculptors and was a Fellow of that Society from 1923 until 1940.[2][3] He died in London on 18 March 1940.[3]

In 1988 the Ashmolean Museum in Oxford held an exhibition of the works of Alfred Turner and his daughter Winifred.[2]

Notable commissions

Fishmonger's Hall

In 1901 Turner exhibited a marble statue entitled Fisher girl; for a niche at the Royal Academy. In 1902 this work, renamed Fisherwoman, with a companion piece, Fisherman, was placed in the staircase niches of Fishmonger's Hall in London.[4][5] Turner was given the commission to sculpt the two figures in 1899 when the hall was being redecorated. He received the commission based on the recommendation of William Silver Frith and was paid around 600 guineas for each statue.[2][3]

Statues of Queen Victoria

After the success of "Fishergirl", Turner secured commissions for three public monuments in bronze of Queen Victoria who died in January 1901. One was for Delhi and was unveiled by the Lieutenant-Governor of the Punjab on 26 December 1902. Turner showed a bronze statuette of that work at the Royal Academy in 1903. The crown and the small statuettes representing "Justice" and "Peace", which were positioned on either side of the Queen's head were subsequently removed by vandals in 1905 when the statue was in India. Today the statue is at the College of Art, Tilak Marg, in Delhi.[2] Another version of the Queen Victoria statue was made for Tynemouth in north east England.[6]

The third statue was for Sheffield and was a complex, larger than life-size, composition with figures of a mother and her children and a Sheffield workman. It was originally erected in 1905 at Fargate, but was moved to Sheffield's Endcliffe Park.[7] The mother and workman are depicted in Maternity and Labour, both shown at The Royal Academy in 1904. The statue has reliefs representing Courage, in the form of a Crusader, with Justice and Truth. Another includes images of the Queen and St George.[2]

Turner was praised for his work. The statues were likened to Rodin's "Le Penseur" and the works of George Frederick Watts. Additionally it was stated that "Maternity is the best work by an outsider that the Academy has housed for many a year".[3][nb 1]

Old Bailey reliefs

In 1905 and 1906 Turner worked on a commission for the new Central Criminal Court building, the Old Bailey, in London.[8] He produced three bas-reliefs in Portland stone, illustrating a quotation from Psalm 72-"Defend the children of the poor. Punish the wrong-doer". The reliefs are positioned inside the main entrance. The panel on the left side features an angel, her sword drawn to protect a woman and her children (the defence of the children of the poor) and that on the right shows a warrior who has slain a dragon and holds a severed head (punishing the wrongdoer). At his side a woman holds his shield. In the central panel another angel holds a globe and points downwards towards the building's main entrance. She is flanked by "Spring", who sews seed from a basket and "Autumn" who holds a sickle and a sheaf of wheat. Turner also designed some metal grills for New Sessions House (leaf-like clouds, a sun burst and a nude infant crowned by child angels).[3]

South African War Memorial

Turner was selected by Sir Herbert Baker to execute the Castor, Pollux and Horse sculpture on the South African War Memorial at Delville Wood in the Somme region of France and this led to his participation in the Cape Town and Pretoria War Memorials. A plaster cast of "Dioscuri", the title of Turner's work, was shown in the forecourt of Burlington House in 1925 before the bronze was despatched to France and unveiled on 10 October 1926 by the widow of General Botha. Two full-size bronze replicas went to South Africa in April 1928, one being erected in front of Capitol Buildings in Pretoria and the other in Cape Town. A bronze model was also placed in the Queen's Hall of the South African Houses of Parliament. 10 October was chosen as the unveiling date as this was the date in 1899 when the first shot was fired in the South African War and the date in 1908 of the National Conference which brought the Union of South Africa into being. In file TGA 8713.1.7 at Tate Britain Archive there is a copy of the unveiling ceremony programme of Sunday 10 October 1926. This describes the bronze sculpture as follows:

"The stone dome which crowns the monument supports a group in bronze of two men representing Physical Energy and the two races of South Africa, between them leading a war horse into battle, and with one hand clasped over the horse's back. The group was inspired by the Greek sculpture of the twin gods Castor and Pollux and their horses guarding the steps of the Capitol at Rome, and by the legend of the great twin brethren who came overseas to fight in the ranks of Rome".

Selected public works

Image Title / subject Location and
coordinates
Date TypeMaterialDimensions DesignationWikidata Notes

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Queen Victoria Front Street, Tynemouth 1902 Seated statue on pedestalBronze and Portland stone Grade IIQ26276238 [9][10][11]

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Queen Victoria Endcliffe Park, Sheffield 1904 Statue on pedestal with supporting figuresBronze and limestone Grade IIQ26546446 [9][12]

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Owain Glyndŵr The Marble Hall, City Hall, Cardiff 1916 StatueSerrvezza marble [2][13][14]

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War memorial Radyr, Wales c. 1920s Statue on pedestal with lower figureBronze and Portland stone Grade IIQ29500019 [15][16]

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Fulham War Memorial Vicarage Gardens, Fulham, London 1921, relocated 1934 Statue on pedestal with lower figureBronze and stone Grade IIQ15978993 [3][17][18]

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Edgar Mobbs Abington Square, Northampton 1921, re-sited 1937 Statue on pedestal with bust and panelsBronze and Portland stone Grade II*Q66478828 [2][9][19][20]
War memorial Kingsthorpe, Northamptonshire 1921 Statue on pedestal with panelsBronze and stone Grade IIQ66479656 Statue stolen in 1990, 2002 replacement by Olive Wooton.[21][22]

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Winchester College War Cloister Winchester College, Hampshire 1922-1924 Cross and figuresStone Grade IQ26387800 For Sir Herbert Baker's War Cloister design, Turner's created a Latin Cross on either side of which is the figure of a knight. Other elements are by Charles Wheeler and Reginald Gleadowe.[23][24]

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War memorial Victoria College, Jersey 1924 Statue on pedestalBronze and granite4.5m tall Lettering by Mr.F.Huaut.[25][26][27]
Memorial to John Constable The Crypt, St Paul's Cathedral, London 1936 Relief plaqueMarble Created to mark the centenary of Constable's death (1 April 1937).[3][28][29]

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War memorial Company's Garden, Cape Town, South Africa 1930s Sculpture group on gazeboBronze and stone Architect, Herbert Baker, replica of the Delville Wood South African National Memorial sculpture

Other works

Mother and Child
  • Cycle of Life, a bronze panel exhibited at the Royal Academy in 1913.[3]
  • Dreams of Youth, 1932, Turner's Diploma Work for the Royal Academy.[3][30]
  • Psyche, a marble statue dating from 1918 to 1919 was purchased in 1921 by the President and Council of the Royal Academy under the terms of the Chantrey Bequest and is now in Tate Britain.[3][31]
  • The Hand, 1936, Tate Britain, purchased by the administrators of the Chantrey Bequest.[3][32]
  • St George sculpture, whereabouts unknown, cast for use as a mascot for Lord Dureen's Rolls-Royce in 1927
  • Mother and Child, 1936, given to the Victoria & Albert Museum by Miss Jessica Turner, one of Turner's daughters.[2]
  • Turner sculpted the King Edward VII Memorial at Lyalipur in India, modern-day Faisalabad in Pakistan. It is not known if the work is still there.[2]

Notes

  1. In Tate Britain Archive there is a copy of the agreement dated 13 June 1905 between Turner and the Sheffield authorities. Turner was paid £3000 for his work. Thomas Brock was named in the agreement as one of two sureties.[3]

References

  1. 1 2 University of Glasgow History of Art / HATII (2011). "Alfred Turner". Mapping the Practice and Profession of Sculpture in Britain & Ireland 1851–1951. Retrieved 25 August 2012.
  2. 1 2 3 4 5 6 7 8 9 10 11 Ashmolean Museum catalogue. For Exhibition that ran from 21 June to 2 October of 1988. Oxonian Rewley, 1988. ISBN 0-907849-79-2.
  3. 1 2 3 4 5 6 7 8 9 10 11 12 Collection TGA 8713 to TGA 8713/3 – Alfred Turner. Tate Britain archives.
  4. "Fisherman". The Courtauld Institute of Art. Retrieved 12 December 2022.
  5. "Fisherwoman". The Courtauld Institute of Art. Retrieved 12 December 2022.
  6. Tynemouth British Listed Buildings. Retrieved 26 August 2012.
  7. Images of: Queen Victoria by Alfred Turner. Date: 1905. Location: Endcliffe Park. Sheffield Hallam University. Retrieved 24 August 2012.
  8. "Central Criminal Court (Old Bailey)". The Courtauld Institute of Art. Retrieved 12 December 2022.
  9. 1 2 3 Jo Darke (1991). The Monument Guide to England and Wales. Macdonald Illustrated. ISBN 0-356-17609-6.
  10. Historic England. "Statue of Queen Victoria opposite Number 10 (1025374)". National Heritage List for England. Retrieved 28 July 2021.
  11. "Statue of Queen Victoria". The Courtauld Institute of Art. Retrieved 12 December 2022.
  12. Historic England. "Statue of Queen Victoria at South East end of Park (1254804)". National Heritage List for England. Retrieved 28 July 2021.
  13. Richard E Huws (1983). "Wales' Top Ten". 100 Welsh Heroes. Archived from the original on 9 September 2005. Retrieved 28 July 2021.
  14. "Owen Glendower". The Courtauld Institute of Art. Retrieved 12 December 2022.
  15. "War Memorials Register: Radyr Allegory". Imperial War Museum. Retrieved 28 July 2021.
  16. Cadw. "War memorial (22857)". National Historic Assets of Wales. Retrieved 28 July 2021.
  17. "War Memorials Register: Fulham". Imperial War Museum. Retrieved 28 July 2021.
  18. Historic England. "War Memorial in Vicarage Garden (1358566)". National Heritage List for England. Retrieved 28 July 2021.
  19. "War Memorials Register: Edgar R. Mobbs DSO". Imperial War Museum. Retrieved 28 July 2021.
  20. Historic England. "Edgar Mobbs War Memorial (1447457)". National Heritage List for England. Retrieved 28 July 2021.
  21. "War Memorials Register: Kingsthorpe". Imperial War Museum. Retrieved 28 July 2021.
  22. Historic England. "Kingsthorpe War Memorial (1456370)". National Heritage List for England. Retrieved 28 July 2021.
  23. "War Memorials Register: Wykehamists – WW1 and WW2". Imperial War Museum. Retrieved 28 July 2021.
  24. Historic England. "The War Cloister, Winchester College (1095486)". National Heritage List for England. Retrieved 28 July 2021.
  25. Sir Galahad, Victoria College. Société Jersiaise. Retrieved 25 August 2012.
  26. "War Memorials Register: Victoria College". Imperial War Museum. Retrieved 28 July 2021.
  27. "1914-1919 War Memorial". Courtauld Institute of Art. Retrieved 12 December 2022.
  28. "Constable". Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851–1951, University of Glasgow History of Art and HATII. 2011. Retrieved 25 August 2012.
  29. "Memorial to John Constable". The Courtauld Institute of Art. Retrieved 12 December 2022.
  30. University of Glasgow History of Art / HATII (2011). "Dreams of Youth". Mapping the Practice and Profession of Sculpture in Britain & Ireland 1851–1951. Retrieved 25 August 2012.
  31. University of Glasgow History of Art / HATII (2011). "Psyche". Mapping the Practice and Profession of Sculpture in Britain & Ireland 1851–1951. Retrieved 25 August 2012.
  32. University of Glasgow History of Art / HATII (2011). "The Hand". Mapping the Practice and Profession of Sculpture in Britain & Ireland 1851–1951. Retrieved 25 August 2012.
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