Other productions

Dogfight played at the Southwark Playhouse in London from August 8, 2014, through September 13, 2014, in a production directed by Matt Ryan and starring Laura Jane Matthewson as Rose and Jamie Muscato as Eddie.^[4]

The first New York regional production played White Plains Performing Arts Center September 19–21, 2014,^[5] produced by WPPAC and the Harrison Summer Theatre.

The Australian premiere is presented by Neil Gooding Productions in association with the Hayes Theatre Co, Sydney, opening on May 1, 2015, with direction by Neil Gooding.^[6]

The first fully translated production of Dogfight in Dutch opened on June 11, 2015, at the M-Lab theatre in Amsterdam.^[7]

The Chicago premiere of Dogfight opened on September 5, 2015, at Theater Wit with BoHo Theatre. Under the direction of Peter Marston Sullivan, the show was led by Jeff-nominated actress Emily Goldberg (as Rose) and Garrett Lutz (as Eddie Birdlace).

The San Francisco premiere of Dogfight opened on September 22, 2015, at San Francisco Playhouse, with direction by Bill English.^[8]

On October 2, 2015, Dogfight made its New Zealand premiere at Auckland Music Theatre, with direction by Katie Flood.^[9]

The Oklahoma premiere of Dogfight opened on January 23, 2015, at Upstage Theatre, with direction by Patrick Towne, and music direction by Joey Harbert.

The Irish premiere of the show took place in the Granary Theatre, Cork from September 13–15, 2016, with direction by Emily Hutt, musical direction by Michael Young and starring Pearse O'Donoghue as Birdlace, Saoirse Garet as Rose, Mark O'Sullivan as Boland and Shane Corcoran as Bernstein.

The Arizona premier of Dogfight opened on July 14, 2017, at Brelby Theatre of Glendale, with direction by Shelby Maticic, and music direction by CJ O'Hara.^[10]

On May 6, 2017, the show opened in Germany at the Theater für Niedersachsen – Hildesheim, in a complete first German translation with the name "Dogfight – Ein hässliches Spiel".^[11]

A new amateur production of Dogfight played March 6–10, 2018, at London's Bridewell Theatre, produced by Sedos.^[12][13]

The Next Chapter Actors production of Dogfight was held August 10–11 in Appleton, Wisconsin, USA at the Fox Cities Performing Arts Center. Production Director: Kyle Weidman of Little Chute, Wisconsin.

The Belgian premiere of Dogfight, produced by Karthago, opened in GC De Kluize (Oosterzele) on April 12, 2019. The show is directed by Arne Schögler who also did translations and choreography. Musical direction by An Verleysen.

The Scandinavian premiere of Dogfight opened in Oslo at Riksscenen for a limited run on August 26, 2019. Directed by Renate Stridh, choreography by Miguel-Angel Fernandez. Musical direction by Petter Kragstad. This production added three female ensemble members. These were Helene Wibrand as Peggy/ensemble, Andrea Rymoen as Suzette/ensemble and Ingrid Nören Stenersen as Chippy/ensemble. BroadwayWorld Norway called it "an outstanding musical with tender and heartfelt performances."^[14]

Act One

In 1967, Eddie Birdlace, a U.S. Marine just returned from Vietnam, rides a Greyhound bus heading for San Francisco. As he travels through the night, he remembers Rose Fenny ("Prelude: Take Me Back") and the night he spent in San Francisco four years earlier. Memories overwhelm him and suddenly it is November 21, 1963.

The Greyhound bus becomes a military bus, carrying Private First Class Birdlace and his rowdy fellow Marines, fresh out of training and ready for action. Arriving in San Francisco, they are eager to take the town by storm on their last night in the United States ("Some Kinda Time"). Birdlace and his two best friends, Boland and Bernstein, who call themselves the Three Bees ("We Three Bees"), are participating in a dogfight, a cruel game with simple rules. Each Marine puts $50 in the pot. The one who brings the ugliest date to the party wins the money. Birdlace and his friends set off to scour the city for potential dates ("Hey Good-Lookin'").

Birdlace ends up in a diner, where he sees Rose, a shy waitress, quietly playing guitar in a corner booth. He flirts with her, eventually inviting Rose to be his date ("Come to a Party"). Not knowing the true purpose of the evening, she is excited to go on her first date. She tears items from her closet, searching for the perfect dress ("Nothing Short of Wonderful"). Meanwhile, other Marines find their dates, including Boland, who breaks the established rules of the dogfight by inviting Marcy, a wisecracking, near-toothless prostitute eager to win a share of the cash prize that comes with being deemed the ugliest date ("Come to a Party (Reprise)").

As Birdlace and Rose walk to the party, she is chatty, revealing her folk music aspirations and her burgeoning pacifism. When they reach the Nite Lite, a club rented for the party, Birdlace finds himself questioning his plan to subject her to the event. He suggests they go somewhere else and get a bite to eat. Rose believes his change of heart means he is embarrassed by her, that he does not want his friends to meet her. Conflicted, Birdlace acquiesces and they enter the party.

At the table with his friends and their dates, Birdlace drinks heavily and grows sour. He tries unsuccessfully to keep Rose off the dance floor during the slow dance, when the contest is officially judged. As they dance, each Marine presents his date for judging ("That Face"). It is determined that Marcy is the ugliest, crowning Boland the big winner. Later, in the ladies room, Marcy reveals to Rose the true nature of the party ("Dogfight"). A distraught Rose returns to Birdlace. She is furious and deeply hurt and slaps him hard across the face. "I hope there's a war and you get killed," she tells him, before escaping in shame. Back home in her bedroom, surrounded by rejected dresses and dashed hopes, Rose beats herself up for having believed Birdlace's lies ("Pretty Funny").

Act Two

The Marines, reckless and invincible, continue their debaucherous last night with a trip to the arcade and then by visiting a prostitute ("Hometown Hero's Ticker Tape Parade"). But Birdlace cannot bring himself to revel like his friends do. Feeling terrible about how he treated Rose, he leaves them and goes to her. He apologizes as best he can and offers to make it up to her by taking her out to a fancy dinner. At first incredulous, Rose sees Birdlace's apology, though misguided and inarticulate, is in fact genuine. She consents to the date, demanding they never again discuss the dogfight ritual and its indignities. They cautiously set out on their date ("First Date, Last Night").

At a swanky restaurant, Rose challenges Birdlace's tough exterior and cuts through his posturing, lies, and bravado. They share a meal and inch closer to understanding each other. Later, they take in the late-night view from the Golden Gate Bridge. Rose tells Birdlace that, despite its unpleasantness, what happened earlier that night has helped her to a new understanding. She can no longer allow herself to be defined by what other people think of her ("Before It's Over"). In the remaining hours before Birdlace must report and ship out, Rose nervously invites him home with her. They share an awkward and romantic first sexual experience ("Give Way").

The next morning Birdlace returns to his buddies and the world of casual cruelty that shaped him ("Some Kinda Time (Reprise)"). The Marines head overseas, where they will be pawns in the growing Vietnam War. Birdlace sees his friends, including Boland and Bernstein, killed in action. These harsh memories linger as Birdlace arrives in San Francisco in 1967, a broken, confused, lost man, unwelcome and derided ("Come Back"). Birdlace makes his way through the changed city to find an older, wiser Rose at the diner. Compassionate as ever, she welcomes him home ("Finale: Take Me Back").

Original Off-Broadway production