Caroline Sawath (mid 19th century) was a German composer of piano pieces.[1][2][3][4][5][6] She performed in at least one concert in 1848 and taught at the Mitternast Piano School in Vienna from 1855 to 1863.[7] Her compositions were published by H. F. Muller Witwe[8] and by C. A. Spina.[9]

Hofmeister (probably German music bibliographer Friedrich Hofmeister) listed 16 works composed by Sawath between 1853 and 1860.[7] Her compositions for piano include:

  • Kleine Tonstucke, opus 9[10]
  • Mailied, opus 16[11]
  • Schafers Morgenlied Romanze, opus 3[7]

References

  1. Cohen, Aaron I. (1987). International encyclopedia of women composers. 2: Sai - Zyb, Appendices (2. ed., revised and enl ed.). New York: Books & Music. p. 618. ISBN 978-0-9617485-1-7.
  2. Elson, Arthur (1903). Woman's Work in Music: Being an Account of Her Influence on the Art, in Ancient as Well as Modern Times; a Summary of Her Musical Compositions, in the Different Countries of the Civilized World; and an Estimate of Their Rank in Comparison with Those of Men. L.C. Page. p. 253.
  3. Laurence, Anya (1978). Women of Notes: 1,000 Women Composers Born Before 1900. New York: Richards Rosen Press Inc. p. 73.
  4. Stewart-Green, Miriam (1980). Women composers: A checklist of works for the solo voice. A reference publication in women's studies. Boston, Mass: Hall. p. 137. ISBN 978-0-8161-8498-9.
  5. Stern, Susan (1978). Women composers: a handbook. Metuchen London: the Scarecrow press. p. 147. ISBN 978-0-8108-1138-6.
  6. Wier, Albert E. (1938). The Macmillan Encyclopedia of Music and Musicians. New York: Macmillan Company. p. 1648.
  7. 1 2 3 "Sawath, Caroline". imslp.org. Retrieved 2023-07-02.
  8. "Caroline Sawath". lib.umich.edu. Retrieved 2023-07-02.
  9. "Spina". imslp.org. Retrieved 2023-07-02.
  10. "Das Wiedersehen". lib.umich.edu. Retrieved 2023-07-02.
  11. "Mailied". lib.umich.edu. Retrieved 2023-07-02.


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