Denis Dufour | |
|---|---|
 Dufour during the Futura Festival in 2000, Crest, France | |
| Born | 9 October 1953 Lyon, France |
| Education | Paris Conservatory |
| Occupation(s) | Composer, Music Educator and Artistic Director |
| Known for | Acousmatic Art (invented the term),[1][2] Futura Festival,[3] Motus |
| Notable work | Notre besoin de consolation est impossible à rassasier, Bocalises |
| Style | Perceptive morphology |
| Awards |
|
| Website | Denis Dufour |
Denis Dufour (born 9 October 1953) is a composer of art music.
Works
| Year | Name of work | Medium type | Instrumentation | Length | Opus | Remarks |
|---|---|---|---|---|---|---|
| 2021 | Zwei kurze Stücke | acousmatic | stereophonic acousmonium/loudspeakers | 14.14 | op.191 | |
| 2020 | Air | acousmatic | stereophonic acousmonium/loudspeakers | 09.09 | op.190 | text by Thomas Brando, from the cycle Les Acousmalides |
| 2019 | Missa pro pueris | acousmatic | stereophonic acousmonium/loudspeakers | 47.47 | op.189 | text by Thomas Brando |
| 2019 | Touché par l'air | mixed/solo | voice and stereophonic acousmonium/loudspeakers | 11.11 | op.188 | text by Thomas Brando, dedicated to Hém-Ish |
| 2019 | Spot 4 | instrumental/solo | piano four hands | 04.00 | op.187 | dedicated to Jacques Raynaut and Ludovic Selmi |
| 2019 | Abschied und Lebewohl | instrumental/solo | piano | 02.10 | op.186 | dedicated to Karlheinz Roschitz |
| 2019 | Koley Bāzār | acousmatic | stereophonic acousmonium/loudspeakers | 08.08 | op.185 | |
| 2018 | Amor Niger L. | mixed/solo | voice and stereophonic acousmonium/loudspeakers | 06.30 | op.184 | text by Thomas Brando, from the cycle Le Livre des désordres |
| 2018 | BlindPoint | acousmatic | stereophonic acousmonium/loudspeakers | 30.30 | op.183 | |
| 2017 | Les Cris de Tatibagan | acousmatic | stereophonic acousmonium/loudspeakers | 115.00 | op.182 | |
| 2016 | Tapovan | acousmatic | stereophonic acousmonium/loudspeakers | 18.18 | op.181 | text by Thomas Brando, dedicated to Tomonari Higaki |
| 2016 | Anamorphose | acousmatic | stereophonic acousmonium/loudspeakers | 10.10 | op.180 | |
| 2016 | Origine | acousmatic | stereophonic acousmonium/loudspeakers | 17.50 | op.179 | dedicated to Dieter Kaufmann |
| 2016 | In-quarto | instrumental/ensemble | 2 violins, viola and violoncello | 21.00 | op.178 | from the cycle Fantaisies romantiques et baroques/Plis de perversion |
| 2015 | Chambre 44 | mixed/ensemble | flute, alto saxophone, percussion, piano and stereophonic acousmonium/loudspeakers | 10.30 | op.177 | |
| 2015 | Túngara | mixed/solo | marimba and stereophonic acousmonium/loudspeakers | 06.30 | op.176 | from the cycle Fantaisies romantiques et baroques/Marais, dedicated to Philippe Spiesser |
| 2015 | Sprint | instrumental/ensemble | flute, percussion, violin, violoncello and contrabass | 11.00 | op.175 | from the cycle Le Livre des désordres |
| 2014 | Si tendre, si funeste | acousmatic | stereophonic acousmonium/loudspeakers | 05.17 | op.174 | hommage to Marguerite Duras |
| 2014 | Les Fleurs enchantées | mixed/ensemble | 3 flutes and stereophonic acousmonium/loudspeakers | 12.00 | op.173 | |
| 2014 | Fluorescence | instrumental/ensemble | 4 flutes | 13.00 | op.172 | hommage to Jean-Philippe Rameau |
| 2014 | Spot | instrumental/solo | piano | 03.30 | op.171 | from the cycle Fantaisies romantiques et baroques/Délicieux danger, dedicated to Nicolas Horvath |
| 2013 | Blue Rocket on a Rocky Shore | acousmatic | stereophonic acousmonium/loudspeakers | 31.31 | op.170 | text by Thomas Brando |
| 2013 | Stèle pour Pierre Schaeffer | instrumental/ensemble | flute, bass clarinet, alto saxophone, trumpet and violoncello | 05.00 | op.169 | from the cycle Fantaisies romantiques et baroques/Délicieux danger |
| 2013 | Dernier quatuor | instrumental/ensemble | 2 violins, viola and violoncello | 15.00 | op.168 | |
| 2013 | Aristée et Eurydice | acousmatic | stereophonic acousmonium/loudspeakers | 04.00 | op.167 | |
| 2013 | Quatuor “les héros anonymes” | mixed/ensemble | flute, oboe, viola, contrabass and stereophonic acousmonium/loudspeakers | 10.43 | op.166 | |
| 2013 | Cinq formes d'appel | instrumental/ensemble | trumpet and bass clarinet | 09.00 | op.165 | |
| 2013 | In Paradisum | acousmatic | stereophonic acousmonium/loudspeakers | 06.40 | op.164 | |
| 2012 | Post mortem (Et puis paf !) | mixed/choral | choir of mixed voices and stereophonic acousmonium/loudspeakers | 08.21 | op.163 | text by Thomas Brando |
| 2012 | Accordéon | mixed/solo | voice and stereophonic acousmonium/loudspeakers | 03.24 | op.162 | from the cycle Fantaisies romantiques et baroques/Plis de perversion |
| 2012 | Selva | acousmatic | stereophonic acousmonium/loudspeakers | 06.40 | op.161 | |
| 2012 | Volver | acousmatic | stereophonic acousmonium/loudspeakers | 06.30 | op.160 | |
| 2012 | Syntagma | acousmatic | stereophonic acousmonium/loudspeakers | 13.00 | op.159 | dedicated to Iannis Xenakis |
| 2011 | Hentai | acousmatic | stereophonic acousmonium/loudspeakers | 10.32 | op.158 | text by Thomas Brando |
| 2011 | Variations acousmatiques | acousmatic | stereophonic acousmonium/loudspeakers | 14.26 | op.157 | |
| 2011 | Les Invasions fantômes | acousmatic | stereophonic acousmonium/loudspeakers | 32.50 | op.149 | text by Thomas Brando |
| 2011 | Poursuite | instrumental/ensemble | violin and violoncello | 09.30 | op.156 | |
| 2011 | Rivage de la soif | acousmatic | stereophonic acousmonium/loudspeakers | 10.00 | op.155 | text by Thomas Brando, from the cycle Les Acousmalides |
| 2010 | The Wall | acousmatic | stereophonic acousmonium/loudspeakers | 28.40 | op.154-a | |
| 2010 | Mur | multimedia | stereophonic acousmonium/loudspeakers and video | 28.40 | op.154-b | |
| 2010 | Ryoan-ji [Le jardin de Pierre de Kyoto] | acousmatic | stereophonic acousmonium/loudspeakers | 10.19 | op.153 | from the cycle Fantaisies romantiques et baroques/Délicieux danger |
| 2009 | La Chasse à l'ombilic | mixed/ensemble | narrator, violin, viola, violoncello and stereophonic acousmonium/loudspeakers | 11.06 | op.152 | text by Thomas Brando |
| 2009 | Gaillarde | instrumental/ensemble | ensemble of recorders | 06.30 | op.151 | |
| 2009 | Face aux ténèbres | mixed/ensemble | alto saxophone, percussion, piano and stereophonic acousmonium/loudspeakers | 10.14 | op.150 | from the cycle Le Livre des désordres |
| 2009 | L'Attente des nuages | mixed/solo | contralto and stereophonic acousmonium/loudspeakers | 38.15 | op.148 | text by Thomas Brando |
| 2009 | Augen Licht | acousmatic | stereophonic acousmonium/loudspeakers | 25.00 | op.147 | |
| 2009 | The Blob | acousmatic | stereophonic acousmonium/loudspeakers | 10.11 | op.146 | from the cycle Le Livre des désordres |
| 2008 | Acid Folk | mixed/ensemble | clarinet, violoncello and stereophonic acousmonium/loudspeakers | 42.00 | op.145 | |
| 2008 | PH 27-80 | acousmatic | stereophonic acousmonium/loudspeakers | 80.27 | op.144 | dedicated to Pierre Henry |
| 2008 | Heimliches Licht | mixed/solo | flute and stereophonic acousmonium/loudspeakers | 07.25 | op.143 | from the cycle Le Livre des désordres |
| 2008 | Noir | mixed/solo | piano and stereophonic acousmonium/loudspeakers | 06.00 | op.142 | from the cycle Le Livre des désordres |
| 2008 | Flamme | instrumental/orchestral | symphony orchestra | 03.30 | op.141 | |
| 2007 | Carosello | acousmatic | 16 channel acousmonium/loudspeakers | 08.14 | op.140 | |
| 2007 | Dionaea | acousmatic | stereophonic acousmonium/loudspeakers | 10.10 | op.139 | from the cycle Le Livre des désordres |
| 2007 | Spiritus / Stella | instrumental/ensemble | 2 viola de gambas | 10.00 | op.138 | from the cycle Le Livre des désordres |
| 2007 | L'Esprit en étoile | acousmatic | stereophonic acousmonium/loudspeakers | 14.44 | op.137 | from the cycle Le Livre des désordres |
| 2006 | Altitude | instrumental/solo | viola | 12.30 | op.136 | |
| 2005 | Oriflamme | instrumental/ensemble | saxophone and percussion | 12.00 | op.135 | |
| 2005 | Voix Off' | acousmatic | stereophonic+hexaphonic acousmonium/loudspeakers | 91.02 | op.134 | text by Thomas Brando |
| 2005 | Salves | mixed/ensemble | flute, saxophone, percussion, piano and stereophonic acousmonium/loudspeakers | 35.00 | op.133 | |
| 2004 | Deux rainettes vertes | mixed/ensemble | 2 guitars and acousmonium/loudspeakers | 10.10 | op.132 | from the cycle Fantaisies romantiques et baroques/Marais |
| 2004 | Secret plié en seize dans le coffre de hune | instrumental/ensemble | guitar, violin, viola and violoncello | 05.00 | op.131 | from the cycle Fantaisies romantiques et baroques/Plis de perversion |
| 2004 | Rainette verte | instrumental/solo | guitar | 06.00 | op.130 | from the cycle Fantaisies romantiques et baroques/Marais |
| 2003 | Sphère | instrumental/orchestral | large orchestra | 06.30 | op.129 | |
| 2003 | La Tour des murmures | acousmatic | 16 channel acousmonium/loudspeakers | 70.00 | op.128 | |
| 2003 | Silex | instrumental/ensemble | flute, clarinet, violin, viola and violoncello | 13.00 | op.127 | |
| 2003 | Le Tango de l'oubli | acousmatic | stereophonic acousmonium/loudspeakers | 04.02 | op.126 | |
| 2003 | Sotto voce | acousmatic | stereophonic acousmonium/loudspeakers | 15.22 | op.125 | text by Thomas Brando |
| 2002 | Géométrie mystique | acousmatic | stereophonic acousmonium/loudspeakers | 04.28 | op.124 | text by Thomas Brando, from the cycle Les Acousmalides |
| 2002 | Mille soleils | instrumental/orchestral | symphonic band | 18.00 | op.123 | |
| 2002 | La Terre est ronde | acousmatic | stereophonic acousmonium/loudspeakers | 11'05 | op.122 | Compact Disc: Motus Acousma M303006; dedicated to Jonathan Prager |
| 2002 | L’Ivre d’avril | acousmatic | stereophonic acousmonium/loudspeakers | 04.10 | op.121 | text by Thomas Brando, from the cycle Les Acousmalides |
| 2002 | L’Heure exacte | mixed/ensemble | clarinet, saxophone, trombone, piano and stereophonic acousmonium/loudspeakers | 13.00 | op.120 | |
| 2002 | Confession | instrumental/ensemble | soprano, flute, percussion and violoncello | 06.00 | op.119 | text by Thomas Brando, from the cycle Le Plaisir des chants difficiles |
| 2002 | Dédale | instrumental/ensemble | soprano, flute, percussion and violoncello | 07.10 | op.118 | text by Thomas Brando, from the cycle Le Plaisir des chants difficiles |
| 2002 | Préhistoire | instrumental/ensemble | soprano, flute, percussion and violoncello | 05.10 | op.117 | text by Thomas Brando, from the cycle Le Plaisir des chants difficiles |
| 2001 | Piano dans le ciel | acousmatic | stereophonic acousmonium/loudspeakers | 37.00 | op.116 | |
| 2001 | Panique au bord de l’eau | acousmatic | stereophonic acousmonium/loudspeakers | 06.05 | op.115 | text by Thomas Brando, from the cycle Les Acousmalides |
| 2001 | La Malédiction des flammes | acousmatic | stereophonic acousmonium/loudspeakers | 06.11 | op.114 | text by Thomas Brando; from the cycle Les Acousmalides; Compact Disc: Licences LCScd01 |
| 2001 | Berechit | acousmatic | stereophonic acousmonium/loudspeakers | 06.00 | op.113 | |
| 2001 | Spirale | acousmatic | stereophonic acousmonium/loudspeakers | 18.48 | op.112 | |
| 2001 | Nautilus | acousmatic | stereophonic acousmonium/loudspeakers | 07.44 | op.111 | |
| 2000 | Chanson de la plus haute tour | acousmatic | stereophonic double acousmonium/loudspeakers | 72.00 | op.110 | text by Thomas Brando; voice of Pierre Henry; dedicated to Pierre Henry |
| 2000 | Organa | acousmatic | stereophonic acousmonium/loudspeakers | 09.00 | op.109 | |
| 2000 | Caravaggio | acousmatic | stereophonic acousmonium/loudspeakers | 10.00 | op.108 | text by Thomas Brando, from the cycle Les Acousmalides, Licences |
| 2000 | La Nuit du Dibdak | acousmatic | stereophonic acousmonium/loudspeakers | 06.12 | op.107 | co-composed with Roberto Kenofsky; text by Marc Jaffeux; Compact Disc: Studio Forum |
| 2000 | L’Aile de l’abeille | acousmatic | stereophonic acousmonium/loudspeakers | 07.00 | op.106 | text by Marc Jaffeux |
| 1999 | Les Joueurs de sons | acousmatic | stereophonic+hexaphonic acousmonium/loudspeakers | 72.40 | op.105 | co-composed with Agnes Poisson |
| 1999 | Organe | mixed/solo | organ and stereophonic acousmonium/loudspeakers | 12.00 | op.104 | |
| 1998 | Orange-Cité | instrumental/ensemble | flute, clarinet, percussion, piano, violin, viola, violoncello and contrabass | 08.30 | op.103 | |
| 1998 | Cinq miniatures pour Barbe Bleue | instrumental/ensemble | soprano, bass, flute, clarinet, piano, violin, viola and violoncello | 12.00 | op.102 | text by Thomas Brando |
| 1998 | Terra incognita | acousmatic | stereophonic double acousmonium/loudspeakers | 25.42 | op.101 | Compact Disc: Motus Acousma M199005; dedicated to Pierre Schaeffer |
| 1998 | Lachrymae | instrumental/ensemble | 6 viols | 25.00 | op.100 | |
| 1997 | Beethov’étonne | acousmatic | stereophonic acousmonium/loudspeakers | 04.20 | op.099 | |
| 1997 | Lux tenebrae | acousmatic | stereophonic acousmonium/loudspeakers | 22.14 | op.098 | Compact Disc: Motus Acousma M199005 |
| 1997 | Ebene Sieben | acousmatic | stereophonic acousmonium/loudspeakers | 25.40 | op.097 | Compact Disc: Motus Acousma M199005; dedicated to Karlheinz Stockhausen |
| 1997 | Le Petit oiseau va sortir | acousmatic | stereophonic acousmonium/loudspeakers | 14.00 | op.096 | |
| 1997 | Le Mystère des tornades | mixed/ensemble | oboe, harp, viola, violoncello and stereophonic acousmonium/loudspeakers | 25.30 | op.095 | |
| 1997 | Fanfare | acousmatic | octophonic acousmonium/loudspeakers | 06.41 | op.094 | |
| 1996 | Variations sur un thème de François Bayle | instrumental/ensemble | piccolo | 03.00 | op.093 | |
| 1996 | Trois transcriptions d’après Rameau | instrumental/ensemble | flute, oboe, clarinet, harp, piano, violin, viola and violoncello | 14.00 | op.092 | |
| 1996 | Une abeille et une perle | acousmatic | stereophonic acousmonium/loudspeakers | 13.22 | op.091 | |
| 1996 | Excusez-moi, je meurs | instrumental/ensemble | piano, percussion and violoncello | 06.30 | op.090 | from the cycle Fantaisies romantiques et baroques/Délicieux danger |
| 1996 | Nuage de Pierre | acousmatic | stereophonic acousmonium/loudspeakers | 05.05 | op.089 | from the cycle Fantaisies romantiques et baroques/Délicieux danger |
| 1996 | Bazar punaise | acousmatic | stereophonic acousmonium/loudspeakers | 41.26 | op.088 | text by Thomas Brando |
| 1996 | Elixir | acousmatic | stereophonic acousmonium/loudspeakers | 12.34 | op.087 | Compact Disc: Motus Acousma M303006 |
| 1995 | Hélice | acousmatic | stereophonic acousmonium/loudspeakers | 11.58 | op.086 | Compact Disc: Motus Acousma M303006 |
| 1995 | Exil | acousmatic | stereophonic acousmonium/loudspeakers | 12.39 | op.085 | Compact Disc: Motus Acousma M303006 |
| 1995 | Litanie pour les vierges | instrumental/choral | 2 treble choirs and 12 strings | 17.00 | op.084 | text by Thomas Brando |
| 1995 | Allégorie | acousmatic | stereophonic acousmonium/loudspeakers | 69.30 | op.083 | |
| 1995 | Avalanche | instrumental/solo | piano | 51.00 | op.082 | dedicated to François-Michel Rignol |
| 1995 | Golgotha | acousmatic | stereophonic acousmonium/loudspeakers | 26.50 | op.081 | texts by Thomas Brando and Marc Jaffeux |
| 1994 | Offrande ou l’être achevé | acousmatic | stereophonic acousmonium/loudspeakers | 17.00 | op.080 | text by Thomas Brando |
| 1993 | Où est maintenant la forêt ? | acousmatic | stereophonic acousmonium/loudspeakers | 26.28 | op.079 | Compact Disc: Motus Acousma M197001 |
| 1993 | Chrysalide | acousmatic | stereophonic acousmonium/loudspeakers | 29.05 | op.078 | Compact Disc: GRM Ina e5007 |
| 1993 | Flèches | acousmatic | stereophonic acousmonium/loudspeakers | 26.00 | op.077 | text by Thomas Brando |
| 1992 | Ataraxie | instrumental/ensemble | 2 recorder quartets and a recorder ensemble | 12.00 | op.076 | Compact Disc: MA 2005 |
| 1992 | En effeuillant la marguerite | instrumental/solo | oboe | 15.00 | op.075 | text by Marc Jaffeux |
| 1992 | Archéoptéryx | instrumental/ensemble | flute, oboe, clarinet, saxophone, trombone, accordion and piano four hands | 13.00 | op.074 | |
| 1992 | Cannibale | instrumental/ensemble | guitar and sampler with trigger | 07.00 | op.073 | |
| 1992 | Souvenir de craie | instrumental/ensemble | flute, oboe, clarinet, saxophone, trombone, accordion and piano four hands | 04.00 | op.072 | from the cycle Fantaisies romantiques et baroques/Délicieux danger |
| 1992 | Collection de timbres | mixed/solo | organ and stereophonic acousmonium/loudspeakers | 25.00 | op.071 | text by Thomas Brando |
| 1992 | Salamandre | instrumental/ensemble | flute, oboe, clarinet, harp, violin and violoncello | 07.30 | op.070 | from the cycle Fantaisies romantiques et baroques/Marais |
| 1991 | Crapaud brillant | instrumental/solo | harpsichord | 08.00 | op.069 | from the cycle Fantaisies romantiques et baroques/Marais |
| 1991 | Légende | acousmatic | stereophonic acousmonium/loudspeakers | 25.45 | op.068 | |
| 1991 | Charge maximale | acousmatic | stereophonic acousmonium/loudspeakers | 31.50 | op.067 | text by Thomas Brando |
| 1991 | Interruption | instrumental/ensemble | flute, synthesizer, violin, viola, violoncello, actor | 10.00 | op.066 | text by Thomas Brando |
| 1991 | Tom et la Licorne | mixed/ensemble | solo voices, vocal quartet, instrumental ensemble, stereophonic acousmonium/loudspeakers | 90.00 | op.065 | text by Thomas Brando |
| 1991 | Torrents du miroir | instrumental/ensemble | soprano, mezzo-soprano, counter-tenor, bass, flute, saxophone, horn, trumpet, trombone, violin and contrabass | 15.00 | op.064 | text by Thomas Brando; Compact Disc: ENM D03 |
| 1990 | Duel | instrumental/ensemble | 2 trumpets | 04.00 | op.063 | |
| 1990 | Le Labyrinthe de l'amour /2 | mixed/ensemble | jazz ensemble and stereophonic acousmonium/loudspeakers | 21.00 | op.062 | |
| 1990 | Alpage | instrumental/solo | electronic percussion | 09.00 | op.061 | text by Thomas Brando |
| 1990 | Chanson pensive | instrumental/ensemble | flute, bass flute, clarinet, basset horn, bass clarinet, viola and sampler | 20.00 | op.060 | |
| 1990 | Hérisson cathédrale | instrumental/ensemble | flute, clarinet, violin, violoncello, piano, celesta and harpsichord | 19.00 | op.059 | |
| 1989 | Cet été sur la plage (acousmatic version) | acousmatic | stereophonic acousmonium/loudspeakers | 12.00 | op.058-b | text by Thomas Brando, from the cycle Les Acousmalides |
| 1989 | Cet été sur la plage | mixed/solo | oboe and stereophonic acousmonium/loudspeakers | 12.00 | op.058-a | text by Thomas Brando |
| 1989 | Tu sa' ch'i' so | instrumental/ensemble | soprano, clarinet, violin, viola and violoncello | 19.00 | op.057 | text by Michelangelo |
| 1989 | Jeu délicieux | instrumental/ensemble | tenor and viola | 11.00 | op.056 | text by Denis Dufour |
| 1989 | Tulipe | mixed/solo | horn and stereophonic acousmonium/loudspeakers | 07.20 | op.055 | |
| 1989 | Notre besoin de consolation est impossible à rassasier | acousmatic | stereophonic acousmonium/loudspeakers | 67.22 | op.054 | text by Stig Dagerman; voice of Thomas Brando; Compact Disc: GRM Ina c1010 |
| 1988 | Noël toxique | acousmatic | stereophonic acousmonium/loudspeakers | 03.10 | op.053 | text by Thomas Brando |
| 1988 | Moirures éteintes de la galaxie (Cosmophonie) | instrumental/ensemble | clarinet, horn, percussion, violin, violoncello and 2 synthesizers | 20.00 | op.052 | from the cycle Fantaisies romantiques et baroques/Plis de perversion |
| 1988 | Grenouille écarlate | instrumental/solo | guitar | 08.00 | op.051 | from the cycle Fantaisies romantiques et baroques/Marais |
| 1988 | Douze mélodies acousmatiques | acousmatic | stereophonic acousmonium/loudspeakers | 25.41 | op.050 | Compact Disc: Motus Acousma M197002, dedicated to Michel Chion |
| 1988 | Etude pour synthétiseur | instrumental/solo | synthesizer | 03.30 | op.049 | |
| 1988 | Drapé de peaux de bêtes sur le corps des héros (L'Homme au masque de craie) | instrumental/orchestral | mezzo-soprano and orchestra | 20.00 | op.048 | text by Thomas Brando, from the cycle Fantaisies romantiques et baroques/Plis de perversion |
| 1987 | Nuit d'hiver | instrumental/ensemble | oboe, clarinet, horn, trombone, glockenspiel, harp and 2 violoncellos | 14.00 | op.047-b | |
| 1987 | Nuit d'hiver | instrumental/ensemble | oboe, clarinet, horn, trombone, glockenspiel, harp, 2 violoncellos and narrator | 14.00 | op.047-a | text by Dominique Dubreuil |
| 1987 | Messe à l'usage des vieillards | acousmatic | quadriphonic acousmonium/loudspeakers | 32.50 | op.046 | text by Thomas Brando; Compact Disc: Accord UnaCorda 202222 |
| 1987 | Musique à coudre | acousmatic | stereophonic acousmonium/loudspeakers | 41.30 | op.045 | co-composed with Brigitte Gardet |
| 1986 | Messe à l'usage des enfants | acousmatic | quadriphonic acousmonium/loudspeakers | 30.35 | op.044 | text by Thomas Brando |
| 1986 | Tandem oblique | instrumental/ensemble | flute and piano | 14.00 | op.043 | Compact Disc: Motus Aujourd’hui M298004 |
| 1986 | Psaume d'Adam | acousmatic | stereophonic acousmonium/loudspeakers | 10.45 | op.042 | text by Thomas Brando, from the cycle Les Acousmalides |
| 1986 | Deux cartes postales | acousmatic | stereophonic acousmonium/loudspeakers | 08.35 | op.041 | |
| 1986 | Exactement le contraire | multimedia | ballet and stereophonic acousmonium/loudspeakers | 69.00 | op.040 | |
| 1985 | Le Pistolet d'or | instrumental/ensemble | 2 violins, 2 violas and 2 violoncellos | 23.00 | op.039 | |
| 1985 | Fantaisie soluble | instrumental/ensemble | clarinet, horn, percussion, violin, violoncello and 2 synthesizers | 14.00 | op.038 | |
| 1985 | Froncement des yeux de ton beau visage (1e lettre à Pinocchio) | instrumental/ensemble | violin, violoncello and synthesizer | 15.00 | op.037 | from the cycle Fantaisies romantiques et baroques/Plis de perversion |
| 1985 | La Cour des immortels du désir | multimedia | ballet and stereophonic acousmonium/loudspeakers | 71.05 | op.036 | |
| 1984 | Le Labyrinthe de l'amour /1 | acousmatic | stereophonic acousmonium/loudspeakers | 03.35 | op.035 | Compact Disc: Licences |
| 1984 | Paysage | mixed/solo | violoncello and stereophonic acousmonium/loudspeakers | 03.30 | op.034 | |
| 1984 | Ourlé du lac à la première goutte de pluie (Pli de perversion /2) | instrumental/ensemble | violin, synthesizer and real time transformation device | 14.00 | op.033 | from the cycle Fantaisies romantiques et baroques/Plis de perversion; Compact Disc: GRM Ina c1034 |
| 1984 | Quatuor “Non parmi les anges” | instrumental/ensemble | soprano, violin, viola and violoncello | 05.10 | op.032 | text by Thomas Brando, from the cycle Le Plaisir des chants difficiles |
| 1984 | Dix portraits | acousmatic | stereophonic acousmonium/loudspeakers | 38.20 | op.031-b | Compact Disc: Motus Acousma M197002 |
| 1984 | Dix portraits | mixed/ensemble | 3 synthesizers and stereophonic acousmonium/loudspeakers | 40.00 | op.031-a | |
| 1983 | Colloque | acousmatic | stereophonic acousmonium/loudspeakers | 15.07 | op.030 | |
| 1983 | Six mélodies | instrumental/ensemble | soprano and piano | 11.00 | op.029 | text by Jean-Christophe Thomas |
| 1983 | Vendredi, jour de liberté | multimedia | drama and stereophonic acousmonium/loudspeakers | 25.15 | op.028 | |
| 1983 | Suite bleue | acousmatic | stereophonic acousmonium/loudspeakers | 19.20 | op.027 | Compact Disc: Accord UnaCorda 202222 |
| 1983 | Le Lis vert | acousmatic | stereophonic acousmonium/loudspeakers | 37.00 | op.026 | Compact Disc: Motus Acousma M306011 |
| 1982 | Entre dames | acousmatic | stereophonic acousmonium/loudspeakers | 19.30 | op.025 | |
| 1982 | Lèvres serviles | instrumental/choral | female choir | 20.00 | op.024 | |
| 1982 | Rêve lisse | instrumental/ensemble | violin and 2 synthesizers | 12.00 | op.023 | Compact Disc: GRM Ina 9115/9116 |
| 1981 | Suite en trois mouvements | acousmatic | stereophonic acousmonium/loudspeakers | 21.13 | op.022 | Compact Disc: Motus Acousma M303006 |
| 1981 | Dune | instrumental/ensemble | 2 flutes | 08.30 | op.021 | |
| 1980 | La Galerie | mixed/ensemble | 3 sounding bodies, 3 synthesizers and stereophonic acousmonium/loudspeakers | 46.30 | op.020 | |
| 1980 | L'Apocalypse d'Angers | mixed/solo | narrator and stereophonic acousmonium/loudspeakers | 50.30 | op.019-b | text selected by Benjamin Duvshani from the Apocalypse of John |
| 1980 | L'Apocalypse d'Angers | acousmatic | stereophonic acousmonium/loudspeakers | 50.30 | op.019-a | text selected by Benjamin Duvshani from the Apocalypse of John; voice of Benjamin Duvshani |
| 1980 | J.a.ch.H.16 | mixed/ensemble | 3 synthesizers | 18.45 | op.018 | |
| 1979 | La Douceur a des cils | instrumental/ensemble | soprano, alto, tenor, bass | 18.30 | op.017 | text by Michel Vincent |
| 1979 | Un petit qui t'aime | mixed/ensemble | 3 percussionists and stereophonic acousmonium/loudspeakers | 15.30 | op.016 | |
| 1979 | Rond de jambe | acousmatic | stereophonic acousmonium/loudspeakers | 08.05 | op.015 | |
| 1979 | Le Cercle dans tous ses états | multimedia | ballet and stereophonic acousmonium/loudspeakers | 55.30 | op.014 | |
| 1979 | Cueillir à l'arbre un petit garçon | instrumental/ensemble | saxophone, synthesizer and real time transformation device | 14.00 | op.013 | |
| 1979 | Je voulais parler des oiseaux | mixed/ensemble | soprano, guitar and stereophonic acousmonium/loudspeakers | 40.00 | op.012 | text by Jean-Christophe Thomas and Denis Dufour |
| 1978 | Velours des dunes infoulées (Pli de perversion /1) | instrumental/ensemble | string instrument and synthesizer | 11.00 | op.011 | from the cycle Fantaisies romantiques et baroques/Plis de perversion |
| 1978 | Souvenir de Pierre | instrumental/ensemble | any 3 or more instruments | 05.00 | op.010 | from the cycle Fantaisies romantiques et baroques/Délicieux danger |
| 1978 | Trio | instrumental/ensemble | violin, mandolin, synthesizer and real time transformation device | 14.00 | op.009 | |
| 1978 | Bocalises, grande suite | acousmatic | stereophonic acousmonium/loudspeakers | 36.43 | op.008 | Compact Disc: Motus Acousma M306011 |
| 1977 | Bocalises, petite suite | acousmatic | stereophonic acousmonium/loudspeakers | 19.02 | op.007 | Compact Discs: Accord UnaCorda 202222; Eferp 97-2; GRM Ina c1000 |
| 1977 | Concerto | instrumental/orchestral | violin and orchestra | 18.00 | op.006 | |
| 1977 | Boucles | instrumental/solo | 10 string guitar | 05.00 | op.005 | |
| 1977 | Objet-danse | multimedia | ballet and stereophonic acousmonium/loudspeakers | 93.00 | op.004 | |
| 1977 | Le Crin s'ébruite | instrumental/ensemble | viola and percussion | 16.00 | op.003 | |
| 1977 | En sursaut | instrumental/ensemble | soprano and viola | 10.00 | op.002 | text by Denis Dufour |
| 1976 | Etude de composition /1 | acousmatic | stereophonic acousmonium/loudspeakers | 04.46 | op.001 |
Discography
| Publisher | Year | Reference | Contents |
|---|---|---|---|
| EAP Records | 2013 | Denis Dufour PH 27-80 EAP Records N°01 | • PH 27-80 |
| Licences | 2009 | Brûlures des langues I-X Licences LCScd01 | • La Malédiction des flammes |
| Motus | 2006 | Bocalises Motus Acousma M306011 | • Bocalises, grande suite • Le Lis vert |
| Licences | 2004 | Licences n° 2 Licences | • Le Labyrinthe de l'amour |
| Ina GRM | 2004 | Archives GRM 4/5 · Le temps du temps réel GRM Ina c1034 | • Pli de perversion (excerpt) |
| Motus | 2003 | La Terre est ronde Motus Acousma M303006 | • Elixir • Exil • Hélice • La Terre est ronde • Suite en trois mouvements |
| Motus | 2002 | Terra incognita Motus Acousma M199005 | • Ebene sieben • Lux tenebrae • Terra incognita |
| Studio Forum | 2001 | Virtual Zoo Studio Forum | • La Nuit du Dibdak |
| Licences | 2000 | Licences n° 1 Licences | • Caravaggio • Entre dames |
| Motus | 1998 | L’Air du large Motus Aujourd’hui M298004 | • Tandem oblique |
| Ina GRM | 1997 | Les 50 ans de la musique concrète Ina GRM LMC 9798 | • Messe à l'usage des vieillards (excerpt) |
| Motus | 1997 | Dix portraits / Douze mélodies acousmatiques Motus Acousma M197002 | • Dix portraits • Douze mélodies acousmatiques |
| Motus | 1997 | Où est maintenant la forêt? Motus Acousma M197001 | • Où est maintenant la forêt? |
| Eferp | 1997 | XIX° Concorso internazionale Luigi Russolo di musica elettroacustica Eferp 97-2 | • Bocalises, petite suite |
| Ina GRM | 1996 | Chrysalide GRM Ina e5007 | • Chrysalide |
| CEEPAME / Musicale Ecole / In-Octavio / DPM / GAMME | 2005 | Cultivons notre oreille F.E.R. 1 | • Bocalises (excerpt) |
| Ina GRM | 1995 | La Collection CD GRM Ina ACM 1995 | • Notre besoin de consolation est impossible a rassasier (excerpt) |
| MA | 1993 | L’Air du temps MA 2005 | • Ataraxie |
| Accord UnaCorda | 1992 | Messe à l'usage des vieillards Accord UnaCorda 202222 | • Bocalises, petite suite • Messe à l'usage des vieillards • Suite bleue |
| Ina GRM | 1991 | Notre besoin de consolation est impossible a rassasier GRM Ina c1010 | • Notre besoin de consolation est impossible a rassasier |
| ENM | 1991 | Troisième concours de composition André Jolivet ENM D03 | • Torrents du miroir |
| Ina GRM | 1984 | Concert imaginaire GRM GRM Ina c1000 | • Bocalises (excerpt) |
| Ina GRM | 1984 | Dufour Geslin Cuniot Mion Parmegiani GRM Ina 9115/9116 | • Rêve lisse |
| Ina GRM | 1982 | Pierre Schaeffer Parole et Musique GRM Ina 9106 | • Souvenir de Pierre |
| REM | 1980 | Duo Delangle Saxophone et Piano REM 10864 | • Cueillir à l'arbre un petit garçon |
References
- ↑ Thompson, Robert S. "Acousmatics and Musique Concrete". SoundScape. Jay Ver Haeghe. Retrieved 22 December 2011.
- ↑ Francis, Dhomont. "Acousmatic, what is it?". Cycle of wanderings. empreintes DIGITALes. Retrieved 22 December 2011.
- ↑ Karman, Michael E. "Futura 06 – oui au weekend des 35 heures". Events. asymmetry music magazine. Archived from the original on 9 March 2016. Retrieved 9 February 2012.
- ↑ "Prix de la meilleure création contemporaine électroacoustique" (PDF). SACEM. Archived from the original (PDF) on 12 June 2012. Retrieved 21 December 2011.
External links
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