Antecedente | ||||
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Studio album by | ||||
Released | 1988 | |||
Recorded | 1987-1988 | |||
Genre | Salsa | |||
Length | 39:03 | |||
Label | Elektra[1] | |||
Producer |
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Rubén Blades chronology | ||||
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Antecedente is an album by the Panamanian musician Rubén Blades (credited with Son del Solar), released in 1988.[2][3] The album was often reviewed with La Pistola y El Corazón, by Los Lobos, which also was a return-to-roots effort.[4][5]
The album won a Grammy Award, for "Best Tropical Latin Performance".[6] It peaked at No. 8 on Billboard's Tropical Albums chart.[7]
Production
The album was produced by Blades. His backing band changed its name from Seis del Solar to Son del Solar, with trombones replacing some of the synthesizer parts.[8]
Antecedente marked a return to salsa for Blades, who had remarked that he did not like how older studio recording techniques made the music sound.[9]
Critical reception
Review scores | |
---|---|
Source | Rating |
AllMusic | [10] |
Robert Christgau | B+[11] |
The Encyclopedia of Popular Music | [8] |
MusicHound Rock: The Essential Album Guide | [1] |
The Philadelphia Inquirer | [9] |
The Rolling Stone Album Guide | [12] |
Robert Christgau wrote that "Blades augments a revamped, renamed Seis del Solar with salsa trombones and begets a dance album for the people of Panama."[11] Trouser Press deemed the album "rewardingly rootsy."[13] The St. Petersburg Times called it "a hot-blooded, no-nonsense salsa-style record brimming with gliding Latin rhythms, layers of punchy percussion and a relentless two-trombone backdrop—all topped off by Blades' plucky tenor."[14] The New York Times determined that "the music is full of life, trading away letter-perfect period authenticity for heartfelt spirit."[4]
The Washington Post considered the songs to be "not the fast, dizzying dance workouts of the barrio dance halls but a more sinuous sound that can accommodate both his evocative lyrics and his hypnotic syncopation."[15] The Globe and Mail labeled the album "a collection of dance tunes that forgo his usual political commentary for songs of love—of women, neighborhood and country."[5]
AllMusic called the album a "return to exuberant, dance-oriented salsa."[10]
Track listing
No. | Title | Length |
---|---|---|
1. | "Juana Mayo (A Woman's Name)" | |
2. | "Noches Del Ayer (Caledonia Nights)" | |
3. | "Tas Caliente (You're Hot)" | |
4. | "Nuestro Adiós (Our Farewell)" | |
5. | "La Marea (The Tide)" | |
6. | "Nacer De Tí (Born from You)" | |
7. | "Contrabando (Contraband)" | |
8. | "Plaza Herrera (Herrera Plaza)" | |
9. | "Patria (Motherland)" |
References
- 1 2 MusicHound Rock: The Essential Album Guide. Visible Ink Press. 1999. p. 118.
- ↑ Habell-Pallan, Michelle; Romero, Mary (June 1, 2002). "Latino/a Popular Culture". NYU Press – via Google Books.
- ↑ Nichols, Elizabeth Gackstetter; Robbins, Timothy R. (July 28, 2015). "Pop Culture in Latin America and the Caribbean". ABC-CLIO – via Google Books.
- 1 2 Pareles, Jon (6 Nov 1988). "Crossover and Cross Back: You Can Go Home Again". The New York Times. p. A28.
- 1 2 Dafoe, Chris (17 Nov 1988). "INSIDE THE SLEEVE POP Antecedente Ruben Blades La Pistola y El Corozon Los Lobos". The Globe and Mail. p. C3.
- ↑ "Rubén Blades". GRAMMY.com. December 15, 2020.
- ↑ "Rubén Blades". Billboard.
- 1 2 Larkin, Colin (2006). The Encyclopedia of Popular Music. Vol. 1. MUZE. p. 655.
- 1 2 Moon, Tom (6 Nov 1988). "BLADES, LOS LOBOS RETURN TO THE PAST". The Philadelphia Inquirer. p. K14.
- 1 2 "Antecedente - Rubén Blades, Rubén Blades y Son del Solar | Songs, Reviews, Credits | AllMusic" – via www.allmusic.com.
- 1 2 "Robert Christgau: CG: Rub�n Blades y Seis del Solar". www.robertchristgau.com.
- ↑ The Rolling Stone Album Guide. Random House. 1992. p. 64.
- ↑ "Rubén Blades". Trouser Press. Retrieved 26 December 2021.
- ↑ Snider, Eric (11 Dec 1988). "Ruben Blades returns to roots for a hot-blooded salsa album". St. Petersburg Times. p. 2F.
- ↑ "RUBEN BLADES BACK TO SALSA ROOTS". The Washington Post. Retrieved 26 December 2021.