Baseera Khan
Khan in 2023
Born
Baseera Khan

1980
EducationUniversity of North Texas
Cornell University
Known forInstallation art
Mixed media
AwardsThe Exhibit: Finding the Next Great Artist (2023)

Baseera Khan (born 1980) is an American visual artist. They use a variety of mediums in their practice to "visualize patterns and repetitions of exile and kinship shaped by economic, social, and political changes in local and global environments, with special interests in decolonization processes".[1][2]

Khan uses they/them pronouns.[3][4][5] Their work navigates the political circumstances of their identity as a self-identified queer femme Muslim and "as a feminist, and as a brown Indian-Afghani".[6] They are based in New York City.

Early life and education

Khan was born in 1980 in Denton, Texas.[7][8] They were raised in Denton by working class, Muslim parents who lived in near-isolation because of the threat of deportation.[9] Their parents emigrated from Bangalore, India to the United States before they were born.[6]

They received a B.F.A. in drawing/painting and sociology from the University of North Texas in 2005, and an M.F.A. from the Cornell University College of Architecture, Art and Planning in 2012.[10] In 2014, they completed the Skowhegan School of Painting and Sculpture program.[11]

Career

The Liberator (2022) at the Hirshhorn Museum and Sculpture Garden in 2023

Khan is a conceptual artist who uses a variety of mediums to "visualize patterns and repetitions of exile and kinship shaped by economic, social, and political changes in local and global environments, with special interests in decolonization processes".[1]

Khan's first solo exhibition in New York was at the Participant Inc gallery space in 2017.[12] The exhibition, titled "iamuslima", was named after the eponymous term that Khan had Nike stitch on a pair of sneakers as a way of protesting Nike Inc.'s refusal to allow the words "Islam" or "Muslim" on its customizable sneaker models.[12][13]

In December 2016, Khan was listed by Artnet, the art market website, as one of "14 Emerging Women Artists to Watch for 2017".[14]

In 2018, Khan was an artist in residence at Pioneer Works in Red Hook, Brooklyn.[15] Other residencies and fellowships include an artist residency at Abrons Arts Center (2016–17), an International Travel Fellowship to Jerusalem/Ramallah through Apexart (2015) and a Process Space artist residency at the Lower Manhattan Cultural Council (2015).[16]

In 2022, Khan was commissioned to create a series of sculptures based on the form of a Corinthian column – albeit one that seems to have been toppled and wrapped in handmade silk rugs from Kashmir – for Meta’s Manhattan office complex in the historic James A. Farley Building.[17]

In 2023, Khan was the winner of The Exhibit: Finding the Next Great Artist, a reality TV series that aired on MTV and the Smithsonian Channel.[18] Following the series finale, Khan's final winning commission, The Liberator (2022), was installed in the Hirshhorn Museum and Sculpture Garden in Washington, D.C., from May to July 2023. The work, a mixed media figurative sculpture made from a 3D-printed model of the artist's body and plexiglass, was partly inspired by an 18th-century Buddhist statue, Naro Dakini, in the collection of the National Museum of Asian Art.[19]

Exhibitions

  • 2015: Walk with Me, Critical Practices Inc., New York, New York
  • 2015: Of Gentle Birth, Brooklyn Arts Council, Brooklyn, New York
  • 2016: BRIC Biennial, Weeksville Heritage Center, Brooklyn, New York[1]
  • 2016: SKOWHEGANPerforms, Socrates Sculpture Park, New York, New York
  • 2016: Subject to Capital, Abrons Art Center, New York, New York
  • 2017: Standard Forms, curated by Christian Camacho-Light, Art Galleries at The Berrie Center for Performing and Visual Arts, Ramapo College of New Jersey, New Jersey[20]
  • 2017: Ritual, Aspen Art Museum, Aspen, Colorado
  • 2017: Other Romances, curated by Em Rooney, Rachel Uffner Gallery, New York, NY[21]
  • 2017: Sessions, Whitney Museum of American Art, New York, New York
  • 2017: Fatal Love, Queens Museum, Queens, New York
  • 2017: Iamuslima, Participant Inc. Gallery, New York, New York[1]
  • 2018: How to see in the dark, curated by Christian Camacho-Light, Cuchifritos, New York, New York[22]
  • 2018: Not for Everybody, curated by Allie Tepper, Simone Subal Gallery, New York, New York
  • 2018: Long, Winding Journeys: Contemporary Art and the Islamic Tradition, Katonah Museum of Art, Katonah, New York
  • 2018: SEED, Paul Kasmin Gallery, New York, New York
  • 2018: Carry Over: New Voices from the Global African Diaspora, Smack Mellon, Brooklyn, New York
  • 2018: Mane n' Tail, Luminary, St. Louis, MO
  • 2018: ROYGBIV, Kate Werble Gallery, New York, New York
  • 2018: I am no bird..., ltd Los Angeles, California
  • 2018: In Practice: Another Echo, SculptureCenter, New York, New York
  • 2018: Long, Winding Journeys: Contemporary Art and the Islamic Tradition, Katonah Museum of Art, Katonah, New York
  • 2018: LOVE 2018: Purple Hearts, LeRoy Neiman Gallery at Columbia University, New York
  • 2018: Hyphen American, Gallery 102, George Washington University, Washington, D.C.
  • 2018: iamuslima, Colorado Springs Fine Arts Center at Colorado College, Colorado
  • 2019: snake skin, Simone Subal Gallery, New York, 2019 [23]

References

  1. 1 2 3 4 "Study Sessions: Baseera Khan". Whitney Museum of American Art. Archived from the original on 5 March 2018. Retrieved 4 March 2018.
  2. John Yau (14 January 2018). "A Show That Requires a Different Kind of Looking". Hyperallergic. Retrieved 21 March 2022.
    - Chris Wilson (8 December 2018). "10 Breakout Artists To Watch At Art Basel Miami Beach 2017". Maxim. Retrieved 21 March 2022.
  3. "This Labor Day, These Workers Are Trying to Stay Afloat". The New York Times. 4 September 2020. ISSN 0362-4331. Retrieved 11 April 2023.
  4. "Baseera Khan Opens a Solo Exhibition at Moody Center for the Arts". OutSmart Magazine. 1 May 2022. Retrieved 11 April 2023.
  5. Abrams, Bill (30 April 2021). "Made in America: Baseera Khan at Lux Art Institute". Ranch & Coast Magazine. Retrieved 11 April 2023.
  6. 1 2 Jane Ursula Harris (26 May 2017). "Baseera Khan". Art in America. Retrieved 21 March 2022.
  7. "Baseera Khan". Muslims in Brooklyn Website. Retrieved 11 April 2023.
  8. "Baseera Khan: I Am an Archive". Brooklyn Museum. 2021. Retrieved 11 April 2023.
  9. "Baseera Khan". Rema Hort Mann Foundation. Archived from the original on 5 March 2018. Retrieved 4 March 2018.
  10. "Baseera Khan". Abrons Arts Center. Archived from the original on 5 March 2018. Retrieved 4 March 2018.
  11. "Baseera Khan (A '14)". Skowhegan School of Painting & Sculpture. Archived from the original on 5 March 2018. Retrieved 4 March 2018.
  12. 1 2 "Baseera Khan". Art in America. 26 May 2017. Retrieved 1 March 2019.
  13. "iamuslima". Baseera Khan Studios. Retrieved 1 March 2019.
    - Kasem, Yasmine Kasem, (2019) "Jihad of Bitter Petals: Queering Identity and Material through Unraveling and Struggle", masters thesis, University Of California San Diego
  14. Sarah Cascone (21 December 2016). "14 Emerging Women Artists to Watch in 2017". Artnet. Retrieved 21 March 2022.
  15. "Baseera Khan". Pioneer Works. 10 July 2018. Retrieved 1 March 2019.
  16. "Baseera Khan". Baseera Khan. Retrieved 1 March 2019.
  17. Benjamin Sutton (24 August 2022), https://www.theartnewspaper.com/2022/08/24/meta-new-york-office-art-commissions [Meta puts analogue art front and centre in sprawling new Manhattan office] The Art Newspaper.
  18. Roger, Catlin (3 March 2023). "Behind the Scenes of the New Reality Series, 'The Exhibit'". The Smithsonian. Washington DC. Retrieved 3 March 2023.
  19. Chen, Min (1 May 2023). "Artist Baseera Khan's Sculpture That Won Them the Top Prize on Reality Show 'The Exhibit' Will Go on View at the Hirshhorn". Artnet. Retrieved 6 May 2023.
  20. Standard Forms
  21. Other Romances
  22. How to see in the dark
  23. Anania, Billy (4 December 2019). "Baseera Khan's Vivid, Anti-Imperialist Odes". Hyperallergic. Retrieved 13 August 2020.
    - Gilbert, Alan (2019). "Baseera Khan: snake skin". The Brooklyn Rail. Retrieved 10 November 2020.

See also

  • Blacklock, Naomi (2019). "Baseera Khan" (PDF). Conjuring Alterity: Refiguring The Witch and the Female Scream in Contemporary Art (PhD). Faculty of Creative Industries Queensland University of Technology. pp. 78–84. Retrieved 5 December 2020.
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