Parent company

Keysor-Century Corporation was the parent company of Century Record Manufacturing Company. Its executives included Howard Lydell Hill (1940–2001), who served as president from 1981 until his death in 2001; Robert Keysor, Hill's brother-in-law and third son of Bud Keysor, succeeded Hill in 1971 as president. In 2002, Keysor-Century was producing PVC resins for the flooring and packaging markets in Saugus, California. The firm also operated a compounding facility in Newark, Delaware.

The company had been a pioneer in creating PVC resins for the record industry. Keysor-Century produced (i) a black vinyl record compound called KC-B450 in the form of opaque black free flowing pellets (for standard records), (ii) a widely popular translucent red, yellow, green, and blue KC-B460/470 series, and later, (iii) an audiophile grade called KC-600. In two audiophile mass market tests by A&M, Keysor-Century's KC-600 was used in the initial production of Supertramp's L.P., ...Famous Last Words... (fall 1982), and in the initial production (800,000 disks) of Styx's L.P., Kilroy Was Here (February 1983).^[6]

In 1982, Keysor-Century had added plants in Delaware City, Delaware, and Ajax, Ontario. At that time, Keysor-Century, Lenahan Chemicals (Murfreesboro, Tennessee), and Tenneco Chemical, Inc., (Burlington & Flemington, New Jersey) were the top three American bulk resin suppliers for records. In 1985, Keysor-Century claimed to be the largest U.S. producer of record compound and its customers included Warner, RCA, Capitol, Motown, CBS, Musical Heritage Society, Nonesuch, Deutsche Grammophon, and A&M.^[7]

Outside of the record industry, Keysor-Century was also a top-twenty supplier to general industry. It also supplied bulk resin for injection molding applications in the production of cassette shells and the like, used by the industry as well as its own tape duplicating service.

Labels, recording, and engineering

• Altair Records, short-lived, easy listening label, founded 1969; Robert "Bob" Reiter, who had resigned in August 1969 as President of Happy Tiger Records, became executive director of Altair that same year^[13]
• Century Custom Recording Service, was a franchise of the Keysor-Century Corporation. By 1963, there were 80 franchise associates in the United States.^[5] The franchise associates often produced records as independent labels. Notable franchise associates included:

• Montgomery, Alabama: Tom Britton (né Thomas Abbott Britton, Jr.; 1939–2002), who, later, between 1979 and 1981, pioneered the production of more than a dozen high-quality digital recordings for Chalfont Records
• Paducah, Kentucky: Tom Morris (né Thomas Fredick Morris; 1937–1992)
• Richmond, Virginia: Rex Hawley produced The Chantells on the Century Custom label
• Lawrence, Kansas: Ed Down (né Edward Joseph Down; 1927–1978)
• Lawrence, Kansas: Stan Ricker^{[14][15][lower-alpha 1]}
• Williamsville, New York: Vincent Morette, who founded Mark Records
• Cleveland, Ohio: Jack L. Renner (né Jack Lee Renner; born 1935)^[16]
• Houston, Texas: J.L. Patterson, Jr., who, later, in 1963, formed the JLP Corporation to operate Gold Star Studios (Gold Star Records) of Houston under a lease form its founder, Bill Quinn (né William Russell Quinn; 1904–1976), who retired; his partners included Jack Clement, Bill Hall (né William Gordon Hall; 1929–1983), Louis Stevenson, and Bob Lurie (né Robert Lurie) (main master cutting engineer); in 1965, two additional partners joined – Bill Holford and Bert Frilot (né Gilbert Clark Frilot; 1939–1999) (who later designed and built Gilley's Recording Studio) – and renamed the company HSP Corporation^[17]
• Oakland, California: LaMont Bench (1916–1992)^[18] recorded the hit, "Oh Happy Day," initially on the Century Custom label
• Eugene, Oregon: Garyl G. Fisher (né Garyl Guy Fisher; born 1924) and Don Ainge (né Everett Donald Ainge; born 1936) produced several garage band recordings in Eugene; Ainge is the father of Danny Ainge, former professional athlete and current executive with the Boston Celtics

• Century Records – Glen Glancy (né Glen Thomas Glancy; born 1943), President – produced jazz albums in the later-half of the 1970s; artists include the Phil Woods Quintet, the Woody Herman Band, Mel Torme and Buddy Rich, Benny Goodman, and the Hal Galper Quintet
• United Sound – sub-label of Keysor-Century
• The Great American Gramophone Company – Glen Glancy, President – served as the premium audiophile limited edition version of Century Records; and released only direct to disc jazz; it was based in Hollywood. It was formed in 1977 by Keysor-Century. Artists include Buddy Rich, Woody Herman, Phil Woods, Les Brown, and Robert Cundick playing the Mormon Tabernacle Organ;^[19] the album catalog numbers began with alpha characters "GADD"

In-house mastering labs

• Keysor-Century Studios
• K Disc Mastering, a subsidiary of Keysor-Century Corporation – founded in 1975 – was a disc mastering firm that became the successor to Keysor-Century Studios, when it moved to Hollywood in 1979^[20]

Pressing plant

• Century Record Manufacturing Company – Saugus

Milling plant

• Keysor Chemical Company – Saugus

Specialty products

• POLY Laboratories, Burbank, founded in the late 1940s, preceding Keysor-Century, where Keysor took plastic powder, colored it transparent red, and pressed it into record discs.

Notes

References