Diary of a Mod Housewife | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 1996 | |||
Genre | Alternative rock | |||
Label | Koch Records[1] | |||
Producer | Elliot Easton, Gene Holder | |||
Amy Rigby chronology | ||||
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Diary of a Mod Housewife is the debut album by the American musician Amy Rigby, released in 1996.[2][3] It has been called a concept album about growing older in a music scene, marriage, motherhood, and romantic dissolution.[4][5]
Production
The album was produced by the Cars guitarist Elliot Easton, with the dB member Gene Holder.[6][7] Rigby duets with John Wesley Harding on the album's third track, "Beer & Kisses".[8] Ira Kaplan contributed organ to "That Tone of Voice".[9] Diary of a Mod Housewife was written while Rigby was doing temp work in New York.[10]
Critical reception
Review scores | |
---|---|
Source | Rating |
AllMusic | [11] |
Calgary Herald | [12] |
Robert Christgau | A[5] |
The Encyclopedia of Popular Music | [1] |
Entertainment Weekly | A−[13] |
Lincoln Journal Star | [9] |
MusicHound Rock: The Essential Album Guide | [14] |
Spin | 7/10[15] |
Robert Christgau thought that Rigby personalizes "the political for a bohemia that coexists oh so neatly with structural underemployment [and thinks] harder about marriage than a dozen Nashville homilizers."[5] Entertainment Weekly called the album "an impressive debut," writing that the songs "occupy a world where relationships, jobs, and urban life are rife with unfulfilled promise."[13] The New York Times thought that "like Kate McGarrigle and Iris DeMent, Ms. Rigby has a reedy voice with steely underpinnings," writing: "With clear-cut melodies and an exacting eye, songs like 'Beer and Kisses' and 'Just Someone I Had in Mind' measure the distance between romance and reality."[16]
The Philadelphia Inquirer placed the album on the "short" list of "grown-up rock-and-roll records that examine monogamy with insight and intelligence."[17] Stereo Review deemed it "a cross between the Go-Go's, Buddy Holly, and a female cowpunk band."[18]
AllMusic wrote that "in addition to her knowing lyrical eye, Rigby is also a terrific composer who synthesizes elements of rock, country, folk and girl group-era pop."[11]
Track listing
No. | Title | Length |
---|---|---|
1. | "Time for Me to Come Down" | |
2. | "Sad Tale" | |
3. | "Beer & Kisses" | |
4. | "20 Questions" | |
5. | "Down Side of Love" | |
6. | "The Good Girls" | |
7. | "Knapsack" | |
8. | "Just Someone I Had in Mind" | |
9. | "Don't Break the Heart" | |
10. | "That Tone of Voice" | |
11. | "Didn't I?" | |
12. | "We're Stronger than That" |
References
- 1 2 Larkin, Colin (2006). The Encyclopedia of Popular Music. Vol. 7. MUZE. pp. 22–23.
- ↑ "Amy Rigby | Biography & History". AllMusic.
- ↑ Fernandes, Matt (24 Oct 1996). "Diary of a Mod Housewife Amy Rigby (Koch)". St. Louis Post-Dispatch. Get Out. p. 8.
- ↑ Lepage, Mark (20 Mar 1997). "Temp jobs feed into Diary of a Mod Housewife". The Gazette. p. C5.
- 1 2 3 "Robert Christgau: CG: Amy Rigby". www.robertchristgau.com.
- ↑ "Songs From A Marriage". Salon. November 26, 1996.
- ↑ "Reviews & Previews". Billboard. 108 (34): 112. Aug 24, 1996.
- ↑ "Amy Rigby". Trouser Press. Retrieved 2 August 2021.
- 1 2 Moser, Daniel R. (24 Nov 1996). "Amy Rigby, Diary of a Mod Housewife, Koch". Lincoln Journal Star. p. H4.
- ↑ Catlin, Roger (21 May 1997). "TEMP WORK OK FOR RIGBY IF RESULT IS GOOD SONGS". Hartford Courant. p. E1.
- 1 2 "Diary of a Mod Housewife - Amy Rigby | Songs, Reviews, Credits | AllMusic" – via www.allmusic.com.
- ↑ Muretich, James (6 Apr 1997). "New Releases". Calgary Herald. p. C2.
- 1 2 "Diary of a Mod Housewife". EW.com.
- ↑ MusicHound Rock: The Essential Album Guide. Visible Ink Press. 1999. p. 943.
- ↑ Powers, Ann (Oct 1996). "Spins". Spin. 12 (7): 135–136.
- ↑ Pareles, Jon (11 Oct 1996). "Old-Time Rock-and-Roll". The New York Times. p. C37.
- ↑ DeLuca, Dan (11 Jan 1997). "AMY RIGBY AT SILK CITY: GROWN-UP ROCK TALES". The Philadelphia Inquirer. p. D8.
- ↑ Nash, Alanna (Jan 1997). "AMY RIGBY: Diary of a Mod Housewife. KOCH 7922". Stereo Review. 62 (1): 100.