Asher Hartman is a multidisciplinary artist, author, and playwright based in Los Angeles. His work often explores personal and emotional history in relation to the ideologies that structure Western culture.[1] Trained in theater as an undergraduate at UCLA, Hartman later received an MFA in art from CalArts.[2] Hartman's plays eschew linear narrative, opting for more experimental approaches to meaning-making. He has cited Richard Schechner and The Living Theatre as influences, as well as the contemporary performance landscape in Los Angeles.[3] Hartman's work has been shown at LACMA, Los Angeles Contemporary Exhibitions (LACE), and Machine Project, among other venues.[4][5][6]

References

  1. ↑ Blondet, Jose Luis (30 April 2016). "A Conversation with Asher Hartman on The Silver, The Black, The Wicked Dance". LACMA Unframed. Retrieved 7 July 2016.
  2. ↑ Eler, Alicia (11 February 2015). "Asher Hartman's Ritualistic Marathons". Art21. Retrieved 7 July 2016.
  3. ↑ laub. "An interview with Asher Hartman in the afterglow of The Silver, the Black, the Wicked Dance performed in the Bing Theater at LACMA on Friday May 13th and Saturday May 14th, 2016". Notes On Looking. Archived from the original on 4 August 2016. Retrieved 7 July 2016.
  4. ↑ Wagley, Catherine (31 October 2014). "Playwright-Psychic Asher Hartman's New Work Combines French Revolution With Food Puppets". LA Weekly. Retrieved 7 July 2016.
  5. ↑ "Language of the Land: Asher Hartman". Los Angeles Contemporary Exhibitions. Retrieved 7 July 2016.
  6. ↑ Rosenthal, Tracy Jeanne (12 March 2015). "Asher Hartman". Art In America. Retrieved 8 July 2016.
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