Amalia Carneri, 1908

Amalia Carneri (also Amalie) is the artist name of Amalie Malka Pollak, born Malka Kanarvogel, (September 12, 1875 – 1942 or later during the Holocaust), a soprano opera and operetta performer based in Vienna, Austria. She performed in several of Vienna's most prestigious concert venues and made several recordings.

Life

She was born Malka Kanarvogel in Rzeszow, Austro-Hungarian Empire, on September 12, 1875. She studied music performance at the Vienna Conservatory, and changed her name to a more operatic-sounding "Amalia Carneri". In her private life she used the name Amalie.

She married government mine inspector Heinrich (Henryk) Pollak (b. June 7, 1877 in Krakow, d. October 7, 1938) in Vienna at the Seitenstettengasse synagogue. Together they had two sons. Fritz (Fred), who became a design engineer, was born on February 28, 1909, and Karl (Charles), who became an engineering professor for the University of Rhode Island, was born on January 15, 1920, both in Vienna.

Carneri had an international singing career which included tours of Austria, France, Germany, and Hungary. The locations of her performances included the Deutsches Theater in Plzeň,[1][2] the Eden Theater in Strasbourg,[3] and the Stadttheater, Landestheater, Carl-Theater,[3][4][5] and the Volkstheater in Vienna. Between 1905 and 1907 she made several phonograph recordings for Edison Records, Odeon Records and Zonophone Records. Her initial mention in the Vienna newspaper Neue Freie Presse was very positive, describing a successful recital in 1898 that was met with enthusiasm by the public.[6]

In May 1938, Carneri and her husband were still listed as living at Praterstraße 54 in Vienna.[7] By October 1938, Carneri had been forced to leave her family home, was concerned about the political climate following the March 1938 invasion and Anschluss - the annexation of the Federal State of Austria by German Reich - and was hoping to join her son Fritz (Fred) in the United States.[8] Sometime within 1940-1942, Carneri's son Fritz (Fred) Pollak funded a deposit account - Case No. 12234 - with the Jewish Transmigration Bureau to try and get Carneri out of Austria. [9]

Carneri's last apartment was in Vienna's Untere Donaustraße 33, right at the Danube Canal. She was expelled from Vienna on September 10, 1942, on Transport IV/10, as no. 861. Of the 1006 transported, only 98 survived.[10] She was interned at the Theresienstadt concentration camp. From there, on September 29, 1942, at the age of 68, she was taken by Holocaust train to the Treblinka extermination camp along with 2001 other prisoners, none of whom survived.[11] Her recorded number on this transport was 973.[12][13]

Selected recordings

  • 1905: "Du Süße, Süße", from Schützenliesl. Amalie Carneri, soprano, Max Rohr, tenor[14]
  • 1907: "D' lustigen Weanaleut'". Amalie Carneri, Rudolf Kronegger, Edison label[15]
  • 1907: Oscar Straus, "Ich bin a Weaner Madl, ich eine Kammerfrau" from Ein Walzertraum. Odéon, Amalie Carneri, soprano, Mizzi Jezel, soprano[16]
  • 1907: Oscar Straus, "Ich hab' einen Mann" from Ein Walzertraum. Amalie Carneri, soprano, Helene Merviola, soprano[17]
  • 1907: "Mei Muatterl war a Weanerin". Amalie Carneri, Ludwig Gruber, Edison label[15]
  • 1907: Oscar Straus, "O du Lieber, o du G'scheiter" from Ein Walzertraum. Amalie Carneri, soprano, Max Rohr, tenor.[14]
  • 1910: Offenbach, "Barcarolle: Schöne Nacht, du Liebesnacht" from Les contes d'Hoffmann. Label: Odéon, Amalie Carneri, soprano, Willy Strehl, tenor[18][19]
Amalia Carneri, from the program note to the 400th performance of Ein Walzertraum on May 19, 1908.

There is also a Zonophone recording of her singing Mendelssohn's "Spring Song" recorded at the Nationaltheater in Lviv.[20]

References

  1. ↑ Neuer Theater-Almanach (in German). Vol. 14. 1903. p. 480.
  2. ↑ Neuer Theater-Almanach (in German). Vol. 16. 1905. p. 525.
  3. 1 2 Neuer Theater-Almanach (in German). Vol. 18. 1907. pp. 585, 621.
  4. ↑ Neuer Theater-Almanach (in German). Vol. 19. 1908. p. 593.
  5. ↑ Neuer Theater-Almanach (in German). Vol. 20. 1909. p. 648.
  6. ↑ "Theatre- und Kunstnachrichten". Neue Freie Presse (in German). February 8, 1898. p. 9.
  7. ↑ "Vienna Telephone Directory 1938". The Findbuch. The Findbuch. Retrieved 5 July 2023.
  8. ↑ "OCTOBER 19 ADDING INSULT TO INJURY After the death of her husband, Amalia Carneri struggles with having to sell her property". 1938 Projekt. Leo Baeck Institute. Retrieved 5 July 2023.
  9. ↑ "Document: Transmigration Bureau Name: Amalie Pollak Depositor: Fritz Pollak". JDC Archives. JDC. Retrieved 5 July 2023.
  10. ↑ "AMALIE MALKA POLLAK". holocaust.cz. Institutu Terezínské. Retrieved 5 July 2023.
  11. ↑ "Amalie Malka Pollak". Database of Victims. Holocaust.cz. Retrieved January 28, 2016.
  12. ↑ Dokumentationsarchiv des österreichischen Widerstands: Opferdatenbank Archived 2013-12-04 at archive.today, search for Pollak Amalie, retrieved on January 29, 2016
  13. ↑ A Letter To The Stars: Amalie Pollak Archived 2018-03-17 at the Wayback Machine, retrieved on January 29, 2016
  14. 1 2 Grossmann-Vendrey, Susanna (1985). Edison-Zylinder. Deutsches Rundfunkarchiv. pp. 191, 198. ISBN 9783926072160.
  15. 1 2 König, Henry. "Die Musiktitel von 'Carneri, Amalie'" (in German). Musiktiteldb. Archived from the original on 16 February 2016. Retrieved 19 January 2016.
  16. ↑ "Composer: STRAUS, Work: Ich bin a Weaner Madl, ich eine Kammerfrau, Performer: Amalie Carneri, soprano, Mizzi Jezel, soprano, Date: 1907-03-01". AHRC Research Centre for the History and Analysis of Recorded Music. Retrieved 19 January 2016.
  17. ↑ "Composer: STRAUS, Work: Ein Walzertraum - Ich hab' einen Mann, Performer: Amalie Carneri, soprano, Helene Merviola, soprano". AHRC Research Centre for the History and Analysis of Recorded Music. Retrieved 19 January 2016.
  18. ↑ "Composer: OFFENBACH, Work: Les contes d'Hoffmann - Barcarolle Schöne Nacht, du Liebesnacht, Performer: Amalie Carneri, soprano, Willy Strehl, tenor". AHRC Research Centre for the History and Analysis of Recorded Music. Retrieved 19 January 2016.
  19. ↑ "Barcarole". Europeana. Retrieved 19 January 2016.
  20. ↑ The Zon-o-phone record: a discography of recordings produced by the International Zonophone Company and associated companies in Europe and the Americas, 1901-1903. Kinnear, Michael. 2001. p. 244. ISBN 978-0-9577355-2-1.
News clippings
Painting of Amalia Carneri in full Wagnerian costume, painted by her husband, Heinrich Pollak, in Vienna in 1909.
  • Marienbader Tagblatt, 10 June 1898.
  • Pilsner Tagblatt, 3 October 1903, 20 January 1905, 3 February 1905, 2 March 1904.
  • Fremden Blatt, (Vienna), 1 August 1897, 8 November 1899, 17 April 1906.
  • Deutsches Volksblatt, 9 April 1907.
  • Westungarischer Grenzbote, 17 July 1898.
  • Egerer Zeitung, 25 June 1898, 11 March 1905, 1907.
  • Oftauer Zeitung, 12 January 1899.
  • Neue Freie Presse, Vienna, 9 February 1898, 11 July 1898, 2 September 1898, 12 December 1903, 14 October 1905.
  • Saar Zeitung, 9 April 1904.
  • Das kleine Blatt, 2 July 1932.
  • Badener Zeitung, 9 December 1931, 10 January 1932.
  • Orsovaer Wochenblatt, 3 July 1898.
  • Radio Tag, 1928.
Dated performance programs
  • Lohengrin composed by Richard Wagner, role of Ortrud, Grosse Festsaal des Ingenieur- und Architekten-Vereines, Vienna, November 3, 1922.
Recordings
  • Odeon, Barcarole, Hoffmanns Erzählugen with Willi Strehl
  • Favorite Record, Schlittenarie a Faunitza and Schmuckwalzer from Faust
  • Ein Walzertraum composed by Felix Dormann and Leopold Jacobson, September 30, 1908. Role of Friederike von Insterburg, Oberhofmeisterin at Carl-Theater.
  • Der Selige Vinzenz, by Alexander Landesberg, libretto by Leo Stein, February 26, 1907. Role of Irene at Carl-Theater, February 26, 1907.
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