Christopher Bucklow (born 1957) is a British artist and art-historian.[1] His work has been exhibited internationally and is held in numerous public collections including the Guggenheim Museum,[2] Museum of Modern Art (MoMA),[3] Museum of Modern Art, San Francisco (SFMoMA),[4] and The Metropolitan Museum of Art[5] among others. He has received residencies at The British Museum, London, the Banff Center for the Arts, Alberta, and The Centre for Studies in British Romanticism, Grasmere.[6] Bucklow is best known for his ongoing photographic series Guests (1993–present)[7] and his improvisational paintings from the series To Reach Inside A Vault (2006–present).[8] He is the author of numerous books and essays including The Sea of Time and Space (Wordsworth Trust, 2004),[9] "This is Personal: Blake and Mental Fight" in Blake & Sons, Lifestyles and Mysticism in Contemporary Art (University College, Cork, 2005), What is in the Dwat: The Universe of Guston's Final Decade (Wordsworth Trust, 2007),[10] and the co-author of Bacon and the Mind: Art, Neuroscience and Psychology (Thames & Hudson, 2019).[11]
Life and work
Bucklow was born in Flixton, Greater Manchester, England. He graduated with a degree in art history in 1978. Between 1978 and 1995 he worked as a curator in the Prints & Drawings Department at the Victoria & Albert Museum, London[12] where he researched Romanticism, photography, and developed an interest in the work of William Blake (British, 1757 – 1827).[13] An account of Bucklow's career as a curator and the forces that propelled his transition to art praxis can be found in "Rhetoric and Motive in the Writing of Art History: A Shapeshifter's Perspective" in Remaking Art History (Routledge, New York City; 2007).[14]
Bucklow's early work (1989–91) was conceptual and sculptural, often taking the form of plant species that he altered genetically or grafted together.[15] In the 1990s he created two bodies of photographic work, The Beauty of the World (1991) and Guest - also known as Tetrarchs, that were foundational for Britain's contemporary negative-less photography movement[16].
Guests was created using a 30 x 40-inch pinhole camera, built by Bucklow, with thousands of apertures to make unique cibachrome chromogenic prints.[17] Tetrarchs were created using either a 40 x 60-inch camera, or one with a 40 x 100 inches plate size.[18] Guest (1993–present) features silhouettes of persons that appear to the artist in dreams. Friends, family, and fellow artists like Matthew Barney and Adam Fuss[19] are featured individually in the work as a collective of figures drawn by the multiple solar images directed through the 25,000 apertures in Bucklow's camera.[20][21]
His interest in personal mythology, Jungian dream psychology, metaphor and the use of personification was continued in his subsequent paintings.[22] To Reach Inside A Vault is a series of large scale improvisational paintings in which a commedia dell'arte technique is used to generate the subjects or plot.[23] These paintings were exhibited in Bucklow's 2017 retrospective Said Now, For All Time at the Southampton City Art Gallery, UK.[24]
Public collections
Museum of Modern Art, New York[25]
Metropolitan Museum of Art[26]
Solomon R. Guggenheim Museum[27]
Museum of Fine Arts, Houston[28]
Modern Art Museum of Fort Worth[29]
The Wordsworth Trust, Grasmere
Herzliya Museum of Art[32]
Museum of Fine Arts, Boston[34]
Publications
- Bucklow, Christopher. 'The Lens Within the Heart' in Martin Harrison (ed.) Bacon and the Mind: Art, Neuroscience and Psychology, The Estate of Francis Bacon & Thames & Hudson, London, 2019. ISBN 978-0-500-97097-3. LCCN 2018-966029 (A study of psychological sources of Francis Bacon's imagery).
- Bucklow, Christopher. Nantucket Sleighride, Southampton City Art Gallery & Ball Press, 2017. ISBN 978-0-9929938-4-9. (A study of the iconography of dreams).
- Bucklow, Christopher. Life on Mars, Southampton City Art Gallery & Ball Press, 2017. ISBN 978-0-9929938-3-2 (A study of the generative phases leading to the creation of artworks).
- Bucklow, Christopher. 'The Child Comes as Softly as Snow', essay in Adam Fuss, Catalogue, Fundacion Mapfre, Madrid, 2011, pp. 159–171. ISBN 978-84-9844-278-6 (An iconographical study of the myths underlying Fuss' work).
- Bucklow, Christopher. 'St John's Apocalypse: Revelation, Resurrection, Rhetoric', essay in Signs of the Apocalypse/Rapture, Front Forty Press, Chicago, 2008, n.p. ISBN 978-0-9778689-6-4 (An essay on dreaming and the personal motives of prophets).
- Bucklow, Christopher. What is in the Dwat, The Universe of Philip Guston's Final Decade, Wordsworth Trust. 1 June 2007. ISBN 1-905256-21-3 (An iconographical study of Guston's late work).
- Bucklow, Christopher. 'Rhetoric and Motive in Writing Art History: a Shape Shifter's Perspective', in Elizabeth C. Mansfield (ed.), Making Art History, Routledge, New York, 2007. ISBN 0-41537234-8 (An essay on the personal motives of art historians).
- Bucklow, Christopher. 'This is Personal: Blake and Mental Fight', in Blake & Sons, Lifestyles and Mysticism in Contemporary Art, University College, Cork, 2005 pp. 131 – 139. ISBN 0 9502440 9 0 (An essay on the many versions of 'Blake' that scholars have created).
- Mellor and Hambourg, David Alan and Maria Morris. Christopher Bucklow: Guest, Blindspot Publications, New York, October 2004. Essays by David Alan Mellor and Maria Morris Hambourg. 50 colour plates.
- Bucklow, Christopher. 'William Blake: The Sea of Time and Space', If This Be Not I, The British Museum and the Wordsworth Trust, 2004, pp. 115–120. ISBN 1 870787 95 1 (An essay on William Blake and the invention of religion).
- If This Be Not I, British Museum and The Wordsworth Trust, 2004 (book). Essays by Marina Warner, Adam Phillips, Roger Malbert, Introduction by James Putnam.
- Bucklow, Christopher. Seven Beginnings to Guest, Artereal Gallery, Sydney, Australia, 2006 (Catalogue contains seven accounts of the possible genesis of the series).
Monographs
- 2017 Alex Faulkner et al. Said Now, For All Time, Southampton City Art Gallery. Preface by Martin Harrison.
- 2015 Alex Faulkner and Christopher Bucklow, Dimitri & Wenlop, Upton Noble, Ball Press, ISBN 978 0 9929938 1 8.
- 2004 Prof David Alan Mellor et al. Christopher Bucklow: Guest, Blindspot Publications, New York.
- 2004 Marina Warner et al. If This Be Not I, British Museum, London & Wordsworth Trust, Grasmere, ISBN 1 870787 95 1 With an interview by Adam Philips.
References
- ↑ "ULAN Full Record Display (Getty Research)". getty.edu. Retrieved 9 September 2019.
- ↑ "ICP Photographers Lecture Series: Christopher Bucklow". International Center of Photography. 23 February 2016. Retrieved 9 September 2019.
- ↑ "ICP Photographers Lecture Series: Christopher Bucklow". International Center of Photography. 23 February 2016. Retrieved 9 September 2019.
- ↑ "Christopher Bucklow, Solar Clusters Series, 1995 · SFMOMA". sfmoma.org. Retrieved 9 September 2019.
- ↑ "Search Christopher Bucklow". metmuseum.org. Retrieved 9 September 2019.
- ↑ "ICP Photographers Lecture Series: Christopher Bucklow". International Center of Photography. 23 February 2016. Retrieved 9 September 2019.
- ↑ "Guest, 1995 – Christopher Bucklow". metmuseum.org. Retrieved 9 September 2019.
- ↑ Jones, Jonathan (8 September 2017). "Rachel Whiteread's ghostly triumphs and resplendent Reni – the week in art". The Guardian. ISSN 0261-3077. Retrieved 9 September 2019.
- ↑ "Christopher Bucklow – AbeBooks". abebooks.com. Retrieved 9 September 2019.
- ↑ "What is in the Dwat : Christopher Bucklow : 9781905256211". bookdepository.com. Retrieved 9 September 2019.
- ↑ "Bacon and the Mind: Art, Neuroscience and Psychology". guardianbookshop.com. Retrieved 9 September 2019.
- ↑ "Christopher Bucklow Biography – Christopher Bucklow on artnet". artnet.com. Retrieved 9 September 2019.
- ↑ "Akron Art Museum". akronartmuseum.org. 9 September 2019.
- ↑ Bucklow, Christopher (2007). Remaking Art History, Rhetoric and Motive in the writing of art History: A Shapeshifter's perspective. New York: Routledge. pp. 131–140.
- ↑ Roberts, Russell (1997). In Visible Light. Museum of Modern Art, Oxford. pp. 131–137.
- ↑ "Review: Bucklow and Wright use simplicity to reveal distinct truths". ARTS ATL. 6 May 2016. Retrieved 9 September 2019.
- ↑ "Christopher Bucklow". Fraenkel Gallery. Retrieved 9 September 2019.
- ↑ "Review: Bucklow and Wright use simplicity to reveal distinct truths". ARTS ATL. 6 May 2016. Retrieved 9 September 2019.
- ↑ "Christopher Bucklow". Fraenkel Gallery. Retrieved 9 September 2019.
- ↑ "Review: Bucklow and Wright use simplicity to reveal distinct truths". ARTS ATL. 6 May 2016. Retrieved 9 September 2019.
- ↑ "NOW SHOWING #216: The week's top exhibitions – a-n The Artists Information Company". Retrieved 9 September 2019.
- ↑ Warner, Marina (2004). If This Be Not I, Psychic Time: or, The Metamorphosis of Narcissus. The British Museum and The Wordsworth Trust Press. p. 6.
- ↑ "Christopher Bucklow: Said Now, For All Time". Southampton City Art Gallery. Retrieved 9 September 2019.
- ↑ "Southampton City Art Gallery | Art Exhibitions | Southampton, Hampshire". Southampton City Art Gallery. Retrieved 9 September 2019.
- ↑ "ULAN Full Record Display (Getty Research)". getty.edu. Retrieved 9 September 2019.
- ↑ "ICP Photographers Lecture Series: Christopher Bucklow". International Center of Photography. 23 February 2016. Retrieved 9 September 2019.
- ↑ "NOW SHOWING #216: The week's top exhibitions – a-n The Artists Information Company". Retrieved 9 September 2019.
- ↑ "Search the Collection | The Museum of Fine Arts, Houston". www.mfah.org. Retrieved 9 September 2019.
- ↑ Helber, Christina Rees, Annabelle Massey (16 September 1999). "Against the wall". Dallas Observer. Retrieved 9 September 2019.
{{cite web}}
: CS1 maint: multiple names: authors list (link) - ↑ "Guest – DMA Collection Online". dma.org. Retrieved 9 September 2019.
- ↑ "Your Search Results | Search the Collections | Victoria and Albert Museum". Victoria and Albert Museum. Retrieved 9 September 2019.
- ↑ "Silver Eye Center for Photography Presents Spectra: New Abstract Photography". Museum Publicity. 22 September 2010. Retrieved 9 September 2019.
- ↑ "Christopher Bucklow". Jackson Fine Art. Retrieved 9 September 2019.
- ↑ "Guest: 4:16 pm, 4th November 1995". collections.mfa.org. Retrieved 9 September 2019.
- ↑ "Blanton Museum of Art Online Collections Database". collection.blantonmuseum.org. Archived from the original on 28 February 2021. Retrieved 9 September 2019.
- ↑ "Search the Collection". Cleveland Museum of Art. Retrieved 9 September 2019.
- ↑ OctoberCMS. "Norton Museum of Art | Out of the Box: Camera-less Photography". www.norton.org. Retrieved 9 September 2019.
- ↑ "Inside|Out". www.pamm.org. Retrieved 9 September 2019.
- ↑ "Christopher Bucklow, Solar Clusters Series, 1995 · SFMOMA". sfmoma.org. Retrieved 9 September 2019.
- ↑ "Sol Invictus, 1000 Solar Images | LACMA Collections". collections.lacma.org. Retrieved 9 September 2019.