Dimensions in Testimony is a collection of 3D interactive genocide survivor testimonies, produced by USC Shoah Foundation in order to preserve the conversational experience of asking survivors questions about their life and hearing responses in real time,[1] therefore preserving history through first-person narrative.

Using techniques in physical production and post production,[2] individuals who have witnessed some of the most difficult times in human history are interviewed about their lives and a variety of topics, and natural language processing allows those interviews to become interactive exhibitions and displays in museums, educational centers, and other points of interest.

Included in the collection are a series of Holocaust survivors, as well as two World War II Liberators and a survivor of the Nanjing Massacre. To date, testimonies have been conducted in English, Spanish, Hebrew, German, Mandarin, Russian and Swedish. An in-depth evaluation project created by USC Shoah Foundation in 2016 showed the technology to be a "valuable education tool".[3]

History

The project was conceptualized by Heather Maio of Conscience Display and was created in partnership with USC Shoah Foundation and USC's Institute for Creative Technologies. In 2012, the team created a proof of concept for an interactive biography of a genocide survivor, then called "New Dimensions in Testimony". The proof of concept was conducted with survivor Pinchas Gutter, who would go on to film the pilot testimony for the project in April 2014. This pilot would become Dimensions In Testimony's first permanent installation, premiering at the Illinois Holocaust Museum and Education Center in 2015.[4]

"We survivors feel that once we are gone, our story is gone...[now] I’m hoping that many, many years from now, people will still be able to speak with me, that I will be able to answer questions for them, that I’ll make the Holocaust more than just a story.”[5] -Holocaust Survivor Aaron Elster, whose Dimensions in Testimony biography was recorded in 2015

Production

Edward Mosberg, who was interviewed in June 2018

Production for a single interview typically requires a 5-day process, in which the survivor is asked a series of questions, commonly within a rig that is able to film on green screen from multiple angles at once. Between 2013 and 2017, testimonies were filmed within a 116-camera dome at the Institute of Creative Technologies in Playa Vista, CA. In 2018, USC Shoah Foundation developed a mobile rig that allows production crews to travel around the world and film aging survivors in their hometowns volumetrically. Filming from multiple angles “future-proofs” the technology in the hopes that in the future, each testimony might be able to be projected as a hologram using projection display techniques that have yet to be invented.

Thousands of questions are asked and answered over the course of a single interview.[6] To ensure continuity for the duration of the interactive experience, survivors are required to wear the same clothing for each day of interviews and return to a common resting position following each response.

Each interview includes an extensive list of topics that cover life before, during and after conflict as well as off-topic responses in order to have the wide range of information needed to facilitate conversational interactions. Natural language processing and speech recognition allow for the system to map an automated response that best fits a user's question. To maintain usability of each interview as a primary source, USC Shoah Foundation does not animate, edit, or manipulate the video footage of the interviewee's response.

Interviewees

Name[7] Experience Date of Interview Language
Pinchas Gutter Holocaust Survivor April 2014 English
Anita Lasker-Wallfisch Holocaust Survivor September 21–25, 2015 English
Sam Harris Holocaust Survivor October 5–9, 2015 English
Fritzie Fritzshall Holocaust Survivor October 19–23, 2015 English
Aaron Elster Holocaust Survivor November 2–6, 2015 English
Renee Firestone Holocaust Survivor November 30-December 4, 2015 English
Eva Schloss Holocaust Survivor December 14 & 15 2015-January 16 &18, 2016 English
Israel "Izzy" Starck Holocaust Survivor January 26–27, 2016 English
Janine Oberrotman Holocaust Survivor January 28–29, 2016 English
Adina Sella Holocaust Survivor March 7–8, 2016 English
Matus Stolov Holocaust Survivor March 7–8, 2016 English
Eva Kor Holocaust Survivor March 22–26, 2016 English
Xia Shuqin Nanjing Massacre Survivor October 24–27, 2016 Mandarin
Nimrod "Zigi" Ariav Holocaust Survivor October 31-November 4, 2016 English, Hebrew
Stanley Bernath Holocaust Survivor August 15–16, 2017 English
William Morgan Holocaust Survivor September 25–28, 2017 English
Lea Novera Holocaust Survivor May 28–31, 2018 Spanish
Edward Mosberg Holocaust Survivor June 10–14, 2018 English
Max Glauben Holocaust Survivor August 20–24, 2018 English
Sara Rus Holocaust Survivor February 5-March 6, 2019 Spanish
Anita Lasker-Wallfisch Holocaust Survivor March 17–23, 2019 German
Leonid Rosenberg WWII Liberator (Soviet) June 24–28, 2019 Russian
Alan Moskin WWII Liberator (American) October 21–25, 2019 English
Asia Schindelman Holocaust Survivor November 18–22, 2019 Russian
Max Eisen Holocaust Survivor December 16–20, 2019 English
Julio Botton Holocaust Survivor March 2–4, 2020 Spanish
Dolly Botton Holocaust Survivor March 5–6, 2020 Spanish

In the Media

In 2017, independent filmmaker Davina Pardo documented the production process in a 15-minute documentary short entitled "116 Cameras" and an accompanying Opinion piece[8] in the New York Times. The film followed the production of the Dimensions in Testimony interview of Eva Schloss, a Holocaust survivor from Vienna, Austria.

In 2020, American news magazine 60 Minutes ran two segments on Dimensions in Testimony, airing on Sunday, April 5.[9]


References

  1. ↑ Tolerance, Dallas Holocaust Museum/Center for Education and. "Groundbreaking Technology Will Headline New Dallas Holocaust and Human Rights Museum, Allowing Visitors to Interact with Holocaust and Genocide Survivors As If In Same Room". www.prnewswire.com. Retrieved 2020-03-13.
  2. ↑ Swartout, Bill; Traum, David; Debevec, Paul (2012). "Prototypes: New Dimensions in Testimony". Archived from the original on 2013-05-16.
  3. ↑ "New Dimensions in Testimony Proven to be Valuable Educational Tool". USC Shoah Foundation. Archived from the original on 2017-09-14.
  4. ↑ "How Technology Helps Preserve the Testimony of Holocaust Survivors". FRONTLINE. Archived from the original on 2019-05-01.
  5. ↑ Reich, Howard. "How to talk to Holocaust survivors in the future? In Take a Stand's holograms, an answer". chicagotribune.com. Retrieved 2020-03-12.
  6. ↑ "Technology brings images of Holocaust survivors to life". WHYY. Retrieved 2020-03-13.
  7. ↑ "Dimensions in Testimony: The Interviewees". USC Shoah Foundation. Retrieved 2020-03-19.
  8. ↑ Pardo, Davina (2017-09-19). "Opinion | 116 Cameras". The New York Times. ISSN 0362-4331.
  9. ↑ "Artificial intelligence project lets Holocaust survivors share their stories forever". CBS News.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.