Blue Blood
Theatrical release poster
Directed byAndrew Sinclair
Written byAndrew Sinclair
Based onThe Carry-Cot
by Alexander Thynn
Produced byJohn Trent
Kent Walwin
StarringOliver Reed
Fiona Lewis
Derek Jacobi
Anna Gaël
Meg Wynn Owen
CinematographyHarry Waxman
Edited byKeith Palmer
Music byBrian Gascoigne
Production
company
Mallard Productions
Distributed byImpact Quadrant Films
Release date
1973
Running time
82 minutes[1]
CountryUnited Kingdom[1]
LanguageEnglish

Blue Blood is a 1973 British horror drama film directed by Andrew Sinclair. It was based on the 1972 novel The Carry-Cot by Alexander Thynn, 7th Marquess of Bath, and stars Oliver Reed, Fiona Lewis, Derek Jacobi and Thynn's wife Anna Gaël.

Plot

Gregory, the young lord of the Swanbrook estate, engages German nanny Beate to care for his children while he pursues a life of debauchery with his mistress Carlotta and their affluent friends. His wife Lily, a touring singer, makes occasional visits. Gregory entrusts all running of the Swanbrook manor house to his menacing butler, Tom, who scorns his weak-willed master's decadent ways and plots to take control. From her interactions with the other servants, Beate comes to realise that Tom is, in many ways, already the true master of Swanbrook.

Tom uses dark magic against Beate, Carlotta and Lily, giving them visions of a Satanic ritual involving the sacrifice of Gregory and Lily's son, Edgar. When Edgar and his sister are found with unexplained injuries, Beate is accused of child abuse and given notice.

Tom passes the visions on to Gregory, whose mind is broken when he pictures Tom sacrificing Edgar. In the closing scenes, Tom, having fully usurped Gregory, changes into his master's attire and greets the returning Lily (who does not question the change) as his lady.

Cast

Production

Jacquemine Charrott Lodwidge was the film's art director.

Filming

Blue Blood was made on location at Longleat House, the seat of the Marquesses of Bath. According to Sinclair, it was filmed in three weeks.[2]

Release

Critical response

In a contemporary review, Richard Combs of The Monthly Film Bulletin described Blue Blood as a series of "cheap, coarsely-filmed charades" and criticised the film's direction: "once Sinclair gets down to working out his theme (black-blooded butler usurps degenerate, blue-blooded employer), the skimpiness of his material and the shoddiness of this TV-sketch technique become painfully evident." He also wrote that Reed's performance made Tom "one of the most physically repellent of screen villains".[1]

Describing the film as "a variation on Harold Pinter's The Servant", Graeme Clark of website The Spinning Image writes that Blue Blood over-emphasises a simple premise and frustratingly leaves plot threads unresolved. He notes that although the Satanic images build suspense, they do not pay off as they are merely symbolic. He also argues that the film is sustained solely by the performances of the cast, adding however that none of them are "really working at full strength here".[3]

References

  1. 1 2 3 Combs, Richard (January 1975). "Blue Blood". The Monthly Film Bulletin. Vol. 42, no. 492. London, UK: British Film Institute. p. 5. ISSN 0027-0407. OCLC 2594020.
  2. ↑ Sinclair, Andrew (August 2018). "I Once Met Oliver Reed". theoldie.co.uk. Archived from the original on 27 September 2021. Retrieved 30 October 2022.
  3. ↑ Clark, Graeme. "Blue Blood Review (1973)". thespinningimage.co.uk. Archived from the original on 24 July 2021. Retrieved 30 October 2022.

Bibliography

  • Rigby, Jonathan. English Gothic: A Century of Horror Cinema. Reynolds & Hearn, 2000.
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