The Composers Desktop Project (CDP) is an international cooperative network based in the United Kingdom that has been developing software for working with sound materials since 1986. Working on a cooperative basis and motivated by user-specific compositional needs, the project has focused on the development of precise, detailed and multifaceted DSP-based sound transformation tools. Currently, CDP provides sound transformation software (named after the project itself) for Windows and Mac OS X that has been evolving for over 20 years.
In 2014 the main components of the CDP were released as an open-source package licensed under the LGPL. Makefiles are now available for Windows, OSX, and Linux.
Originally, after a study to determine if it was possible and/or feasible to port CMusic from UNIX mainframe systems,[1] the project released the CDP software along with corresponding SoundSTreamer hardware for the Atari ST[2] and later ported the software to DOS. The software tool-set is designed specifically to transform sound samples mostly via offline processing (non-real time); the software is considered complementary to real-time processing and audio sequencers.
References
- ↑ Orton, R. H.; Malham, D. G., Mainframe Computer Music on Microcomputers, AES E-Library Paper 2479, March 1987 http://www.aes.org/e-lib/browse.cfm?elib=4950
- ↑ CDP History http://www.composersdesktop.com/history.html Archived 2009-05-08 at the Wayback Machine
Further reading
- A. Endrich (1996), Composers' Desktop Project: a musical imperative, Organised Sound, Volume 2, Issue 01, Apr 1997, pp 29–33.
- R.W Dobson (1993), The Operation of the Phase Vocoder – a non-mathematical introduction to the Fast Fourier Transform (FFT), a CDP publication, Somerset.
- Wishart T. (1994), Audible Design: A Plain and Easy Introduction to Sound Composition. Orpheus the Pantomime Ltd. (ISBN 978-0951031315).