"Big Time Sensuality"
Single by Björk
from the album Debut
B-side
  • "Síðasta Ég"
  • "Glóra"
  • "Come to Me"
Released22 November 1993 (1993-11-22)
StudioOlympic (London, England)
Genre
Length
  • 3:56 (album version)
  • 4:54 (video version)
  • 5:46 (alternate "night version" video)
Label
Songwriter(s)
Producer(s)Nellee Hooper
Björk singles chronology
"Play Dead"
(1993)		 "Big Time Sensuality"
(1993)		 "Violently Happy"
(1994)
Music video
"Big Time Sensuality" on YouTube

"Big Time Sensuality" is a song by Icelandic singer and songwriter Björk, released in November 1993 by One Little Indian and Elektra as the fourth single from the singer's debut album, Debut (1993). Written by Björk and staple collaborator Nellee Hooper and produced by Hooper, "Big Time Sensuality" is a house-influenced song that helped boost Björk's popularity worldwide, particularly in the US, where she charted for the first time. The lyrics deal with her relationship with her friends and Hooper. The song features house grooves and electronic bass-sounds. Its music video, which uses the alternate “Big Time Sensuality (The Fluke Minimix)”, was directed by Stéphane Sednaoui. The mix in the music video was also accompanied as the radio single version. An alternate version of the music video using "Big Time Sensuality (The Fluke Moulimix)", outtakes and film B-sides often dubbed the "night version" is also released.

Background

"It's not erotic or sensual even if it may sound like that. As you know, you create pretty deep, full-on love relationships with friends. A lot of it is also about myself. I can be a coward a lot of the time and there comes a moment when I write a song when I get quite brave. It's a lot about me dealing with myself rather than attacking other people. Would I like to know the future? No. There's a side to me that likes to plan a little bit ahead and there's a side that just needs to be free. I've got problems with booking airline tickets – I always change them. Sometimes I wonder if it's just for me to feel free. To kind of not be nailed in is really important to me".

—Björk interviewed by David Hemingway.[2]

After leaving the Sugarcubes, Björk traveled to London where she began having contacts with electronic music, and that inspired her to change her musical style from the pop-rock sounds of the Sugarcubes to a more alternative and electronic style of music. "Big Time Sensuality" was one of the last songs to be written for Debut, and was originally planned to be the first single from the album,[3] but it got delayed by the release of "Human Behaviour". It was then intended to be the third single, but it got delayed again by the success of "Play Dead", and was finally released as the fourth single on 22 November 1993.[4]

The song was co-written by Björk and Nellee Hooper and produced by Hooper, which helped her in writing and producing her first two albums. The singer's meeting with Hooper inspired her in writing the song: "I think it's quite rare, when you're obsessed with your job, as I am, when you met someone who's your other part jobwise and enables you to do what you completely want".[3] The lyrics deal with enjoying life to its fullest and, in spite of its name, it was inspired by Björk's friends. The lyrics deal also with braveness: "I’ve got a lot of courage, but I’ve also got a lot of fear. You should allow yourself to be scared. It’s one of the prime emotions. You might almost enjoy it, funny as it sounds, and find that you can get over it and deal with it. If you ignore these things, you miss so much. But when you want to enjoy something, especially when it’s something you’ve just been introduced to, you’ve got to have a lot of courage to do it. I don’t think I’m more courageous than most people. I’m an even mixture of all those prime emotions".[2]

After the release of Debut, Björk's songs received numerous remixes from different producers. "Big Time Sensuality" received three different remixes from Fluke. One of them, called the "Fluke Minimix", was performed on different occasions and a music video was made of it. This version was not available until the release of Björk's Greatest Hits, as the version featured on the single was shorter.

The single also contained "Glóra" ("Gloria") and "Síðasta Ég" ("The Last Me") as B-sides, two songs that were recorded by The Elgar Sisters, a group formed in the early eighties by guitarist Guðlaugur Kristinn Óttarsson and Björk. "Glóra" is an instrumental track which features a flute-solo played by Björk, who also wrote and produced the track. "Síðasta Ég" was written by Björk, Óttarsson and Þór Eldon Jónsson, a member of the Sugarcubes, and was produced by Björk and Óttarsson, with guitar played by Óttarsson.

Composition

The first two verses of "Big Time Sensuality" are underscored by upbeat keyboards that lead into electronica and techno-influenced grooves that Sandy Masuo of Option defined as "brooding".[5] Björk belts out the first lines accompanied by a base of percussion, while the chorus features stronger electronic beats. After the first two verses, Björk sings some sounds like moans or shouts. Ben Thompson defined the yells sequence as "sinuous pop-funk squawk".[6] After the interlude "I don't know my future after this weekend/And I don't want to!" funk-like sounds lead the song to an end.

The "Fluke Minimix" is composed on a series of synthesizers and by slower vocals. The remix features electronic bass and heavily uses reverb. The track ends with the lines "It takes courage to enjoy it/The hardcore/And the gentle/Of Big Time Sensuality" whispered by Björk.

Critical reception

The song was deemed as a highlight of Debut and was praised by critics. Reviewing the album, Heather Phares of AllMusic, noted that "Björk's playful energy ignites the dance-pop-like 'Big Time Sensuality' and turns the genre on its head with 'There's More to Life Than This'."[7] The website cites the track as an All Media Network-pick, and in a track review, Stacia Proefrock defined it as an "aggressive, screechy dance number" that "While not scraping the top of the charts[...] was part of an album unusual enough to stand out among its fellow pop releases as a quirky and complex experiment that worked most of the time".[8] Larry Flick from Billboard wrote, "Wiggly bass and heavy beat come to the fore here, unfortunately competing with Björk's voice for lead billing, when her vocal really should be allowed to steal the show."[9] Sean McCarthy of the Daily Vault defined the track as "insanely addictive".[10] John Hamilton from Idolator felt that "this dancefloor monster resembles the soulful American house sounds of Crystal Waters and Ultra Nate in its original album mix, but for the single, it was revamped into a storming trance jam by remix duo Fluke."[11] Taylor Parkes from Melody Maker named it Single of the Week, writing that the new remixes "burn with precisely the kind of firework-faced madness that the best dance music achieves almost effortlessly, metallic thunder and cyclones of percussion, Björk's urgent, foot-stamping voice bobbing and weaving inside it all like a heat-seeking dolphin."[12]

Martin Aston from Music Week gave it four out of five, stating that it "sees the ubiquitous star this time going for the big dancefloor smash", adding that "she can do no wrong right now."[13] Simon Reynolds of The New York Times stated that "the sultry 'Big Time Sensuality' has her vaulting from chesty growls to hyperventilating harmonies so piercing she sounds as if she's inhaled helium".[14] Johnny Dee from NME commented, "More fun, madness and surprise follows", noting "the pulsating grind" of the song.[15] Tim Jeffery from the RM Dance Update noted, "That soaring voice starts the track over swirling synths before a deep and rumbling bassline powers in and the rest is history repeated as Bjork heads for another smash."[16] German band Culture Beat reviewed it for Smash Hits, giving it four out of five. Tania Evans said, "She really knows how to express herself as an artist and I like the irregularity of her phrasing and the way she uses her voice. She is unique." Jay Supreme added, "I love her, her voice is real good. This song comes from a different angle but you can tell that it's definitely her."[17] Vox journalist Lucy O'Brien called it "saucy".[18]

"Big Time Sensuality" was nominated in the Best Song category at the 1994 MTV Europe Music Awards, losing to "7 Seconds" by Youssou N'Dour and Neneh Cherry.[19] In 1995, the song was awarded one of ASCAP's Rhythm & Soul Awards.[20]

Music video

Background and synopsis

"I had seen the Red Hot Chili Peppers video that he did, sort of black and white and silver, and I want to do a video to song called "Big Time Sensuality", and I was very aware that I want it to be quite different from "Human Behaviour", which is more sort of epic story-telling thing. "Big Time Sensuality" was more like a personal statement, it has to be very in-your-face. Then he called up, a little later, with something he thought was even better, basically to get a truck and drive up and down Manhattan as long as the light would last. I guess the idea to put someone on a truck, and kinda drive the truck, and you have to dance really intensely, and just the elements of danger at the top of that, do it in a city like New York. I think the policeman, very aggressive, asking us to try to stop to do it and we were kind [sic?] bit like, we were kinda like anarchists not stopping, the police were after us. Then, you get all those people who actually want to jump on the truck and take part like; "Are you doing a movie? Can I take part of it?" We had very big speakers and were blasting the song, everybody was kinda listening, and you know how New York people are, they're very sort of open anyway, they were clapping and dancing along, it was a bit of a performance statement. It was a great day, we had great laughs".

—Björk talks about the shooting of the music video.[21]

To shoot the music video for "Big Time Sensuality", Björk called upon Stéphane Sednaoui, who had previously directed videos for Madonna, U2, and Red Hot Chili Peppers. Sednaoui heard about Björk when he went to Los Angeles for the first time and said that he was fascinated by her music.[22] Björk personally wanted the director after seeing some photos of Kurt Cobain shot by him, that Björk recalled as being the only photos in which she saw Cobain "laughing out loud and dancing".[22]

Sednaoui at first wanted to go to Iceland to shoot the music video, but the costs were too high for the budget. Björk explained the inspiration for the music video: "when you're living on the edge and it's about the courage to enjoy life".[22] The director got the idea for the music video while he was in New York and realised that "it would work amazingly with the city. With all the big buildings and everything and her voice".[22]

Björk at the back of a truck in the music video for "Big Time Sensuality".

The video for "Big Time Sensuality" was shot in black and white on 26 October 1993[23] and features Björk dancing on the back of a moving truck slowly driving through New York City in the middle of the day. Björk appears dressed in a white sweater and a long white skirt, with her hair in buns. The video uses film effects like slow motion and fast motion. The video was released in two versions: one with the album/single version and one featuring a remix by Fluke. This version is an edit of the full "Fluke Moulimix" that was longer than the edit provided for radio ("The Fluke Minimix"). There is also a rare nighttime version which was released only on the director's label The Work of Stephane Sednaoui DVD as well as an uncut alternative daytime version.[24]

The video helped Björk to be known in North America where it received heavy rotation on MTV channels, with many noting that the video was more known in the country than the song: "Few people know how the melody for "Big Time Sensuality" starts, but anyone who watched MTV in the early '90s could cheerfully belt out the single measure when she sings the words "Big Time Sensuality".[25]

Usage in media

The video was later spoofed by British comedians French & Saunders, in a low budget fashion (i.e., on a greenscreen), and also plays on the name of Iceland, Björk's home country, with the store of the same name. A short scene of the video can be seen in the movie Vanilla Sky (2001) in a vision sequence Tom Cruise has.[26]

Live performances

The song received a heavy promotion, and as such, Björk did numerous TV appearances. On 8 August 1993, she appeared on the UK show The Beat, performing the song along with "Venus as a Boy" and "Come to Me". Björk performed the song live on other British shows like Dance Energy, Top of the Pops and Smash Hits Poll Winners Party. She then performed the song live on The Tonight Show with Jay Leno, in one of her first appearance on the American broadcast. She performed the track on MTV's Most Wanted, where she performed also "Human Behaviour", and on The Grind. On a rare lip-synch performance, she sang the song on the Italian show Festivalbar. She also performed the song live, dressed in a big, red gown at the 1994 MTV Europe Music Awards, where she received two nominations. The song was part of her MTV Unplugged set list, where it received a different arrangement, accompanied by Indian instruments and a harpsichord. Its performance was released on Debut Live, which was included in Live Box.[27]

"Big Time Sensuality" was a staple performance at her Debut Tour and Post Tour. Notably, its performance during the Post Tour at the O2 Shepherd's Bush Empire in London was released on her VHS and DVD release Live at Shepherds Bush Empire, with the same performance released on Post Live, where it was given a "much more minimal treatment"[28] accompanied by Leila Arab "gently hyperkinetic jungle beats".[28]

Accolades

Publication Country Accolade Year Rank
Toby Creswell Australia 1001 Songs 2005 *
Panorama Norway The 30 Best Singles of the Year 1970–98 1999 23
NME United Kingdom NME Rock Years, Single of the Year 1963–99 2000 *
The 500 Greatest Songs of All Time 2014 322
Q The Ultimate Music Collection 2005 *
The Guardian 1000 Songs Everyone Must Hear 2009 *
Radio X The Top 1000 Songs of All Time 2010 *
Robert Dimery United States 1001 Songs You Must Hear Before You Die: And 10,001 You Must Download 2010 1002
Bruce Pollock The 7500 Most Important Songs of 1944–2000 2005 *
Pitchfork Top 200 Tracks of the 1990s 2010 201
Spin The 100 Best Alternative Rock Songs of 1994 2014 69
WOXY.com Modern Rock 500 Songs of All Time 1989–2009 510
Slant Magazine The 100 Best Dance Songs of All Time[29] 2020 82
Rolling Stone 200 Greatest Dance Songs of All Time[30] 2022 29
(*) designates lists that are unordered.

Track listings

UK CD1
No.TitleLength
1."Big Time Sensuality"3:56
2."Síðasta Ég"2:57
3."Glóra"1:43
4."Come to Me" (Black Dog Mix)5:02
UK CD2
No.TitleLength
1."Big Time Sensuality" (The Fluke Minimix)4:09
2."Big Time Sensuality" (Dom. T Big Time Club Mix)6:09
3."Big Time Sensuality" (Justin Robertson – Lionrock Wigout Vox)7:21
4."Big Time Sensuality" (Morales Def Radio Mix)3:34
5."Big Time Sensuality" (The Fluke Magimix)5:51
6."Big Time Sensuality" (Justin Robertson's Prankster's Joyride)7:03
7."Big Time Sensuality" (The Fluke Moulimix)5:43

Charts

See also

References

  1. ↑ Scapelliti, Christopher (1 December 1998). "Björk/Sugarcubes". In Graff, Gary; Durchholz, Daniel (eds.). MusicHound Rock. Detroit: Visible Ink Press. p. 109.
  2. 1 2 "Big Time Sensuality". Archived from the original on 16 July 2012. Retrieved 31 December 2011.
  3. 1 2 "Björk "Big time sensuality"". Archived from the original on 28 August 2011. Retrieved 31 December 2011.
  4. ↑ "Single Releases". Music Week. 20 November 1993. p. 23.
  5. ↑ Masuo, Sandy. "The World According to Björk". Retrieved 31 December 2011.
  6. ↑ Thompson, Ben (11 July 1993). "RECORDS / New Releases". The Independent. London. Retrieved 31 December 2011.
  7. ↑ Phares, Heather. "Debut Bjork". AllMusic. Retrieved 31 December 2011.
  8. ↑ Proefrock, Stacia. "Big Time Sensuality". AllMusic. Retrieved 31 December 2011.
  9. ↑ Flick, Larry (11 December 1993). "Single Reviews" (PDF). Billboard. p. 117. Retrieved 27 October 2020.
  10. ↑ McCarthy, Sean. "Debut Bjork". The Daily Vault. Retrieved 31 December 2011.
  11. ↑ Hamilton, John (20 November 2014). "The 50 Best Pop Singles Of 1994 (Featuring New Interviews With Ace Of Base, TLC, Lisa Loeb, Real McCoy & Haddaway)". Idolator. Retrieved 7 April 2020.
  12. ↑ Parkes, Taylor (20 November 1993). "Singles". Melody Maker. p. 31. Retrieved 5 July 2023.
  13. ↑ Aston, Martin (20 November 1993). "Market Preview: Alternative" (PDF). Music Week. p. 15. Retrieved 5 April 2021.
  14. ↑ Reynolds, Simon. "Jazzy Love Songs Tinged With an Oceanic Feeling". The New York Times. Retrieved 31 December 2011.
  15. ↑ Dee, Johnny. "Bjork – Debut". NME. Archived from the original on 17 August 2000. Retrieved 24 November 2020.
  16. ↑ Jeffery, Tim (20 November 1993). "Hot Vinyl" (PDF). Music Week, in Record Mirror (Dance Update Supplemental Insert). p. 6. Retrieved 5 April 2021.
  17. ↑ "New Singles". Smash Hits. p. 51. 24 November 1993.
  18. ↑ O'Brien, Lucy. "Call of the Child". Retrieved 31 December 2011.
  19. ↑ Pride, Dominic (5 November 1994). MTV Sets First European Awards Show. Billboard. Retrieved 19 October 2011.
  20. ↑ "Congratulations To Our Winners" (PDF). Billboard. 1 July 1995. p. 16. Retrieved 28 November 2022.
  21. ↑ "the video for 'Big Time Sensuality'". Archived from the original on 25 April 2012. Retrieved 31 December 2011.
  22. 1 2 3 4 "the video for 'Big Time Sensuality'". Archived from the original on 25 April 2012. Retrieved 31 December 2011.
  23. ↑ "The Making of Björk's "Big Time Sensuality"". Vanity Fair. 13 March 2015.
  24. ↑ The Work of Stephane Sednaoui (DVD). Stéphane Sednaoui. Palm Pictures. 2005. PALMDVD 3080-2.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  25. ↑ Bartlett, Thomas. "All Hail The Ice Queen". Retrieved 31 December 2011.
  26. ↑ "Biography for Björk". IMDb. Retrieved 31 December 2011.
  27. ↑ "What live TV appearances did Björk do for Debut?". Archived from the original on 3 October 2015. Retrieved 31 December 2011.
  28. 1 2 Begrand, Adrien. "Post Live". Retrieved 31 December 2011.
  29. ↑ "The 100 Best Dance Songs of All Time". Slant Magazine. 15 June 2020. Retrieved 27 July 2020.
  30. ↑ Dolan, Jon; Lopez, Julyssa; Matos, Michaelangelo; Shaffer, Claire (22 July 2022). "200 Greatest Dance Songs of All Time". Rolling Stone. Retrieved 30 October 2022.
  31. ↑ "Björk – Big Time Sensuality". ARIA Top 50 Singles. Retrieved 28 May 2016.
  32. ↑ "Top RPM Singles: Issue 2456." RPM. Library and Archives Canada. Retrieved 21 November 2022.
  33. ↑ "Eurochart Hot 100" (PDF). Music & Media. Vol. 10, no. 50. 11 December 1993. p. 23. Retrieved 6 March 2018.
  34. ↑ "Íslenski Listinn Topp 40 (20.01.1994 – 26.01.1994)". Dagblaðið Vísir (in Icelandic). 20 January 1994. p. 20. Retrieved 1 February 2018.
  35. ↑ "Nederlandse Top 40 – Björk" (in Dutch). Dutch Top 40.
  36. ↑ "Björk – Big Time Sensuality" (in Dutch). Single Top 100. Retrieved 28 May 2016.
  37. ↑ "Björk: Artist Chart History". Official Charts Company. Retrieved 21 November 2022.
  38. ↑ "Dance Singles" (PDF). Music Week. 11 December 1993. p. 22. Retrieved 9 April 2021.
  39. ↑ "The RM Club Chart" (PDF). Music Week, in Record Mirror (Dance Update Supplemental Insert). 27 November 1993. p. 4. Retrieved 12 May 2023.
  40. ↑ "Bjork Chart History (Hot 100)". Billboard. Retrieved 28 May 2016.
  41. ↑ "Bjork Chart History (Alternative Airplay)". Billboard. Retrieved 28 May 2016.
  42. ↑ "Bjork Chart History (Dance Club Songs)". Billboard. Retrieved 28 May 2016.
  43. ↑ "Bjork Chart History (Dance Singles Sales)". Billboard. Retrieved 21 November 2022.
  44. ↑ "Cash Box Top 100 Pop Singles" (PDF). Cash Box. 16 April 1994. Retrieved 19 February 2018.
  45. ↑ "Árslistinn 1994". Dagblaðið Vísir (in Icelandic). 2 January 1995. p. 16. Retrieved 30 May 2020.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.