Camila Oliveira Fairclough
Born1979 (age 44–45)
Rio de Janeiro, Brazil
NationalityBrazilian and British
EducationÉcole nationale supérieure des Beaux-Arts
Known forPainting
Websitecamila-oliveira-fairclough.info

Camila Oliveira Fairclough (born 1979) is a Brazilian and British artist who lives in Paris.[1]

Early life

Camila Oliveira Fairclough was born in 1979 at Rio de Janeiro. She studied at the Escola de Artes Visuais do Parque Lage (Rio de Janeiro) with Nelson Leirner and at the Beaux-arts de Paris with Jean-Marc Bustamente, Sylvie Fanchon and Bernard Piffaretti.[2]

Work

Her artistic practice includes painting, artist's book, performance, with the creation of works that mixes language, popart and abstraction.[3] Oliveira Fairclough has exhibited internationally at museums such as the Minus Space (New York), the Centre Pompidou (Paris),[4] the Mudam (Luxembourg),[5] NortArt, Büdelsdorf,[6] and galleries such as Urs von Unger Gallery (Saanen),[7] Emmanuel Hervé,[8] Luis Adelantado,[9] Laurent Godin.[10]

In 2022 she curated the exhibition Chocolate Fresa Vainilla at the Galería Luis Adelantado in Valencia, bringing together the works of Armando Andrade Tudela, Allison Blumenthal, Claude Closky, Anne Colomes, Oriane Déchery, Olivier Filippi, Robbin Heyker, David Hominal, Jan Kiefer, Colombe Marcasiano, Jean François Maurige, Ana Mazzei, Rasmus Nilausen, Marielle Paul, Hugo Pernet, Simon Rayssac, Alain Séchas, Hank Schmidt in der Beek, Sarah Tritz, Emmanuel Van der Meulen, Elsa Werth, Concha Ybarra among others,[11] and with Sylvie Fanchon the exhibition Aoulioulé at the MRAC in Sérignan with a selection of works around and about language from Martine Aballéa, Anne-Lise Coste, Jessica Diamond, Joseph Kosuth, Muriel Leray, Raffaella della Olga, Walter Swennen, Júlio Villani, Virginie Yassef, Rémy Zaugg and others.[12][13]

Collections

Her work is present in the collections of the Centre Pompidou,[14] the Fonds National d'art Contemporain (Paris),[15] the Fonds régional d'art contemporain Normandie Rouen,[16] Alsace,[17] Bretagne,[18] Iles-de-France,[19] BPS22 (Charleroi)[20] among others.

Selected bibliography

  • Camila Oliveira Fairclough : Marble Memo, Montbeliard: Le 19, Centre d'Art Contemporain, 2010 ISBN 978-2-350750668[21]
  • Armer les toboggans : Robert Breer, Pierre Labat, Camila Oliveira Fairclough, Quimper: Le Quartier Editions, 2013 ISBN 978-2-908939590[22]
  • Jérôme Dupeyrat, Entretiens : perspectives contemporaines sur les publications d'artistes, Saint-Senoux: Incertain sens, 2018 ISBN 978-2-914291781[23]
  • Forsythia, lilac and geranium, with Raffaella della Olga and Elsa Werth, Saint-Senoux: Incertain sens, 2021, ISBN 978-2-914291-95-8[24]

References

  1. ↑ "Camila Oliveira Fairclough". Centre Pompidou. Retrieved 2021-03-04.
  2. ↑ "Camila OLIVEIRA FAIRCLOUGH | Cnap". www.cnap.fr. Retrieved 2021-03-04.
  3. ↑ Morais, Pedro. "Camila Oliveira Fairclough : Devenir étranger". Le Quotidien de l'Art (in French). Archived from the original on 2021-01-22. Retrieved 2021-03-04.
  4. ↑ Marcelis, Bernard (2019-12-13). "Points de rencontres". artpress (in French). Archived from the original on 2019-12-13. Retrieved 2021-03-04.
  5. ↑ "Flatland". Wall Street International (in French). 2018-02-05. Retrieved 2021-03-05.
  6. ↑ ArtFacts. "Camila Oliveira Fairclough | Artist". ArtFacts. Retrieved 2021-03-04.
  7. ↑ Sterchi, Jenny. "Moderne Kunst in historischem Haus". Anzeiger von Saanen (in German). Retrieved 2021-03-05.
  8. ↑ Berceliot Courtin, Arlène. "Camila Oliveira Fairclough". slash-paris.com. Archived from the original on 2014-04-21. Retrieved 2021-03-05.
  9. ↑ latamuda (2016-11-24). "Triple inauguración en Luis Adelantado". Latamuda (in Spanish). Retrieved 2021-03-05.
  10. ↑ Benoit, Guillaume. "Camila Oliveira Fairclough — Galerie Laurent Godin, Paris — Point de vue". slash-paris.com. Archived from the original on 2021-03-03. Retrieved 2021-03-05.
  11. ↑ "Camila Oliveira Fairclough convierte una exposición colectiva en una "experiencia gourmet"". Cultur Plaza (in Spanish). Retrieved 2022-12-14.
  12. ↑ Cougy, Jean-Luc (2022-11-27). "" Aoulioulé " au Musée régional d'art contemporain de Sérignan". En revenant de l'expo ! (in French). Retrieved 2022-12-16.
  13. ↑ L'Art-vues (2022-11-21). "Sérignan : exposition "Aoulioulé" au Mrac jusqu'au 19 mars, par BTN". L'Art-vues (in French). Retrieved 2022-12-16.
  14. ↑ Pompidou, Musée national d’art moderne-Centre (2020-08-28). "Collection Musée national d'art moderne – Centre Pompidou". Navigart.fr (in French). Retrieved 2021-03-05.
  15. ↑ "Collection Cnap". www.cnap.fr. Archived from the original on 2016-02-01. Retrieved 2021-03-05.
  16. ↑ Rouen, Frac Normandie (2020-11-09). "Collection Frac Normandie Rouen". Navigart.fr (in French). Retrieved 2021-03-05.
  17. ↑ Frac Alsace (2020-08-28). "Collection Frac Alsace". Navigart.fr (in French). Retrieved 2021-03-05.
  18. ↑ Pigeon, Adriana. "la collection en ligne". Frac Bretagne (in French). Retrieved 2021-03-05.
  19. ↑ Frac Ile-de-France (2020-08-28). "Collection Frac Ile-de-France". Navigart.fr (in French). Retrieved 2021-03-05.
  20. ↑ "Camila Oliveira Fairclough | BPS22 - Collection". BPS22 (in French). Retrieved 2021-03-05.
  21. ↑ Camila Oliveira Fairclough: Marble Memo (in French). Montbeliard: Le 19, Centre d'Art Contemporain. 2010. ISBN 978-2-35075-066-8. OCLC 711940649.
  22. ↑ Nin, Bettie (2015-05-01). "Armer les toboggans". Critique d'art. Actualité internationale de la littérature critique sur l'art contemporain (in French). ISSN 1246-8258.
  23. ↑ Thély, Nicolas. "Publication – Entretiens : perspectives contemporaines sur les publications d'artistes". Pratiques et Théories de l'art contemporain (in French). Retrieved 2021-03-05.
  24. ↑ "7 livres - Forsythia, Lilac and Geranium". artpress (in French). 2022-02-22. Retrieved 2022-03-02.
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