Capitol Crisis was a fanzine from the Washington, D.C. punk scene created by musician and disc jockey, Xyra Harper.[1][2][3] The zine published five issues from November 1980 to May 1981 and was part of the foundation for D.C.'s emerging punk music scene.[4] According to scholar Shayna Maskell, Harper and Capitol Crisis "worked to contest the dominant maleness of D.C. hardcore and its cultural production."[5]

Issues included reviews of recordings, bands, and venues in the area, some of which were sent in by readers.[6][7] Capitol Crisis satirized advice columns with a section dubbed "Ask Auntie Xyra," where Harper responded to readers' questions on a variety of topics ranging from music taste to life advice.[5][7] Some of the bands interviewed in Capitol Crisis included Black Market Baby, Black Flag, Tuxedomoon, Joan Jett, and the Mighty Invaders.

Punk scholar and historian Kevin Mattson was later critical of Capitol Crisis for its "surprisingly conservative" coverage of punk within the D.C. scene, noting that Harper initially favored older bands in the scene like the Slickee Boys and Insect Surfers, rather than extensively covering the newer hardcore punk bands like the Teen Idles or Bad Brains.[2] Harper received push back on this at the time, too, when young hardcore punks like Ian MacKaye, Henry Rollins, Alec MacKaye, and others involved with the emerging Dischord Records scene wrote in to complain about the slant of Capitol Crisis' coverage.[6] Harper urged the younger punks to contribute writings to the zine, which several of them did.[6][7]

A complete run of the zine can be found at the University of Maryland, College Park's Special Collections in Performing Arts (SCPA).[8] It was also included SCPA's “Persistent Vision” online exhibition on archival materials from the Washington, D.C. punk community.[9][10]

References

  1. ↑ Maskell, Shayna L. (2021). Politics as sound : the Washington, DC, hardcore scene, 1978-1983. Urbana. ISBN 978-0-252-05312-2. OCLC 1242021459.{{cite book}}: CS1 maint: location missing publisher (link)
  2. 1 2 Mattson, Kevin (2020-05-14). We're Not Here to Entertain: Punk Rock, Ronald Reagan, and the Real Culture War of 1980s America. Oxford University Press. pp. 35–36. ISBN 978-0-19-090825-6.
  3. ↑ Andersen, Mark; Jenkins, Mark (2009-12-01). Dance of Days: Two Decades of Punk in the Nation's Capital. Akashic Books. ISBN 978-1-933354-99-6.
  4. ↑ "Zines Deserve a Bigger Place in DC Punk History. Here's Why - Washingtonian". 2016-08-04. Retrieved 2022-11-17.
  5. 1 2 Maskell, Shayna L. (2021-09-28). Politics as Sound: The Washington, DC, Hardcore Scene, 1978-1983. University of Illinois Press. pp. 142–147. ISBN 978-0-252-05312-2.
  6. 1 2 3 "Capitol Crisis fanzine, Issue 4, March 1981 | Digital Collections @ the University of Maryland". digital.lib.umd.edu. Retrieved 2023-12-07.
  7. 1 2 3 "Capitol Crisis fanzine, Issue 5, May 1981 | Digital Collections @ the University of Maryland". digital.lib.umd.edu. Retrieved 2023-12-07.
  8. ↑ Davis, John R. (2019). "Fill a Void". Notes. 76 (1): 7–26. doi:10.1353/not.2019.0087. ISSN 0027-4380. JSTOR 26800902. S2CID 213297452.
  9. ↑ Kelly, John (October 10, 2022). "D.C.'s punk rock past is explored in a new online exhibit". Washington Post.
  10. ↑ "S.O.A. | Persistent Vision". exhibitions.lib.umd.edu. Retrieved 2023-03-04.
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