Benjamin Calau (1724–1785)[1] was a German portrait painter, who used an encaustic technique.

Life

Portrait of Johann Benjamin Michaelis by Benjamin Calau, Gleimhaus, 1770

Calau was born at Friedrichstadt in Holstein in 1724,[2] son of the painter Christoph Calau. He trained under his father, and in 1743 followed him to St Petersburg, returning to Germany in 1746.[3] He moved to Leipzig in 1752, and was appointed court painter there four years later.[2] His work consisted chiefly of portraits and of heads painted from his own imagination.[2] He usually painted in dark tones, often using as his medium a form of "Carthaginian" or "Punic" wax (cire éléodorique), which he had devised in an attempt to revive an encaustic technique used in antiquity and referred to by Pliny.[2] In 1769 he published a book on the method, entitled Ausführlicher Bericht, wie das Punische oder das Eleodorische Wachs aufzulösen.[4]

He painted some portraits for Johann Wilhelm Ludwig Gleim's "Temple of Friendship",[5] a collection of paintings of the poet's friends (totalling more than 120 by the time of his death) that he kept in two rooms in his home in Halberstadt.[6]

In 1771 he went to Berlin, where the king awarded him the exclusive right to make and sell the Punic wax. [2] It was also there that he assisted the scientist Johann Heinrich Lambert with the creation of his Farbenpyramide (colour pyramid), conceived as a practical investigation of the theoretical writings on colour of Tobias Mayer. Lambert published the results of his researches in 1772 as Beschreibung einer mit dem Calauischen Wachse ausgemalten Farbenpyramide ("Description of a colour pyramid painted with Calau's wax").[7]

He died in Berlin in 1785.[1]

References

  1. 1 2 "VIAF Calau, Benjamin". Retrieved 1 August 2014.
  2. 1 2 3 4 5 Naumann, Robert (1857). Archiv für die zeichnenden Künste, mit besonderer Beziehung auf Kupferstecher- und Holzschneidekunst und ihre Geschichte, Volumes 3-4. Leipzig: Rudolpg Weigel. p. 136.
  3. 'Benjamin Calau (1724 – 1785) ' in Lambert 2011, p.5
  4. Fernbach, Franz Xaver (1845). Die enkaustische Malerei: ein Lehr- und Handbuch für Künstler und Kunstfreunde (in German). Verlag der literarisch-artistischen Anstalt. p. 18.
  5. "Porträt Johann Arnold Ebert". Museen Digital Sachsen-Anhalt.
  6. Richter, Simon (1996). "Winckelmann's Progeny". In Kuzniar, Alice A. (ed.). Outing Goethe and his Age. Stanford: Stanford University Press. pp. 35–6. ISBN 9780804726153.
  7. Introduction to Lambert 2011.

Sources

  • Johann Heinrich Lambert's Farbenpyramide (PDF) (Translation of "Beschreibung einer mit dem Calauischen Wachse ausgemalten Farbenpyramide" ("Description of a colour pyramid painted with Calau's wax"), 1772, with an introduction by Rolf Kuehni). 2011. Archived from the original (PDF) on 4 March 2016. Retrieved 4 September 2014.

Attribution:

  • Public Domain This article incorporates text from a publication now in the public domain: Bryan, Michael (1886). "Calau, Benjamin". In Graves, Robert Edmund (ed.). Bryan's Dictionary of Painters and Engravers (A–K). Vol. I (3rd ed.). London: George Bell & Sons.

This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.