Charam
Directed byP. A. Backer
Written byRaghunath Paleri
Jayan (dialogues)
Screenplay byP. A. Backer
Produced byC. H. Khalid
StarringPrem Nazir
Meena Menon
Urmila
CinematographyHemachandran
Edited byRavi
Music byG. Devarajan
Production
company
Chitramandir
Distributed byKings Creation
Release date
  • 11 February 1983 (1983-02-11)
CountryIndia
LanguageMalayalam

Charam is a 1983 Indian Malayalam film, directed by P. A. Backer and produced by C. H. Khalid.[1] The film stars Prem Nazir and Meena Menon in the lead roles. The film follows the search of a lawyer for his missing daughter in Bombay's red-light district.[2][3] The film is considered a breakthrough in independent cinema in Malayalam. It has a musical score by G. Devarajan.

Plot

Barrister James lives with his daughter Preethi following the death of his wife. Preethi feels incredibly lonely and isolated at home since James is very busy with his work. Preethi's only friend is Lily, whom she meets at college.

One day, Preethi goes missing. James soon realises that she has not been attending college for several days. He starts a frantic search for his daughter, but his efforts are in vain until he listens to an audio recording made by his daughter, which inadvertently reveals her relationship with a man named Charlie. James enquires about Charlie but does not get any information. Later, Lily gives James details about Charlie and his photo.

After a few days, Lily receives a letter that says Preethi is in Bombay. James travels to Bombay to search for his daughter. He happens to see a nude picture of Preethi on the cover of a fashion magazine. In disguise as a magazine owner in Kerala, James befriends a nude photographer named Desai to know more about Preethi's whereabouts, but he does not get much information. However, he discovers that Charlie was friends with a photographer named Gopan and tracks him down. Gopan denies having taken Preethi's nude cover photo, but he does reveal where Charlie lives. James confronts Charlie, who tells him that Preethi is no longer with him and has become a sex worker in the city's red-light district.

James goes to Red Street in search of his daughter, but it takes several attempts before he is able to find her. With the help of a Malayali man, James rescues Preethi by paying off the brothel owner. The last shot of the film shows Preethi and James in the backseat of the car, surrounded by several sex workers laughing at them.

Cast

Soundtrack

The film's music was composed by G. Devarajan. A version of the song "Man Mohanaa Bade Jhoote" from the Hindi film Seema is used in the film.[4][5][6]

No.SongSingersLyricsMusic
1"Man Mohanaa Bade Jhoote" (Resung from Hindi film Seema)P. MadhuriShailendraShankar Jaikishan

Reception

The film attained critical appreciation but was not a commercial success.[7][2] Nevertheless, the film is considered a breakthrough in independent cinema in Malayalam.[8] Most of Backer's films won big at Kerala State Film Awards and National Film Awards. However, Backer refused to send Charam to be considered for any award because he objected to the addition of some sex sequences and unwanted scenes in the film eying commercial benefit.[7]

References

  1. ↑ K. N. Shaji (31 May 2013). "ബക്കർ, പവിത്രൻ, ജോൺ കലയും കലാപവും". Samakalika Malayalam Vaarika (in Malayalam).
  2. 1 2 Socrates K. Valath (22 March 2019). "കണ്ടും കേട്ടും സിനിമ ചെയ്യാന്‍ പഠിച്ച പി.എ. ബക്കര്‍". Southlive.in (in Malayalam). Retrieved 12 March 2023.
  3. ↑ Saju Gangadharan (11 February 2023). "'കക്ഷത്തിലെ പൂട കാട്ടുന്നവരുടെ പട'ത്തില്‍ പ്രേംനസീര്‍: ചാരത്തിന്റെ കഥ". Samayam.com (in Malayalam). Retrieved 12 March 2023.
  4. ↑ "Chaaram". www.malayalachalachithram.com. Retrieved 19 October 2014.
  5. ↑ "Chaaram". malayalasangeetham.info. Archived from the original on 19 October 2014. Retrieved 19 October 2014.
  6. ↑ "Charam". spicyonion.com. Retrieved 19 October 2014.
  7. 1 2 "Remembering P A Backer". The New Indian Express. 16 November 2012. Retrieved 12 March 2023.
  8. ↑ Ashish Rajadhyaksha; Paul Willemen (1998). Encyclopaedia of Indian Cinema. New Delhi: BFI Publishing Oxford University Press. p. 85.
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