Cocteau Twins
Cocteau Twins in 1986, from L-R: Simon Raymonde, Elizabeth Fraser, Robin Guthrie
Cocteau Twins in 1986, from L-R: Simon Raymonde, Elizabeth Fraser, Robin Guthrie
Background information
OriginGrangemouth, Scotland
Genres
Years active1979–1997
Labels
Past members
Websitecocteautwins.com

Cocteau Twins were a Scottish rock band active from 1979 to 1997. They were formed in Grangemouth by Robin Guthrie (guitars, drum machine) and Will Heggie (bass), adding Elizabeth Fraser (vocals) in 1981 and replacing Heggie with multi-instrumentalist Simon Raymonde in 1983. The group earned critical praise for their ethereal, effects-laden sound and the soprano vocals of Fraser, whose lyrics often eschew any recognisable language.[1] They pioneered the 1980s alternative subgenre of dream pop[2][3] and helped define what would become shoegaze.[4][5]

After signing with the British record label 4AD in 1982, they released their debut album Garlands later that year.[1] The addition of Raymonde in 1983 solidified their final lineup, which produced their biggest hit in the UK, "Pearly-Dewdrops' Drops", peaking at No. 29 on the UK Singles Chart. In 1988, Cocteau Twins signed with Capitol Records in the United States, distributing their fifth album, Blue Bell Knoll, through a major label in the country. After the 1990 release of their most critically acclaimed album, Heaven or Las Vegas, the band left 4AD for Fontana Records, where they released their final two albums.

After nearly 20 years together, the band disbanded in 1997 in part due to issues stemming from the disintegration of Fraser and Guthrie's romantic relationship. In 2005, the band announced that they would reunite to headline Coachella Festival and embark on a world tour but the reunion was cancelled a month later after Fraser "couldn’t bring herself to work with Guthrie".[6] In a 2021 interview, Raymonde claimed that Cocteau Twins "will never reform".[7]

History

1979–1983: Early years

Guthrie and Heggie, both from Grangemouth, Scotland, formed the band in 1979.[8] At a local disco called The Hotel International in 1981, they met the 17-year-old Fraser when Guthrie was DJing, and she became the group's vocalist.[1]

Doctor Who actor Peter Capaldi recalls that the Cocteau Twins were the support act for his band The Dream Boys at a gig at a hotel in Grangemouth, for which he did a runner and failed to pay them because the door takings did not cover the cost of his van hire.[9]

Prior to releasing their debut album, the band recorded a four track session for John Peel in June 1982, including "Wax and Wane" and "Garlands".[10] Their debut LP Garlands, released by 4AD in July 1982,[11] was an instant success, peaking at number 2 in the indie albums chart in the UK. Sounds wrote that the style of the band was "mixing strong Siouxsie and the Banshees and Joy Division influences".[12] NME's Don Watson compared it to gothic rock bands such as Gene Loves Jezebel and Xmal Deutschland,[13] while Spin magazine's Sue Cummings compared it retrospectively to Siouxsie and the Banshees and Bauhaus.[14] It was followed by the EP Lullabies in October. In April 1983, the band released a second EP, Peppermint Pig.[1]

Cocteau Twins' sound on their first three recordings relied on the combination of Heggie's rhythmic basslines, Guthrie's minimalist guitar melodies, and Fraser's voice. The band's next full-length LP record, Head over Heels, relied solely on the latter two, following Heggie's amicable departure after the tour that followed the release of Peppermint Pig (he would later join Lowlife).[1] This led to the characteristic Cocteau Twins sound: Fraser's voice, by turns ethereal and operatic, combined with increasingly effects-heavy guitar playing by Guthrie[1] (who has often said that he is far more interested in the way the guitar is recorded than in the actual notes being played, though he later admitted that his reliance on effects and layering was initially due to his own technical limitations).[15]

In 1983 the band participated in 4AD's This Mortal Coil project, which spawned a cover version of Tim Buckley's "Song to the Siren" (performed by Guthrie and Fraser). Despite appearing under the This Mortal Coil name, the cover has subsequently become one of the best-known Cocteau Twins tracks. During the TMC sessions, Guthrie and Fraser became acquainted with another project contributor, multi-instrumentalist Simon Raymonde (formerly a member of Drowning Craze), who joined Cocteau Twins later that year.[1]

1984–1989: Rise to fame

With Raymonde, the band released a series of critically acclaimed albums and EPs that explored their new style. These included The Spangle Maker (1984), Treasure (1984), Aikea-Guinea (1985), Tiny Dynamine (1985), Echoes in a Shallow Bay (1985), and Love's Easy Tears (1986). Raymonde, who was called in to work on the second album by This Mortal Coil, did not participate in the recording of the fourth Cocteau Twins LP, Victorialand (1986), a predominantly acoustic record which featured only Guthrie and Fraser. Raymonde returned to the group for The Moon and the Melodies (1986), a collaboration with ambient composer Harold Budd,[1] which was not released under the Cocteau Twins name.

In 1985 4AD signed an agreement with Relativity Records for distribution of Cocteau Twins releases in the US and other territories. To commemorate the event, the compilation The Pink Opaque (1985) was released as a way of introducing the new, broader audience to the band's back catalogue.

While remaining a 4AD band internationally, Cocteau Twins finally signed a major-label contract with Capitol Records in 1988 for distribution in the United States, and released their fifth album, Blue Bell Knoll, in September of that year.[8] "Carolyn's Fingers" was heavily played on the U.S. radio stations, peaking at No. 2 on Billboard's Alternative Songs chart.[16]

1990–1994: Mainstream success

The group released Heaven or Las Vegas in late 1990.[8] The most commercially successful of their many recordings, the album reached number seven in the UK Albums Chart immediately after its release.[17] Despite the success of the record and the subsequent concert tours, not everything was well with the band. They parted ways with 4AD following Heaven or Las Vegas partly because of conflicts with the label's founder Ivo Watts-Russell, and were close to breaking up over internal problems due in large part to Guthrie's substance abuse.[18]

While on their international tour supporting Heaven or Las Vegas, the group signed a new recording contract with Mercury Records subsidiary Fontana for the UK and elsewhere, while retaining their US relationship with Capitol. They added several live musicians to their touring band during this era, to better replicate the layered sound of their studio albums. In 1991, 4AD and Capitol released a box set that compiled the band's EPs from 1982 to 1990, and also included a bonus disc of rare and previously unreleased material.

Fraser and Guthrie had a daughter, Lucy Belle, born in 1989. The couple ended their 13-year relationship in 1993.[19] The band's seventh LP, Four-Calendar Café, their first since Fraser and Guthrie's separation, was released in late 1993.[8] The band explained that Four-Calendar Café was a response to the turmoil that had engulfed them in the intervening years, with Guthrie entering rehab and quitting alcohol and drugs, and Fraser undergoing psychotherapy.

1995–1997: Milk & Kisses and break-up

1995 saw the release of two new EPs: Twinlights and Otherness. Some of the tracks on Twinlights and Otherness were versions of songs from the band's eighth album, Milk & Kisses (1996).[1] The record saw the return of more heavily layered guitars, and Fraser began once again to obscure her lyrics, though not entirely. Two singles were taken from the album: "Tishbite" and "Violaine"; both exist in two CD versions, with different B-sides included on each. The band, augmented by an extra guitarist and a drummer, toured extensively to support the album, their last for Mercury/Fontana. A new song, "Touch Upon Touch", which debuted during the live shows and was recorded later in 1996 was also one of the two songs written and arranged by Fraser, Guthrie and Raymonde for Chinese pop singer Faye Wong for her Mandarin album Fuzao released in June 1996, the other being "Tranquil Eye" from Violaine released in October 1996.

In 1997, while recording what was to have been their ninth LP, the trio disbanded over irreconcilable differences in part related to the breakup of Guthrie and Fraser. While a number of songs were partially recorded and possibly completed, the band has stated that they will likely never be finished or released in any form.

1998–present: Post-breakup

Lead singer Elizabeth Fraser performing live in 2006

In 1999 Bella Union, the record label founded by Guthrie and Raymonde, released a double-CD Cocteau Twins compilation entitled BBC Sessions. The collection is a complete record of the band's appearances on UK radio programs from 1982 to 1996, with rare and unreleased material included. In 2000, 4AD released Stars and Topsoil, a compilation of selected songs picked by the band members that had been released during their years with 4AD; all recordings had been digitally remastered by Guthrie. Finally, in 2003, 4AD followed Stars and Topsoil with the release of digitally remastered versions of the first six Cocteau Twins LPs.

On 31 January 2005, Cocteau Twins announced that they would be reforming to perform at the Coachella Valley Music and Arts Festival on 30 April 2005, and later indicated that additional tour dates would be added. However, on 16 March, the reunion was cancelled after Fraser announced that she would not take part. In a 2009 interview, Fraser said she could not go through the pain of sharing the stage with her former lover Guthrie, the issue behind the band's 1997 breakup.[18] Raymonde revealed that the band had also booked a 55-date world tour, which would have paid him £1.5 million.[6] Later in 2005, 4AD released a worldwide limited edition of 10,000 compilation box set titled Lullabies to Violaine, a 4-disc set that details every single and EP released from 1982 to 1996. This was shortly followed up by two 2-disc sets of the same names, known as Volume 1 and Volume 2.

Since March 2007, the band has started podcasts of exclusive material.[20] On 6 October 2008, Cocteau Twins were awarded the Q Awards Inspiration Award, which they accepted in a rare collective live appearance.[21][22]

In 2022, Fraser, Guthrie and Raymonde were awarded with the Visionary Award by The Ivors Academy.[23] Fraser and Guthrie attended the award ceremony in London in May 2022 in a rare public appearance since the band's disbandment in 1997.[24]

Solo work

Guitarist Robin Guthrie performing in 2008

The former members of Cocteau Twins have remained active musically in the years since the band's demise. In addition to forming Bella Union, Guthrie and Raymonde have produced releases from new bands signed to that label.

Raymonde released the solo album Blame Someone Else as the first release on Bella Union. He also co-produced the posthumous album by Billy Mackenzie from the Associates, then went on to produce several Domino Records artists like James Yorkston, Archie Bronson Outfit (whom he later managed) and Clearlake. More recently he has produced the UK band the Duke Spirit, London-based duo Helene, former Golden Virgins frontman Lucas Renney and has mixed the Mercury Prize nominated album The End of History by Fionn Regan. In his role running Bella Union, he has discovered such artists as Laura Veirs, Fleet Foxes, Midlake, Lift to Experience, the Low Anthem, I Break Horses, the Czars and John Grant. The label is renowned for its long-term relationships with its artists, such as Beach House who have released all four of their albums with Bella Union, as have Dirty Three, Midlake etc. Raymonde picked up the Independent Record Company of the Year award at the Music Week Awards (as voted by UK independent retailers) in 2010, 2012 and 2014.

Guthrie has released six solo albums – Imperial, Continental, Carousel, Emeralds, Fortune, and Pearldiving– and eight EPs. He toured extensively with his band Violet Indiana, which included ex-Cocteau Twins guitarist Mitsuo Tate in the line-up. He has also scored the music for three movies — Gregg Araki's Mysterious Skin (in collaboration with Harold Budd), Dany Saadia's 3:19 Nada Es Casualidad (a Mexican/Spanish production), and again with Gregg Araki and Harold Budd on the score and the soundtrack of White Bird in a Blizzard. He reunited with Budd to collaborate on two companion albums, Before the Day Breaks and After the Night Falls, and the albums Bordeaux, Winter Garden (a collaboration that included Italian electronica artist Eraldo Bernocchi), and Another Flower, which was released after Budd's passing in 2020. In 2006, Guthrie produced three songs on Mahogany's Connectivity. He also produced and played guitar on Apollo Heights debut album, White Music for Black People.

Fraser provided guest vocals on the Future Sound of London's single "Lifeforms" (1993), vocals for three songs on Massive Attack's Mezzanine in 1998 (as well as touring with them several times), and for other musical projects and groups. She wrote the lyrics and sang the vocals for "Teardrop" by Massive Attack which was released as a single in 1998 and reached number 10 in the UK singles chart.[25] Fraser provided the vocals for "Lament for Gandalf" on The Lord of the Rings: The Fellowship of the Ring soundtrack. In 2000 she sang with Peter Gabriel on Ovo (The Millennium Show). In 2005, she worked with Breton musician Yann Tiersen on two songs for his album Les retrouvailles. In 2009, she released the single "Moses" on Rough Trade.[26]

Musical style and influences

Cocteau Twins' early recordings were classified in the gothic rock[27][28][29][30] and post-punk genres.[31] The band's influences at the time they formed included The Birthday Party (drummer Phill Calvert encouraged the group to sign to 4AD),[32] Sex Pistols, Kate Bush and Siouxsie and the Banshees[33] (Fraser had Siouxsie tattoos on her arms for several years).[34][35] The band was named after the early Simple Minds song "The Cocteau Twins" (later rewritten as "No Cure").[36] As the band's sound developed, their subsequent music was classified as dream pop,[2][37] darkwave[38] and ethereal wave.

Cocteau Twins' music influenced numerous artists in different genres, including Slowdive,[39] Deftones, the Weeknd, Napalm Death, John Grant, Prince, Sigur Rós and Massive Attack.[40]

Members

Touring contributors:

  • Ben Blakeman – additional guitars (1990–1994)
  • Mitsuo Tate – additional guitars (1989–1996)
  • Benny Di Massa – drums (1994–1996)
  • David Palfreeman – percussion (1993–1996)

Discography

Bibliography

  • The First Time I Heard Cocteau Twins (2012), edited by Scott Heim. Rosecliff Press.
  • Manuceau, Jean-Christophe (2013). Cocteau Twins, Des Punks Célestes. Camion Blanc. ISBN 9782357793309. Retrieved 17 April 2014.

References

  1. 1 2 3 4 5 6 7 8 9 Ankeny, Jason. "Cocteau Twins' Biography". AllMusic. Archived from the original on 8 September 2011. Retrieved 8 March 2012.
  2. 1 2 "Dream Pop Music Genre Overview – AllMusic". AllMusic. Archived from the original on 12 September 2019. Retrieved 15 March 2018.
  3. ↑ Reynolds, Simon (1 December 1991), "Pop View; 'Dream-Pop' Bands Define the Times in Britain", The New York Times, archived from the original on 2 September 2020, retrieved 7 March 2010
  4. ↑ Troussé, Stephen (15 December 2021). "Ultimate genre guide: shoegaze". Uncut.
  5. ↑ Parys, Bryan (13 September 2019). "Do You Shoegaze?: a primer on the underground genre". Berklee.
  6. 1 2 Anonymous (30 November 2009). "Elizabeth Fraser breaks silence about aborted Cocteau Twins reunion, releases new single". Slicing Up Eyeballs. Archived from the original on 13 April 2020. Retrieved 13 April 2020.
  7. ↑ "Cocteau Twins' 'Milk & Kisses' Turns 25: Bassist Simon Raymonde revisits the band's swan song". Spin. 15 March 2021. Archived from the original on 16 March 2021. Retrieved 18 March 2021.
  8. 1 2 3 4 Colin Larkin, ed. (1997). The Virgin Encyclopedia of Popular Music (Concise ed.). Virgin Books. p. 280. ISBN 1-85227-745-9.
  9. ↑ "The Alexei Sayle Podcast: A Very Capaldi Christmas! Part 1: The Dreamboys (with Peter Capaldi)". Audioboom (Podcast). 58 minutes in. Retrieved 25 December 2023.
  10. ↑ Peel Sessions: Cocteau Twins 21/06/1982 Archived 20 January 2022 at the Wayback Machine BBC
  11. ↑ "Cocteau Twins: Garlands". Cocteau Twins. Archived from the original on 27 July 2021. Retrieved 6 July 2022.
  12. ↑ Prince, Bill (11 September 1982). "New 2 U: Cocteau Twins". Sounds.
  13. ↑ Don Watson, Don (6 November 1982). The Cocteau Twins: Fun From Falkirk – Fat Chance?. {{cite book}}: |work= ignored (help)
  14. ↑ Sue Cummings: "The Pink Opaque", Cocteau Twins review, p. 28, SPIN magazine, March 1986
  15. ↑ Paynes, Steph: "Robin Guthrie", Guitar Player, 25(2):25–26, 1991.
  16. ↑ "Cocteau Twins". Billboard. Archived from the original on 17 November 2021. Retrieved 13 April 2020.
  17. ↑ "Cocteau Twins, UK charts, Albums". Officialcharts.com. Archived from the original on 8 November 2014. Retrieved 8 August 2012.
  18. 1 2 Simpson, Dave (26 November 2009). "Elizabeth Fraser: the Cocteau Twins and me". The Guardian. London. Archived from the original on 22 June 2013. Retrieved 30 December 2011.
  19. ↑ Bush, Calvin (8 October 1993). "These Childish Things". The List. Archived from the original on 20 January 2022. Retrieved 28 June 2019.
  20. ↑ "Cocteau Twins offer previously unreleased live tracks via podcast". Side-line.com. 22 February 1999. Archived from the original on 6 September 2013. Retrieved 30 December 2011.
  21. ↑ "Q Song Awards". Wn.com. Archived from the original on 20 January 2022. Retrieved 30 December 2011.
  22. ↑ "Cocteaus an Inspiration – Q Awards 2008". Qawards.co.uk. 29 June 2005. Archived from the original on 14 June 2013. Retrieved 17 April 2014.
  23. ↑ "The Ivors | the Ivors Academy | Champions of Music Creators". Ivorsacademy.com. 18 May 2023.
  24. ↑ "The official website for independent record label 4AD". 4ad.com.
  25. ↑ "Artists". Officialcharts.com. Archived from the original on 20 January 2022. Retrieved 15 October 2019.
  26. ↑ Elizabeth Fraser releases new single "Moses". Archived 6 September 2013 at the Wayback Machine Side-line.com. 2009. Retrieved 5 September 2014.
  27. ↑ "10 Essential Gothic Rock Albums". Treblezine.com. 27 October 2010. Archived from the original on 19 July 2021. Retrieved 15 March 2018.
  28. ↑ Dale, Jessica (4 August 2020). "A New Generation Love This Classic Goth Group Because Of (You Guessed It...) TikTok". TheMusic. Retrieved 11 November 2022.
  29. ↑ "The Story of Goth in 33 Songs". Pitchfork. Retrieved 11 November 2022.
  30. ↑ Pearis, Bill (30 October 2020). "Classic Goth's 13 Greatest Albums". Brooklyn Vegan. Retrieved 11 November 2022.
  31. ↑ "cocteau twins – history". Cocteautwins.com. Archived from the original on 27 September 2007. Retrieved 15 March 2018.
  32. ↑ "cocteau twins | history | chapter 1: 1982". Cocteautwins.com. Archived from the original on 31 May 2018. Retrieved 15 October 2019.
  33. ↑ Liz Fraser interview. Melody Maker. 6 November 1993
  34. ↑ Chapman, Rob (July 1998). "Dark Side of the Spliff: Massive Attack". Mojo. Archived from the original on 31 August 2016. Retrieved 5 September 2020. "Have you met Liz?" 3D splutters with laughter. "[...] She loved our Siouxsie and the banshees sample off 'Metal Postcard' — she'd just had this Siouxsie and the Banshees tattoo removed from her arm.
  35. ↑ King, Richard (2012). How Soon is Now?: The Madmen and Mavericks who made Independent Music 1975–2005. Faber & Faber. ISBN 978-0571243907. Colin Wallace, their friend, confident and roadie has come from the same background as Fraser; Heggie and Gutrhie. [...] he says, '[...] Elisabeth was a huge Siouxsie fan - she had Siouxsie tattoos which she's had lasered off since'.
  36. ↑ DeRiso, Nick (20 February 2020). "Simple Minds Never Wanted to Record 'Don't You (Forget About Me)'". Ultimate Classic Rock. Archived from the original on 4 March 2020. Retrieved 13 April 2020.
  37. ↑ "The Story Behind the Music of 'Twin Peaks'". rollingstone.com. 25 July 2014. Archived from the original on 14 June 2018. Retrieved 15 March 2018.
  38. ↑ Isabella van Elferen, Jeffrey Andrew Weinstock: Goth Music: From Sound to Subculture. Routledge Studies in Popular Music, 2015, ISBN 0-415-72004-4
  39. ↑ Trunick, Austin (12 August 2014). "Slowdive - Neil Halstead and Rachel Goswell on the Bands That Inspired Them". undertheradarmag.com. Archived from the original on 8 June 2023. Retrieved 1 December 2023.
  40. ↑ Pearis, Bill (17 September 2020). "Cocteau Twins' vast influence lives on :: 24 great artists they've inspired". Brooklyn Vegan. Retrieved 11 November 2022.
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